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From the contents: The necessity of intercultural philosophy (Jan Hoogland).- Some reflections on Aristotle's notion of time in an intercultural perspective (Juergen Hengelbrock).- Time in Buddhism and Leibniz: an intercultural perspective (Hari Shankar Prasad).- Time and temporality from the Japanese perspective (Tomonaga Tairako).- Time and African thought (Kwasi Wiredu). (Barbara Arizti Martin).
In this book the editors brought together outstanding articles concerning intercultural aesthetics. The concept ‘Intercultural aesthetics’ creates a home space for an artistic cross-fertilization between cultures, and for heterogeneity, but it is also firmly linked with the intercultural turn within Western and non-Western philosophy. The book is divided into two parts, yet one can sense a clear unity throughout the whole book. This unity is related to the underlying subject that the different authors, each in their own way and from their own background, try to reveal. They use related, and overlapping terms such as ‘the suchness of things’, ‘dancing and shaping lives’, ‘presenting a meaning beyond words, presenting the unpresentable, experiencing’, in order to bring to our awareness the genuine importance of the non-conceptual, next to the conceptual. Several authors moreover take on a reflective, and at times even a self-reflective stance, pointing to the intrinsic relation between cultural aesthetics and ethics, making this book unique in its kind.
Bringing together an international and interdisciplinary group of scholars, Intermedialities: Philosophy, Arts, Politics is a comprehensive collection devoted to the new field of research called 'intermedialities.' The concept of intermedialities stresses the necessity of situating philosophical and political debates on social relations in the divergent contexts of media theories, avant-garde artistic practices, continental philosophy, feminism, and political theory. The 'intermedial' approach to social relations does not focus on the shared identity but instead on the epistemological, ethical, and political status of inter (being-in-between). At stake here are the political analyses of new ...
This book undertakes a critical survey of art history across Europe, examining the recent conceptual and methodological concerns informing the discipline as well as the political, social and ideological factors that have shaped its development in specific national contexts.
African philosophy under the specific conditions of a colonial and postcolonial world is – at least since the 20th century if not even earlier – inherently intercultural. The aim and target of the volume is to reveal, interrogate and analyse the intercultural dimension in African philosophy, and to critically interrogate the project of an intercultural philosophy from an African perspective. This volume is the first publication that explicitly discusses African philosophy as a challenge to the project of intercultural philosophy.
This is the first systematic study of networks of performance collaboration in the contemporary Chinese-speaking world and of their interactions with the artistic communities of the wider East Asian region. It investigates the aesthetics and politics of collaboration to propose a new transnational model for the analysis of Sinophone theatre cultures and to foreground the mobility and relationality of intercultural performance in East Asia. The research draws on extensive fieldwork, interviews with practitioners, and direct observation of performances, rehearsals, and festivals in Asia and Europe. It offers provocative close readings and discourse analysis of an extensive corpus of hitherto untapped sources, including unreleased video materials and unpublished scripts, production notes, and archival documentation.
The chapters in this book offer an in-depth and profound overview of Hegel’s daring, many-faceted philosophical interpretations of the multifarious and dialectically interrelated, historical religions, including the Islam and the ‘revealed’ religion of Christianity (Catholicism and Protestantism).
Winner of the 2020 S.I. Hayakawa Book Prize presented by The Institute of General Semantics Winner of the 2020 Susanne Langer Award for Outstanding Scholarship in the Ecology of Symbolic Form presented by the Media Ecology Association The Beauty of Detours proposes a new way of understanding and defining technology by reading systems thinker Gregory Bateson in the framework of contemporary philosophy of technology. Although "technology" was not an explicit focus of Bateson's oeuvre, Yoni Van Den Eede shows that his thought is permeated with insights directly relevant to contemporary technological concerns. This book provides a systematic reading of Bateson that reveals these under-investigated elements of his thought. It also critiques the field of philosophy of technology for still reifying "technology" too much despite its attempt to de-reify it, arguing instead that it should incorporate Bateson's insights and focus more on processes of human knowing. Sketching a Batesonian philosophy of technology, Van Den Eede calls for greater attentiveness to the purpose of technology and its role in our lives.
A brilliant new work by Luce Irigaray, one of the greatest living French thinkers, in which she deepens her arguments in relation to sexuate difference.