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The conquest of the Byzantine Empire by the armies of the Fourth Crusade resulted in the foundation of several Latin political entities in the lands of Greece. The Companion to Latin Greece offers thematic overviews of the history of the mixed societies that emerged as a result of the conquest. With dedicated chapters on the art, literature, architecture, numismatics, economy, social and religious organisation and the crusading involvement of these Latin states, the volume offers an introduction to the study of Latin Greece and a sampler of the directions in which the field of research is moving. Contributors are: Nikolaos Chrissis, Charalambos Gasparis, Anastasia Papadia-Lala, Nicholas Coureas, David Jaccoby, Julian Baker, Gill Page, Maria Georgopoulou and Sophia Kalopissi-Verti.
This volume engages with notions of lateness and modernity in medieval architecture, broadly conceived geographically, temporally, methodologically, and theoretically. It aims to (re)situate secular and religious buildings from the 14th through the 16th centuries that are indebted to medieval building practices and designs, within the more established narratives of art and architectural history.
A remarkable, in-depth study of Jewish history, culture, and memory in a historic and contemporary German city
The best new research on medieval clothing and textiles, drawing from a range of disciplines. The essays collected here continue the Journal's wide-ranging and eclectic tradition. Topics include literary evidence for linen armour; serial production in late medieval silks; the inventory of Isabella Bruce's bridal goods; the depiction of women textile workers in the frescoes of the Salone of the Palazzo della Ragione in Padua, Italy; ideal female beauty in the Middle Ages and the means used to attain and assess it; and social status as evidenced by clothing and textiles in the Scottish royal treasurer's accounts of the mid-sixteenth century.
No century in modern European history has built monuments with more enthusiasm than the 19th. Of the hundreds of monuments erected, those which sprang from a nation-wide initiative and addressed themselves to a nation, rather than part of a nation, we may call national monuments. Nelson's Column in London or the Arc de Triomphe in Paris are obvious examples. In Germany the 19th century witnessed a veritable flood of monuments, many of which rank as national monuments. These reflected and contributed to a developing sense of national identity and the search for national unity; they also document an unsuccessful effort to create a «genuinely German» style. They constitute a historical record, quite apart from aesthetic appeal or ideological message. As this historical record is examined, German national monuments of the 19th century are described and interpreted against the background of the nationalism which gave birth to them.