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A estabilidade funcional, ao mesmo tempo, garante e aprisiona o servidor. O assédio moral mostra-se particularmente destrutivo, pela dificuldade em abdicar do cargo público e da consequente incolumidade a crises econômicas. A estrutura burocratizada e hierárquica constitui ambiente propício ao psicoterror, dificultando o acesso da vítima a instâncias superiores. A adoção de modelos de gestão focados em resultados, próprios da iniciativa privada, tem deteriorado os ambientes de trabalho, agravando conflitos que degeneram facilmente em assédio. Igualmente, a administração tem incentivado e promovido gestores que conseguem resultados, independentemente de seus custos humanos, transformando o assédio em ferramenta de gestão.
Este livro reúne artigos científicos apresentados e debatidos nos Grupos de Trabalho: “TEORIA DA DEMOCRACIA E DA FILOSOFIA DO ESTADO” e “DIREITO CONSTITUCIONAL” no decorrer do VIII Encontro Internacional do CONPEDI (Conselho Nacional de Pesquisa e Pós-Graduação em Direito - Brasil), realizado entre os dias 06 e 08 de setembro de 2018 na cidade de Zaragoza – Espanha.
Uma maior atenção para a gestão administrativa dos Tribunais de Justiça do Brasil aconteceu a partir da instalação e funcionamento do Conselho Nacional de Justiça (CNJ), que tem por objetivo realizar um controle administrativo e financeiro de todos os tribunais brasileiros, inclusive os tribunais superiores. A presente obra realiza uma reflexão crítica sobre a interação do CNJ com os tribunais estaduais, na busca por melhoria dos níveis de eficiência do segmento da Justiça Estadual, no período de 2004 a 2013. As análises foram estabelecidas tendo por base entrevistas realizadas com ex-conselheiros do CNJ, confrontadas com as publicações produzidas ao longo dessa primeira década de funcionamento do órgão. Espera-se que a obra sirva como referência para outros pesquisadores da Gestão do Poder Judiciário, bem como para reforçar a importância das instituições de controle interno dentro do Sistema de Justiça brasileiro.
A reference guide to the vast array of art song literature and composers from Latin America, this book introduces the music of Latin America from a singer's perspective and provides a basis for research into the songs of this richly musical area of the world. The book is divided by country into 22 chapters, with each chapter containing an introductory essay on the music of the region, a catalog of art songs for that country, and a list of publishers. Some chapters include information on additional sources. Singers and teachers may use descriptive annotations (language, poet) or pedagogical annotations (range, tessitura) to determine which pieces are appropriate for their voices or programming needs, or those of their students. The guide will be a valuable resource for vocalists and researchers, however familiar they may be with this glorious repertoire.
A comprehensive overview of how Michigan's government and political institutions function
Juan Bautista Plaza (1898-1965) was one of the most important musicians in the history of Venezuela. In addition to composing in a variety of genres and styles, he was the leading figure in Venezuelan music education and musicology at a time when his compatriots were seeking to solidify their cultural identity. Plaza's compositions in the emerging nationalist style and his efforts to improve musical institutions in his home country parallel the work of contemporaneous Latin American musicians including Carlos Chávez of Mexico, Amadeo Roldán of Cuba, and Camargo Guarnieri of Brazil. Plaza's life and music are little studied, and Labonville's ambitious book is the first in English to be based on his extensive writings and compositions. As these and other documents show, Plaza filled numerous roles in Venezuela's musical infrastructure including researcher, performer, teacher, composer, promoter, critic, chapel master, and director of national culture. Labonville examines Plaza's many roles in an attempt to assess how the nationalist spirit affected art music culture in Venezuela, and what changes it brought to Venezuela's musical landscape.
The continued spread of democracy into the twenty-first century has seen two-thirds of the almost two hundred independent countries of the world adopting this model. In these newer democracies, one of the biggest challenges has been to establish the proper balance between the civilian and military sectors. A fundamental question of power must be addressed—who guards the guardians and how? In this volume of essays, contributors associated with the Center for Civil-Military Relations in Monterey, California, offer firsthand observations about civil-military relations in a broad range of regions including Latin America, Africa, Asia, and Eastern Europe. Despite diversity among the consolidati...
Twenty essays by major filmmakers and critics provide the first survey of the evolution of documentary film in Latin America. While acknowledging the political and historical weight of the documentary, the contributors are also concerned with the aesthetic dimensions of the medium and how Latin American practitioners have defined the boundaries of the form.
Based on a conference held in Washington, DC, 13-14 Mar 1995.
Building on the strengths of the first edition, the second edition of Latin American Classical Composers: A Biographical Dictionary presents expanded and updated coverage of its topic with an aim to be comprehensive. The authors have conducted exhaustive research to fill in gaps and correct minor errors in the first edition, adding young composers and documenting deaths since 1996, when the first edition appeared. Hundreds of composers are represented in this volume, which presents biographical data, including dates of birth and death, personal information about composers' background and training, and a selective listing of each composer's works. Sources for further study are noted within each entry. An index of composers by country rounds out this work.