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Arcadia
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Latin American Comics in the Twenty-First Century
How twenty-first-century Latin American comics transgress social, political, and cultural frontiers. Given comics’ ability to cross borders, Latin American creators have used the form to transgress the political, social, spatial, and cultural borders that shape the region. A groundbreaking and comprehensive study of twenty-first-century Latin American comics, Latin American Comics in the Twenty-First Century documents how these works move beyond national boundaries and explores new aspects of the form, its subjects, and its creators. Latin American comics production is arguably more interconnected and more networked across national borders than ever before. Analyzing works from Argentina, ...
Arcadia
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The Edinburgh Companion to Women in Publishing, 1900–2020
Women's creative labour in publishing has often been overlooked. This book draws on dynamic new work in feminist book history and publishing studies to offer the first comparative collection exploring women's diverse, deeply embedded work in modern publishing. Highlighting the value of networks, collaboration, and archives, the companion sets out new ways of reading women's contributions to the production and circulation of global print cultures. With an international, intergenerational set of contributors using diverse methodologies, essays explore women working in publishing transatlantically, on the continent, and beyond the Anglosphere. The book combines new work on high-profile women publishers and editors alongside analysis of women's work as translators, illustrators, booksellers, advertisers, patrons, and publisher's readers; complemented by new oral histories and interviews with leading women in publishing today. The first collection of its kind, the companion helps establish and shape a thriving new research field.
Arcadia
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Arcadia
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Arcadia
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Arcadia
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Arcadia
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La memoria de las piedras
"En La memoria de las piedras, Catalina Holguín toma el caos que es nuestra vida y lo ordena, para que podamos ver el horror. Y desde ahí, nos invita a soltar la cuerda y saltar, asidos del recuerdo de un verso". Margarita Valencia Ada vive con su madre en la Planicie Sur Occidente, en una pieza precaria. Separan basura en la planta y cultivan a escondidas algunas legumbres. Aunque las aguas negras tienden a inundar sus calles, al menos no habitan en el Subsuelo, lugar del que mucho se rumora, pero poco se sabe. Una noche, agentes de Las Lomas se llevan a Ada en una camioneta sin ventanas y durante días le practican procedimientos médicos que irá entendiendo en la medida en que se concr...
