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City in the Desert
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The Making of Islamic Heritage
This book is open access under a CC BY 4.0 license. Offering key insights into critical debates on the construction, management and destruction of heritage in Muslim contexts, this volume considers how Islamic heritages are constructed through texts and practices which award heritage value. It examines how the monolithic representation of Islamic heritage (as a singular construct) can be enriched by the true diversity of Islamic heritages and how endangerment and vulnerability in this type of heritage construct can be re-conceptualized. Assessing these questions through an interdisciplinary lens including heritage studies, anthropology, history, conservation, religious studies and archaeology, this pivot covers global and local examples including heritage case studies from Indonesia, Egypt, Saudi Arabia, Iran, Jordan, and Pakistan.
Revisiting Al-Andalus
Revisiting al-Andalus brings together a range of new approaches to the material culture of Islamic Iberia, highlighting especially new directions in Anglo-American scholarship in this field since the influential exhibition in 1992, Al-Andalus: the Art of Islamic Spain.
Creating Diversities
The effects of globalization and the momentous changes to the political map of Europe have led to a world in which multiculturalism and ethnic differences have become issues of increasing importance. In Nordic countries, relationships between new immigrants, local ethnic groups and majorities are created in ongoing and sometimes heated discussions. In transforming multicultural societies, folklore has taken on new manifestations and meanings. How can folklore studies illuminate the present cultural, political and historical changes? "Creating Diversities. Folklore, Religion and the Politics of Heritage", edited by Anna-Leena Siikala, Barbro Klein and Stein R. Mathisen, seeks answers to this ...
Studies in the Islamic Decorative Arts
Islamic artists channelled their energies not into easel painting and large-scale sculpture, but rather into what Western scholars, obeying a very different hierarchy of art forms, rather disparagingly term the decorative arts or even the minor arts. In point of fact, some of the greatest masterpieces of Islamic art are in the media of ceramics, metalwork, textiles, ivory and glass. Often the images they bear express a complex set of meanings, for Islam inherited much material from the iconographic systems of earlier civilizations, notably those of the ancient Near East and of the classical world. Islam also developed its own distinctive vocabulary of signs and symbols. Accordingly, question...
Prayer in Islamic Thought and Practice
The five daily prayers (Salāt) that constitute the second pillar of Islam deeply pervade the everyday life of observant Muslims. Until now, however, no general study has analyzed the rules governing Salāt, the historical dimensions of its practice and the rich variety of ways that it has been interpreted within the Islamic tradition. Marion Holmes Katz's richly textured book offers a broad historical survey of the rules, values and interpretations relating to Salāt. This innovative study on the subject examines the different ways in which prayer has been understood in Islamic law, Sufi mysticism and Islamic philosophy. Katz's book also goes beyond the spiritual realm to analyze the political dimensions of prayer, including scholars' concerns about the righteousness and piety of rulers. The last chapter raises significant issues around gender roles, including the question of women's participating in and leading public worship. This book will resonate with students of Islamic history and comparative religion.
The Oxford Handbook of the Sociology of the Middle East
The Oxford Handbook of the Sociology of the Middle East integrates the study of the social dynamics in the Middle East within history, culture, and politics. The volume transcends a purely regional perspective to investigate the global nature of these dynamics and their impact on the life of people in the region. It provides a comprehensive perspective in connecting the vexed state-society relations in the region with movements of transformation and the affirmation of rights and creativity in the public arenas.
Orientalism's Interlocutors
Until now, Orientalist art—exemplified by paintings of harems, slave markets, or bazaars—has predominantly been understood to reflect Western interpretations and to perpetuate reductive, often demeaning stereotypes of the exotic East. Orientalism's Interlocutors contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Focusing on paintings and other representations of North African and Ottoman cultures, by both local artists and westerners, the contributors contend that the stylistic similarities between indigenous and Western Orientalist art mask profound interpretive dif...
Hassan Fathy and Continuity in Islamic Arts and Architecture
Hassan Fathy, the Egyptian architect known for his recognition of the potential of vernacular forms as a vital force in contemporary architectural design, sought to integrate the traditions of Islamic art with his modern visions for living. Guided by Fathy's principles, Ahmad Hamid, an architect who collaborated with Hassan Fathy in the Institute for Appropriate Technology, identifies questions about the nature of Islamic art and its building culture, as well as the origins of modern architecture. This richly illustrated book provides new insights into Hassan Fathy's profuse, pathbreaking design documents and built projects, while exploring the socioeconomic, environmental, psychological, and esthetic components of Fathy's work in the light of a quest for a new universal modernity for the twenty-first century.
The Islamic Villa in Early Medieval Iberia
Exploring the aristocratic villas and court culture of C?ba, during its 'golden age' under the reign of the Umayyad dynasty (r. 756-1031 AD), this study illuminates a key facet of the secular architecture of the court and its relationship to the well-known Umayyad luxury arts. Based on textual and archaeological evidence, it offers a detailed analysis of the estates' architecture and gardens within a synthetic socio-historical framework. Author Glaire Anderson focuses closely on the C?ban case study, synthesizing the archaeological evidence for the villas that has been unearthed from the 1980s up to 2009, with extant works of Andalusi art and architecture, as well as evidence from the Arabic...
