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Gan jiao ri yue huan xin tian, and others
  • Language: zh-CN
Linguistic Engineering
  • Language: en
  • Pages: 360

Linguistic Engineering

When Mao and the Chinese Communist Party won power in 1949, they were determined to create new, revolutionary human beings. Their most precise instrument of ideological transformation was a massive program of linguistic engineering. They taught everyone a new political vocabulary, gave old words new meanings, converted traditional terms to revolutionary purposes, suppressed words that expressed "incorrect" thought, and required the whole population to recite slogans, stock phrases, and scripts that gave "correct" linguistic form to "correct" thought. They assumed that constant repetition would cause the revolutionary formulae to penetrate people's minds, engendering revolutionary beliefs and...

Chairman Mao Badges
  • Language: en
  • Pages: 230

Chairman Mao Badges

Millions of Chairman Mao badges were produced during China's Cultural Revolution, and were worn by almost all Chinese people, from Premier Zhou Enlai down to the smallest child. Made in a wide variety of materials (aluminium, plastic, bamboo, porcelain, gold, silver, copper, iron and lead) and with an extensive range of shapes, sizes and designs, they immediately became collectors' items. To give an idea of scale, in China today serious collections start at 10,000 different Mao badges. This catalogue starts with the modest collection of 300 Mao badges at the British Museum. It is the first serious catalogue of its kind in a Western language. While Chinese catalogues assume an extensive prior knowledge of Chinese revolutionary history, this new English catalogue is designed for the beginner and specialist alike, offering a narrative history, as well as extensive glossaries of the symbolic imagery and slogans found on the badges.

China's Continuous Revolution
  • Language: en
  • Pages: 348

China's Continuous Revolution

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The Cultural Revolution at the Margins
  • Language: en
  • Pages: 360

The Cultural Revolution at the Margins

The Cultural Revolution began from above, yet it was students and workers at the grassroots who advanced the movement's radical possibilities by acting and thinking for themselves. Resolving to suppress the resulting crisis, Mao set events in motion in 1968 that left out in the cold those rebels who had taken it most seriously, Yiching Wu shows.

The Cold War and the Origins of Foreign Relations of the People’s Republic of China
  • Language: en
  • Pages: 379

The Cold War and the Origins of Foreign Relations of the People’s Republic of China

  • Type: Book
  • -
  • Published: 2018-10-16
  • -
  • Publisher: BRILL

In The Cold War and the Origin of Diplomacy of People’s Republic of China, Niu Jun offers a new analytical framework for understanding the Cold War and PRC’s diplomacy from 1949 to 1955. He sees it as an interactive historical process between the Cold War, China’s domestic transition from revolution to nation-building, and the revolutionary ideology in the minds of Chinese leaders and Chinese people. Niu Jun’s analytical framework sheds fresh light on the widely studied events of PRC’s diplomacy such as China’s alliance with the Soviet Union and confrontation with the U.S., military actions on the Korean Peninsula and in Indochina, settlement of the first Taiwan Strait crisis, development of nuclear weapons, and so on.

The People's Republic of China, International Law, and Arms Control
  • Language: en
  • Pages: 358
The Politics of the Core Leader in China
  • Language: en
  • Pages: 439

The Politics of the Core Leader in China

This is the first full-length scholarly study of the Chinese 'core' leader and his role in the Chinese Communist Party's elite politics.

Death by Default
  • Language: en
  • Pages: 412

Death by Default

  • Categories: Law

- A New Order

Mainstream Culture Refocused
  • Language: en
  • Pages: 233

Mainstream Culture Refocused

  • Categories: Art

Serialized television drama (dianshiju), perhaps the most popular and influential cultural form in China over the past three decades, offers a wide and penetrating look at the tensions and contradictions of the post-revolutionary and pro-market period. Zhong Xueping’s timely new work draws attention to the multiple cultural and historical legacies that coexist and challenge each other within this dominant form of story telling. Although scholars tend to focus their attention on elite cultural trends and avant garde movements in literature and film, Zhong argues for recognizing the complexity of dianshiju’s melodramatic mode and its various subgenres, in effect "refocusing" mainstream Chi...