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Introduction, Horacio Torrent
The remarkably prolific career of an innovative young Chilean architect is profiled in this engaging study. Born in 1965 and in professional practice since 1991, this architect's impact on his native landscape is observed mainly in a series of private houses located in some of the most sublime sites in Chile. The forceful yet austere character of his design approach and its radical relationship to surrounding landscape elements can be fully appreciated by viewing this book's fine pictorial panorama.
Chilean Modern Architecture since 1950
Chilean architecture—along with that of São Paolo and Mexico City—sets a benchmark for the intersection of modernism with vernacular influences in Latin America. Culture, landscape, and the geology of this earthquake-prone region have all served as important filters for the practice of post-1950s design in Chile. This volume introduces the modern architecture of Chile to readers in the United States. Looking primarily at domestic architecture as a lens for studying the larger movement, Fernando Pérez Oyarzun considers the relationship between theory and practice in Chile. As he shows in his chapter, during the early 1950s the School of Valparaíso offered the possibility of developing ...
Radical Pedagogies
Experiments in architectural education in the post–World War II era that challenged and transformed architectural discourse and practice. In the decades after World War II, new forms of learning transformed architectural education. These radical experiments sought to upend disciplinary foundations and conventional assumptions about the nature of architecture as much as they challenged modernist and colonial norms, decentered building, imagined new roles for the architect, and envisioned participatory forms of practice. Although many of the experimental programs were subsequently abandoned, terminated, or assimilated, they nevertheless helped shape and in some sense define architectural dis...
The Challenge of Change
"The legacy of the Modern Movement has gained legendary status, largely as a result of the appreciation of the masterworks and the visionary architectural concepts. In the reality of everyday life, however, it has been difficult to maintain the architectural creations of the Modern Movement in such a way that they still reflect the original intentions of their designers. Many buildings and ensembles of the Modern Movement have already been saved; the icons amongst these have even become so precious that they are treated like pieces of art rather than as buildings in everyday use. But despite the successes that have been achieved, many buildings and ensembles are still at risk of demolition o...
The Challenge of Change: Dealing with the Legacy of the Modern Movement
Conservation of architecture - and the conversation of Modern architecture in particular – has assumed new challenges. Rather than attempting to return a Modern building to its resumed original state, the challenge of these proceedings is to revalue the essence of the manifold manifestations of Modern architecture and redefine its meanings in a rapidly changing world of digital revolution, worldwide mobility and environmental awareness. This volume aims to provide a variety of platforms for the exchange of ideas and experience. A large, international group of architects, historians, scholars, preservationists and other parties involved in the processes of preserving, renovating and transfo...
Mathias Klotz
Since first starting his practice in the late 1980s, the Santiago-based architect Mathias Klotz (b. 1965) has designed buildings from Chile to China that combine Modernist inspiration with local construction techniques. Having won the Borromini prize for best architect under forty in 2001, Klotz has gone from being known in his native Chile for a series of award-winning single-family residences to larger, more challenging projects--including university buildings, military housing, and commercial properties that expand his architectural vision into the international realm.
Modern Architecture in Latin America
Modern Architecture in Latin America: Art, Technology, and Utopia is an introductory text on the issues, polemics, and works that represent the complex processes of political, economic, and cultural modernization in the twentieth century. The number and types of projects varied greatly from country to country, but, as a whole, the region produced a significant body of architecture that has never before been presented in a single volume in any language. Modern Architecture in Latin America is the first comprehensive history of this important production. Designed as a survey and focused on key examples/paradigms arranged chronologically from 1903 to 2003, this volume covers a myriad of countri...
2G : revista internacional de arquitectura
Mathias Klotz (Viña del Mar, Chile, 1965) is the most international figure among the new generation of Chilean architects. His work has been published in specialised magazines the world over, especially since receiving the 2001 Borromini Prize for the best architect under forty for his well-known Altamira School in Santiago de Chile. Despite working in and from the peripheral situation of Chile, from a position that for the Western world is almost exotic, his oeuvre alludes more to the second generation of Modern Movement architects, particularly the work of Marcel Breuer in the USA, than to the historicist sentimentality and formal localism of his own country, this meaning that his buildings can be bracketed within the best of the world's contemporary architectural output. This issue contains two introductory texts by Stan Allen and Horacio Torrent which reflect on Mathias Klotz's architecture within the national and international architectural context, and ends with a short consideration of working conditions and design methods by the architect himself called "About My Work", plus an interview undertaken especially for this number by Hernán Garfias.
The Metropolis in Latin America, 1830-1930
This volume examines the unprecedented growth of several cities in Latin America from 1830 to 1930, observing how sociopolitical changes and upheavals created the conditions for the birth of the metropolis. In the century between 1830 and 1930, following independence from Spain and Portugal, major cities in Latin America experienced large-scale growth, with the development of a new urban bourgeois elite interested in projects of modernization and rapid industrialization. At the same time, the lower classes were eradicated from old city districts and deported to the outskirts. The Metropolis in Latin America, 1830–1930 surveys this expansion, focusing on six capital cities—Havana, Mexico ...
Experiments with Life Itself
Every book relating the history of modern architecture features a large number of pages dedicated to avant-garde designs and the formation of the modern movement in the interwar years, and a similar number devoted to reconstruction and expansion after the Second World War. Meanwhile, as if owing to lack of understanding or convenient silence, there is void of dark years, of wars, exile and misfortune about which little can be said. However, it was in these dark times, as in so many other revealing moments in the history of culture, that experimental and profoundly invigorating experiences were taking place. Architects and artists voluntarily or forcibly driven to the margins of social importance began to react to a culturally unsustainable situation of which we know very little even today. In Experiments with Life Itself, Francisco Gonzalez de Canales studies a series of unrelated cases from the late 1930s to the late 1950s that he refers to as domestic self-experimentation.
