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Winner of the Australian/Vogel's Literary Award 1999. 'For the first time in my life, I saw my mother in relation to her family, and I didn't recognise her any more.These Singaporean roots of hers, this side of her - and possibly of me too - were unacceptable. I was determined not to belong, not to fit in, because I was Australian, and Mum ought to be Australian too. The tug of her roots, the blurring of her role from wife and mother to sister and aunt, angered me.' On the eve of her mother's wake, Grace Tay flies to Singapore to join her father and brother and her mother's family. Here she explores her family history, looking for the answers to her mother's death. This beautiful and moving novel steps between Singapore, Malaysia and Australia, evoking the life, the traditions and tastes of a forceful Chinese family as well as the hardship, the cruelty and pain. Written in a fresh, contemporary voice tinged with biting humour, this is a story about resilience, a story about migration, but in many ways it is a story about parents' expectations for their children.
The Sheik—E. M. Hull’s best-selling novel that became a wildly popular film starring Rudolph Valentino—kindled “sheik fever” across the Western world in the 1920s. A craze for all things romantically “Oriental” swept through fashion, film, and literature, spawning imitations and parodies without number. While that fervor has largely subsided, tales of passion between Western women and Arab men continue to enthrall readers of today’s mass-market romance novels. In this groundbreaking cultural history, Hsu-Ming Teo traces the literary lineage of these desert romances and historical bodice rippers from the twelfth to the twenty-first century and explores the gendered cultural an...
Popular romance fiction constitutes the largest segment of the global book market. Bringing together an international group of scholars, The Routledge Research Companion to Popular Romance Fiction offers a ground-breaking exploration of this global genre and its remarkable readership. In recognition of the diversity of the form, the Companion provides a history of the genre, an overview of disciplinary approaches to studying romance fiction, and critical analyses of important subgenres, themes, and topics. It also highlights new and understudied avenues of inquiry for future research in this vibrant and still-emerging field. The first systematic, comprehensive resource on romance fiction, this Companion will be invaluable to students and scholars, and accessible to romance readers.
Three friends struggle to keep love, race, and sex from tearing them apart.
“Behind the Moon is a satisfying, original and thought-provoking pleasure.”—Good Reading Magazine “Neatly balanc[es] betrayal and real drama, with farce and macabre, biting humour. . . . Highly recommended.”—Australian Bookseller & Publisher Outsiders and misfits in their Australian school, three friends form a mutual bond: Justin Cheong, an only child and the idol of his Singaporean-Chinese parents; Tien Ho—daughter of a Vietnamese mother who stayed behind and an African American soldier she has never met—who lives with indifferent relatives; and Nigel “Gibbo” Gibson, an oddity: an Australian boy who, to his father’s chagrin, dislikes sports. When Tien Ho’s mother ar...
This book is the first major attempt to examine the cultural manifestations of the demise of imperialism as a social and political ideology in post-war Britain. Far from being a matter of indifference or resigned acceptance as is often suggested, the fall of the British Empire came as a profound shock to the British national imagination, and resonated widely in British popular culture. The sheer range of subjects discussed, from the satire boom of the 1960s to the worlds of sport and the arts, demonstrates how profoundly decolonisation was absorbed into the popular consciousness. Offers an extremely novel and provocative interpretation of post-war British cultural history, and opens up a whole new field of enquiry in the history of decolonisation.
From a variety of historically grounded perspectives, After the Imperial Turn assesses the fate of the nation as a subject of disciplinary inquiry. In light of the turn toward scholarship focused on imperialism and postcolonialism, this provocative collection investigates whether the nation remains central, adequate, or even possible as an analytical category for studying history. These twenty essays, primarily by historians, exemplify cultural approaches to histories of nationalism and imperialism even as they critically examine the implications of such approaches. While most of the contributors discuss British imperialism and its repercussions, the volume also includes, as counterpoints, e...
The Routledge Companion to Romantic Love is a multidisciplinary and interdisciplinary reference work essential for students and researchers interested in the field of love, romance and popular romance fiction. This first-of-its-kind volume illustrates the broad and interdisciplinary nature of love studies. International contributors, including leaders in their field, reflect a range of perspectives from cultural studies, history, literature, popular romance studies, American studies, sociology and gender studies. Comprising over 30 chapters by a team of international contributors the Companion is divided into 12 parts: Love, romance and historical and social change Love and feminist discours...
This collection is an enterprise of discovery and critical inquiry into the legacy of one of late modernity's greatest public intellectuals, Edward Said. Noted contributors, including Bill Ashcroft, John Docker, Lisa Lowe, Hsu-ming Teo and Patrick Wolfe, address an array of intellectual, political and cultural issues in their engagement with Said's oeuvre. Exciting new scholarship highlights the ways in which humanities in the twenty-first century can engage with Said's legacy, which includes his imbrications of culture and imperialism, his cosmopolitan critique of the idea of 'clash of civilisations', and his belief that the intellectual needs to maintain 'intellectual performances' on many fronts. The individual chapters achieve a sense of balance between the two poles of Said's persona: the brilliant and intimidating literary and music critic who invested deeply in an inclusive and democratic vision of humanism and the outspoken public intellectual who kept alive the truth of Palestine and the dangers of a settler colonial ethos.
How important is romantic love in Australian culture? How have Australians portrayed falling in love? And how is this process related to sex, intimacy and marriage? Does gender shape the performance and expression of love? Has romantic love been co-opted by the market and repackaged as a product for consumption? Is there a role for romantic love in nation-building? This book explores how love was represented in Australia from the mid-nineteenth century to the present day. It looks at the courtship practices of colonial Australians and what they understood by love. It traces the rise in popularity of Valentine's Day. It analyses how love has been represented in film, television mini-series, romance novels, comics, pop and country music, the literature of sexology, and representations and political debates about same-sex love and marriage.