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Sea Change
Textiles were the second-most-traded commodity in all of world history, preceded only by grain. In the Ottoman Empire in particular, the sale and exchange of silks, cottons, and woolens generated an immense amount of revenue and touched every level of society, from rural women tending silkworms to pashas flaunting layers of watered camlet to merchants traveling to Mecca and beyond. Sea Change offers the first comprehensive history of the Ottoman textile sector, arguing that the trade's enduring success resulted from its openness to expertise and objects from far-flung locations. Amanda Phillips skillfully marries art history with social and economic history, integrating formal analysis of various textiles into wider discussions of how trade, technology, and migration impacted the production and consumption of textiles in the Mediterranean from around 1400 to 1800. Surveying a vast network of textile topographies that stretched from India to Italy and from Egypt to Iran, Sea Change illuminates often neglected aspects of material culture, showcasing the objects' ability to tell new kinds of stories.
Bilgi ve belge yönetimi: kuramsal yaklaşımlar
Bilgi ve belge yönetimi alanında nereye doğru gittiğimizi anlamak, geleceği görmek, bu alanın gerçeğini kavramak ancak kuramsal yaklaşımlarla olanaklıdır. Hele bir uygulama alanı olarak teknolojinin alanımızdaki ağırlığı ve deyim yerindeyse, “meydan okumaları” bu denli artmışken kuram bir o kadar gerekli, önemli ve değerli görünmektedir.
Altan Gürman
Every endeavour to review and write the history of contemporary art in Turkey calls upon the name of a pioneering, founding artist who marks a turning point, a moment of beginning: Altan Gürman (1935-1976). Altan Gürman’s oeuvre is brought to viewers for the first time in such an exhaustive capacity through one of the inaugural exhibitions at Arter’s new building in Dolapdere. The catalogue accompanying the exhibition, curated by Başak Doğa Temür, not only features almost all of Altan Gürman’s works included in the Arter Collection, but also presents to readers various documents, drawings, sketches, correspondences, photographs, class notes, slides, and meticulous arrangements fr...
Finansal Ekonomi
None
Collecting Inspiration: Edward C. Moore at Tiffany & Co.
Edward C. Moore (1827–1891) was the creative leader who brought Tiffany & Co. to unparalleled originality and success during the late nineteenth century. A silversmith, designer, and prodigious collector, Moore sought out exceptional objects from around the world, which he then used as inspiration for Tiffany’s innovative silver designs. This informative, richly illustrated volume, the first study of Moore’s life, collection, and influence, presents more than 170 examples from his vast collection, ranging from Greek and Roman glass to Spanish vases, Islamic metalwork, and Japanese textiles. These are juxtaposed with sixty magnificent silver objects created by the designers and artisans...
The Cambridge Global History of Fashion: Volume 1
Volume I surveys the long history of fashion from the ancient world to c. 1800. The volume seeks to answer fundamental questions on the origins of fashion, challenging Eurocentric explanations that the emergence of fashion was a European phenomenon and shows instead that fashion found early expressions across the globe well before the age of European colonialism and imperialism. It sheds light on how fashion was experienced in a multitude of ways depending on class, gender, and race, and despite geographical distance, fashion connected populations across the globe. Fashions flowered and were reseeded, through entanglements of empire, forced and voluntary migration, evolving racial systems, burgeoning sea travel and transcontinental systems.
Living the Good Life
Eighteenth-century consumers of the Qing and Ottoman empires had access to an increasingly diverse array of goods, from home furnishings to fashionable clothes and new foodstuffs. While this tendency was of shorter duration and intensity in the Ottoman world, some urbanites of the sultans’ realm did enjoy silks, coffee, and Chinese porcelain. By contrast, a vibrant consumer culture flourished in Qing China, where many consumers flaunted their fur coats and indulged in gourmet dining. Living the Good Life explores how goods furthered the expansion of social networks, alliance-building between rulers and regional elites, and the expression of elite, urban, and gender identities. The scholarship in the present volume highlights the recently emerging “material turn” in Qing and Ottoman historiographies and provides a framework for future research. Contributors: Arif Bilgin, Michael G. Chang, Edhem Eldem, Colette Establet, Antonia Finnane, Selim Karahasanoglu, Lai Hui-min, Amanda Phillips, Hedda Reindl-Kiel, Martina Siebert, Su Te-Cheng, Joanna Waley-Cohen, Wang Dagang, Wu Jen-shu, Yıldız Yılmaz, and Yun Yan.
Anahtar - II & Kütüphanecilik, Arşivcilik ve Dokümantasyon-Enformasyon Alanlarında Yayınlanan Toplantı, Anı, Armağan ve Derleme Kitaplar Dizini
Library science; Turkey; bibliography; indexes.
II.Uluslararası Rating Academy Kongresi: UMUT BİLDİRİLER
KONU BAŞLIKLARI - HETJENS MÜZESİ – ALMAN SERAMİK MÜZESİ - 19. YÜZYILA KADAR RESİM – FOTOĞRAF İLİŞKİSİ - GEOMETRİNİN SANAT ESERİ ÜRETİMİNDE YARATICILIĞA ETKİSİNE BİR ÖRNEK, "EVİRE ÇEVİRE" HEYKEL SERGİSİ - UMUDUN SEMBOLÜ OLARAK İKONOGRAFİDE VE SANATTA DENİZCİ ÇIPASI - EPİSTEMOLOJİK BİR PROBLEM OLARAK SANAT ESERİ - ROMANTİK RESİMDE UMUT ÜLKÜSÜ - KÜRESELLEŞME VE GELİR DAĞILIMI - SOSYO-EKONOMİK KALKINMA AÇISINDAN KAMU SEKTÖRÜ BİLGİSİNİN ÖNEMİ: TÜRKİYE ÜZERİNE BİR DEĞERLENDİRME - SOCIAL ECONOMY ENTERPRISES IN CONTEXT OF “SUSTAINABLE AND INCLUSIVE DEVELOPMENT PARADIGM”: EU SAMPLE - TÜKETİCİLERİN ONLİNE SATIN ALMA DAVRANI...
