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Perceiving in Depth, Volume 1: Basic Mechanisms
The three-volume work Perceiving in Depth is a sequel to Binocular Vision and Stereopsis and to Seeing in Depth, both by Ian P. Howard and Brian J. Rogers. This work is much broader in scope than the previous books and includes mechanisms of depth perception by all senses, including aural, electrosensory organs, and the somatosensory system. Volume 1 reviews sensory coding, psychophysical and analytic procedures, and basic visual mechanisms. Volume 2 reviews stereoscopic vision. Volume 3 reviews all mechanisms of depth perception other than stereoscopic vision. The three volumes are extensively illustrated and referenced and provide the most detailed review of all aspects of perceiving the t...
Binocular Rivalry
Recent work on perceptual ambiguity and its implications for the correlation between neural events and perceptual experience. Researchers today in neuroscience and cognitive psychology increasingly turn their attention to binocular rivalry and other forms of perceptual ambiguity or bistability. The study of fluctuations in visual perception in the face of unchanging visual input offers a means for understanding the link between neural events and visual events, including visual awareness. Some neuroscientists believe that binocular rivalry reveals a fundamental aspect of human cognition and provides a way to isolate and study brain areas involved in attention and selection. The eighteen essay...
Perceiving in Depth, Volume 2
Volume 2 addresses stereoscopic vision. It starts with the physiology of stereoscopic mechanisms. It then deals with binocular rivalry, binocular summation, and interocular transfer. A review of how images are brought into binocular register is followed by a review of stimulus tokens used to detect disparities. Cyclopean effects, such as cyclopean illusions, cyclopean motion, texture segregation, and binocular direction are reviewed. Factors that influence stereoacuity are discussed. Two chapters describe how stimuli in distinct depth planes produce contrast effects, and affect motion perception and whiteness perception. The Pulfrich stereomotion effect and perception of motion in depth are reviewed. The volume ends with a review of applications of stereoscopy.
The Routledge Companion to Landscape Studies
This new edition of The Routledge Companion to Landscape Studies contains an updated and expanded selection of original chapters which explore research directions in an array of disciplines sharing a concern for ‘landscape’, a term which has many uses and meanings. It features 33 revised and/or updated chapters and 14 entirely new chapters on topics such as the Anthropocene, Indigenous landscapes, challenging landscape Eurocentrisms, photography and green infrastructure planning. The volume is divided into four parts: Experiencing landscape; Landscape, heritage and culture; Landscape, society and justice; and Design and planning for landscape. Collectively, the book provides a critical r...
Seeing in Depth
In its two volumes 'Seeing in Depth' provides a detailed review of all aspects of seeing the three-dimensional world, along with 7,000 references and 800 illustrations. This book is a valuable resource for researchers in space perception, visual neuroscience, ophthalmology, optometry, visual development, animal vision, and computational vision.
Levels of Perception
In this book the authors relate and discuss the idea that perceptual processes can be considered at many levels. A phenomenon that appears at one level may not be the same as a superficially similar phenomenon that appears at a different level. For example "induced motion" can be analyzed in terms of eye movements or at the retinal level or at a much higher cognitive level: how do these analyses fit together? The concept of levels also makes us think of the flow of information between levels, which leads to a consideration of the roles of top-down and bottom-up (or feed-forward, feed-back) flow. There are sections devoted to vestibular processing, eye movement processing and processing during brightness perception. The final section covers levels of processing in spatial vision. All scientists and graduate students working in vision will be interested in this book as well as people involved in using visual processes in computer animations, display design or the sensory systems of machines.
Perceiving in Depth: Stereoscopic vision
"The proposed three volumes are the latest installment in Ian Howard's amazing ongoing project of providing the most comprehensive review available anywhereof all aspects of how humans and animals perceive and navigate the three-dimensional world. The current book set is even more complete in its coverage than the two previous editions have been. With 37 chapters, 1800 illustrations, and 8,000 references, it covers psychophysics, coding, physiology, development of systems and functions, results of deprivation, accommodation, physiology of disparity, binocular fusion and rivalry, binocular correspondence and the horopter, linking binocular images, cyclopean perception, stereo acuity, uses of ...
Vowel Perception and Production
The last 50 years have witnessed a rapid growth in the understanding of the articulation and the acoustics of vowels. Contemporary theories of speech perception have concentrated on consonant perception, and this volume is intended as a balance to such bias. The authors propose a computational theory of auditory vowel perception, accounting for vowel identification in the face of acoustic differences between speakers and speaking rate and stress. This work lays the foundation for future experimental and computational studies of vowel perception.
Perception and Illusion
Our contact with the world is through perception, and therefore the study of the process is of obvious importance and signi?cance. For much of its long history, the study of perception has been con?ned to natural- tic observation. Nonetheless, the phenomena considered worthy of note have not been those that nurture our survival—the veridical features of perception—but the oddities or departures from the common and c- monplace accuracies of perception. With the move from the natural world to the laboratory the oddities of perception multiplied, and they received ever more detailed scrutiny. My general intention is to examine the interpretations of the perc- tual process and its errors throughout history. The emphasis on errors of perception might appear to be a narrow approach, but in fact it enc- passes virtually all perceptual research from the ancients until the present. The constancies of perception have been taken for granted whereas - partures from constancies (errors or illusions) have fostered fascination.
