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Chinua Achebe and the Igbo-African World: Between Fiction, Fact, and Historical Representation explores Chinua Achebe’s literary works and how they communicated the Igbo-African world to readers. Engaging in the politics of representation, Achebe sought to demystify deterministic views of race and cultural ethnocentrism. While his books and commentaries have been very influential in shaping a unique and multifaceted view of the African world, some scholars have challenged Achebe’s representations of historical reality. Through in-depth analyses of his writing, contributors examine the interpretations Achebe imposed on African culture and history in his texts. The chapters cover Achebe’s engagement with critical issues like historical representation, gender relations, and indigenous political institutions in a changing society. Throughout, contributors present new ways for understanding Achebe's literary works and show how his work draws from African historical reality and identity while challenging Western epistemological hegemony.
African women writers have come a long way since the 1960s when they were hardly acknowledged or noticed as serious writers. In the past four decades their works have been steadily rising in quantity and quality. Today these writers are seriously redefining images of womanhood, providing new visions, and reshaping erstwhile distorted characterizations of African women in fiction. ERNEST EMENYONU is Professor of the Department of Africana Studies University of Michigan-Flint. North America: Africa World Press; Nigeria: HEBN
This book employs gender as a category of analysis to capture the various ways men and women relate in society and the structures that define these relationships and place boundaries on them. It presents alternative conceptual and theoretical approaches that tease out the nuances of gender as mediated by culture, race, and identity in a globalizing world.
Beyond the critical examination of Isidore Diala’s award-winning poetry and drama, the essays in this collection offer fresh insights on the complex methodological and theoretical patterns underlying the readings of African literary landscapes. This is the first book to devote considerable attention to the study of Diala’s creative works The Pyre (drama) and The Lure of Ash (poetry). The majority of the contributors here are selected from among the finest of Diala’s former teachers, colleagues and students who know him very closely. The collection addresses fertile areas of African literary expression, such as the relationship between literature and national history, African ritual aesthetics; affirmation, denial and ambivalence as products of social constructions; and exile, migration and home-coming. Contributions also explore poetry and poetic truths; semiotics; anticolonial revolutions and postcolonial implosions; oil politics; discontent and militancy; and feminism and gender politics. The book stands out among its peers, and offers great insights to scholars, researchers and teachers working in the fields of African literature, cultures and aesthetics.
Urbanization and African Cultures affirms the centrality of African cities in the modernization of African cultures, showing how many have become firmly established in their settings, and reflecting the impact of globalization. Cities are presented as centers of culture and power and as powerful agencies that provide opportunities to generate new ideas. The book shows how cities empower Africans with the opportunity to assert themselves, to use culture to assert individual freedom and dignity, to articulate ideas of ethnicity and group solidarity, to portray class, and even to show off poverty. "[V]aluable attention is paid to cities and urban phenomena off the paths beaten by most Western-trained scholars." -- African Studies Review "[This book] successfully introduces readers to a range of cases that show the creative, translocal processes taking place on the ground in African cities." -- The International Journal of African Historical Studies
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