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Aesthetics as a Religious Factor in Eastern and Western Christianity
This volume contains selected papers of a conference in 2004 at Utrecht University on aesthetics as a religious factor in Eastern and Western Christianity. They discuss the role of aesthetics in the presentation and expression of Christian faith in Catholic and Orthodox tradition. During its history Christianity has produced many works of art: church architecture, iconography, painting, music and literary texts. And in Orthodoxy beauty has always been the main form of religious expression, more than verbal presentation of Christian teaching, which is embedded in the aesthetic context of liturgy. In Christian theology beauty has often been seen as a form of divine revelation, related to the m...
Modern Man
Journalist Flint recounts the life and times of the legendary architect Charles-Édouard Jeanneret, aka Le Corbusier, and provides illuminating details of his most iconic projects.
The End of the Church?
These 14 essays by scholars who have worked with David Jasper in both church and academy develop original discussions of themes emerging from his writings on literature, theology and hermeneutics. The arts, institutions, literature and liturgy are among the subject areas they cover.
Art and the Church: A Fractious Embrace
A vibrant critical exchange between contemporary art and Christianity is being increasingly prompted by an expanding programme of art installations and commissions for ecclesiastical spaces. Rather than 'religious art' reflecting Christian ideology, current practices frequently initiate projects that question the values and traditions of the host space, or present objects and events that challenge its visual conventions. In the light of these developments, this book asks what conditions are favourable to enhancing and expanding the possibilities of church-based art, and how can these conditions be addressed? What viable language or strategies can be formulated to understand and analyse art's...
Mobility and Fantasy in Visual Culture
This volume offers a varied and informed series of approaches to questions of mobility—actual, social, virtual, and imaginary—as related to visual culture. Contributors address these questions in light of important contemporary issues such as migration; globalization; trans-nationality and trans-cultural difference; art, space and place; new media; fantasy and identity; and the movement across and the transgression of the proprieties of boundaries and borders. The book invites the reader to read across the collection, noting differences or making connections between media and forms and between audiences, critical traditions and practitioners, with a view to developing a more informed understanding of visual culture and its modalities of mobility and fantasy as encouraged by dominant, emergent, and radical forms of visual practice.
Le Corbusier in Detail
This is the first book to give such close attention to Le Corbusier's approach to the making of buildings. It illustrates the ways in which Le Corbusier's details were expressive of his overall philosophical intentions. It is not a construction book in the usual sense- rather it focusses on the meaning of detail, on the ways in which detail informs the overall architectural narrative of a building. Well illustrated and containing several specially prepared scaled drawings it acts as timely reminder to both students and architects of the possibilities inherent in the most small scale tectonic gestures.
Modern Architecture
Adam Sharr tells the story of how modern architecture developed and produced its powerful cultural images. Considering the new building materials and techniques which shaped the movement, such as innovations in steel and concrete and the advent of air conditioning, he concludes by asking whether contemporary architecture remains modern at heart.
Le Corbusier. Le Couvent Sainte Marie de La Tourette / The Monastery of Sainte Marie de La Tourette
in 1952 Le Corbusier was commissioned "to dwell in the silence of men of prayer and study and to construct a church for them". The result was his impressive Convent of La Tourette, marking a significant step in modern religious architecture. Beginning with the rectangular form common to the Cirstercian monastic tradition, he created a building whose stark form contrasts beautifully with the organic elements of the interior court and the grasslands surrounding it. The church itself is a model of simplicity, the cement has been left rough and the well located sources of light evoke a feeling of silence and reflection. The order s precept of prayer, study and reflection is aptly mirrored in the architecture. Like the other Le Corbusier Guides published by Birkhäuser, this volume provides a wealth of plans, details, photographs and information on this building which today is also a conference centre.
Sacred Concrete
Le Corbusier not only designed and built churches; he was also intensely interested in religion and faith. His work deeply influenced church architecture in the twentieth century. This book examines Le Corbusier's relationship with religion in two introductory chapters, presents his four designs for La Sainte-Baume, the Chapel of Notre Dame du Haut de Ronchamp, the Cloister of La Tourette, and the Church of St. Pierre, and, in the final chapter, examines his influence on church architecture in Europe in the twentieth century. Examples include the Jubilee Church near Rome by Richard Meier, the Chapel of Saint Ignatius in Seattle by Steven Holl, the Santa Maria Church in Porto by lvaro Siza, Tadao Ando's Meditation Space in Paris, as well as the Kapelle der Vers hnung (Church of Reconciliation) in Berlin by Reitermann & Sassenroth. Flora Samuel holds a PhD in architecture and teaches design and architecture history at the University of Bath, UK, and is the author of numerous publications. Inge Linder-Galliard also holds a PhD in architecture and has researched and written about Le Corbusier's work in numerous essays.
Sacred Concrete,
Corbusier entwarf und baute nicht nur Kirchen, er setzte sich auch intensiv mit Religion und Glauben auseinander und prägte durch sein Schaffen maßgeblich die Kirchenarchitektur des 20. Jahrhunderts. Das Buch erläutert Le Corbusiers Verhältnis zur Religion, stellt seine Entwürfe zu La Sainte-Baume, der Kapelle von Notre Dame du Haut de Ronchamp, dem Kloster La Tourette und der Kirche St. Pierre vor und untersucht seinen Einfluss auf die weitere Kirchenarchitektur des 20. Jahrhunderts in Europa. Dazu gehören die Jubilee Church von Richard Meier, die Ignatius Kapelle von Steven Holl, die Santa Maria Kirche von Álvaro Siza, Tadao Andos "Meditation Space" und die Kapelle der Versöhnung von Reitermann & Sassenroth. Für die zweite Auflage wurden Einleitung, Schlusskapitel und Bibliografie überarbeitet und ergänzt.
