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Raza examines key literary journals published in French, English, and Portuguese by African writers in Europe in the period of decolonization mainly between 1940 and 1970, to understand how writers understood Empire as a political and cultural structure, and what conceptions of freedom, culture, and society underpinned anti-colonial thinking.
In Forms of Disappointment, Lanie Millar traces the legacies of anti-imperial solidarity in Cuban and Angolan novels and films after 1989. Cuba's intervention in Angola's post-independence civil war from 1976 to 1991 was its longest and most engaged internationalist project and left a profound mark on the culture of both nations. After the fall of the Berlin Wall, Millar argues, Cuban and Angolan writers and filmmakers responded to this collective history and adapted to new postsocialist realities in analogous ways, developing what she characterizes as works of disappointment. Revamping and riffing on earlier texts and forms of revolutionary enthusiasm, works of disappointment lay bare the a...
This book deals with the work of twentieth-century women artists and literary authors from Portugal, Brazil and Portuguese-speaking African countries against the backdrop of political dictatorships. The essays in this volume reflect upon and challenge canonical perspectives on the arts and literature, bringing to light some of the hidden and silenced faces of Lusophone culture. By doing so, they highlight how dominant ideologies marked the artistic and literary practices of Portuguese-speaking women, and how these women in turn developed strategies of resistance through their creative work. The volume brings together contributors working in a range of disciplines, including literary criticism, the visual arts, and film studies, all of whom reflect on themes such as the reactions of women artists to authoritarianism, the representations of political repression in their work, the colonial war, and the critical revision of this historical moment by a younger generation of artists. It addresses scholars, critics, students and cultural workers with an interest in post-colonial and feminist studies in the Portuguese-speaking context.
What is center and periphery? How can centers and peripheries be recognized by their ontological and axiological features? How does the axiological saturation of a literary field condition aesthetics? How did these factors transform center-periphery relationships to the former metropolises of Romance literatures of the Americas and Africa? What are the consequences of various deperipheralization contexts and processes for poetics? Using theoretical sections and case studies, this book surveys and investigates the limits of globalization. Through explorations of the intercultural dynamics, the aesthetic contributions of former peripheries are examined in terms of the transformative nature of peripheries on centralities.
"A Comparative History of Literatures in the Iberian Peninsula" is the second comparative history of a new subseries with a regional focus, published by the Coordinating Committee of the International Comparative Literature Association. As its predecessor for East-Central Europe, this two-volume history distances itself from traditional histories built around periods and movements, and explores, from a comparative viewpoint, a space considered to be a powerful symbol of inter-literary relations. Both the geographical pertinence and its symbolic condition are obviously discussed, when not even contested.Written by an international team of researchers who are specialists in the field, this history is the first attempt at applying a comparative approach to the plurilingual and multicultural literatures in the Iberian Peninsula. The aim of comprehensiveness is abandoned in favor of a diverse and extensive array of key issues for a comparative agenda."A Comparative History of Literatures in the Iberian Peninsula" undermines the primacy claimed for national and linguistic boundaries, and provides a geo-cultural account of literary inter-systems which cannot otherwise be explained.
The book Us & Them: Women Writers’ Discourses on Foreignness analyses the contingent nature of the constructions of foreignness in Ireland and Galicia. On the basis of various comparable circumstances in both communities —migration flows, increasingly multicultural societies, constant renegotiations of national identity, and the growing visibility of women in the public sphere— this book traces the multiple ways in which gender is intertwined with foreignness. Focusing on literary works published since the 1980s the author presents contemporary women writers’ new insights into cultural difference.
A new examination of why Cuba, a Caribbean country, sent half a million of its citizens to fight in Angola in Africa, and how a short-term intervention escalated into a lengthy war of intervention. It clearly details how in January 1965 Cuba formed an alliance with the Angolan MPLA which evolved into the flagship of its global 'internationalist' mission, spawning the military intervention of November 1975 culminating in Cuba's spurious 'victory' at Cuito Cuanavale and Cuba's fifteen-year occupation of Angola. Drawing on interviews with leading protagonists, first-hand accounts and archive material from Cuba, Angola and South Africa, this new book dispels the myths of the Cuban intervention, revealing that Havana's decision to intervene was not so much an heroic gesture of solidarity, but rather a last-ditch gamble to avert disaster. By examining Cuba's role in the Angolan War in a global context, this book demonstrates how the interaction between the many players in Angola shaped and affected Cuba's intervention as it headed towards its controversial conclusion.
This book sketches out an innovative Afro-Iberian mosaic that puts forgotten memories and histories into circulation, constructing an Afro-Iberian past that is critical of the cultural racialization of Spaniards and Portuguese. It builds an early late modern and contemporary Afro-Iberian history and approaches African and Maghrebi experiences and memories in order to explain the close relation between race, class, ethnicity and gender in Portugal and Spain between 1850 and 2021. The book approaches the African presence in the Iberian Peninsula by identifying and documenting the traces of these population groups in Spain and Portugal. Cultural Studies, Anthropology and Sociology are some of t...
This book serves as a study of poets' reflections on the use of the Portuguese language as a tool for the nation building project of Angola during and after the war of independence. The writers studied fall into two categories: those of a first phase, in the context of the war of independence, during which time poets often focused on linguistic unity as a reflection of the nation's plurality through the inscribing of notions of singular identity simultaneous to the incorporation of elements of linguistic plurality; and those of the second phase, within the context of the post-war and ensuing civil strife which, if taken as a more or less continuous Civil War, lasted from 1975 to 2002, and during which writers would use techniques seen in many postmodern poets to deconstruct the utopian discourse of poets from the previous generation.The essay elucidates existing arguments regarding political and social movement as well as to less-recognized arguments regarding literary evolution in Angola during this period.
This book explores the significance of gender in shaping the Portuguese-speaking world from the Middle Ages to the present. Sixteen scholars from disciplines including history, sociology, anthropology, linguistics, literature and cultural studies analyse different configurations and literary representations of women's rights and patriarchal constraints. Unstable constructions of masculinity, femininity, queer, homosexual, bisexual, and transgender identities and behaviours are placed in historical context. The volume pioneers in gendering the Portuguese expansion in Africa, Asia, and the New World and pays particular attention to an inclusive account of indigenous agencies. Contributors are: Darlene Abreu-Ferreira, Vanda Anastácio, Francisco Bethencourt, Dorothée Boulanger, Rosa Maria dos Santos Capelão, Maria Judite Mário Chipenembe, Gily Coene, Philip J. Havik, Ben James, Anna M. Klobucka, Chia Longman, Amélia Polónia, Ana Maria S. A. Rodrigues, Isabel dos Guimarães Sá, Ana Cristina Santos, and João Paulo Silvestre.