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This book offers a new perspective via visual culture of the reimagining of history for contemporary Spanish media audiences. It gives close readings of major recent texts in a number of media (theater, cinema, television, and streaming) which have yet to receive scholarly attention and are closely connected to each other. And it stresses the intermediality of the visual by calling attention to connections between those media and others such as painting. From Picasso to the Javis and from the classic serial to Netflix, this book shows how Spanish history is radically reimagined through recent visual culture. Paul Julian Smith is Distinguished Professor in the Comparative Literature Program at the Graduate Center in City University of New York. A Fellow of the British Academy and the former Professor of Spanish in the University of Cambridge, he is the author of 24 books.
The award winning author of Tear This Heart Out writes a compilation of deeply personal stories imbued with the human spirit, driven by different powerful women connected by desire. Each story in this "remarkable collection" (Kirkus Reviews) reveals a different woman, yet all are linked by a single thread: the strength of desire. Vibrant, sly, wise, earthy, and full of life, these are stories that mesmerize.
In 1970's Chile Pablo Neruda, the Nobel-prize winning poet, is close to death, and he senses the end of an era in Chilean politics but there is one final secret he must resolve. He recruits Cayetano Brulé, a young Cuban rogue, as his "own private Maigret" and lends Brulé the novels of Simenon as a crash course in the role of private detective. Brulé must travel across the world, through Neruda's past and the political faiths he has espoused, retracing the poet's life from Fidel Castro's Cuba to Berlin, Mexico City to Bolivia. Brulé desperately tries to fulfil Neruda's final request amid the brutal beginning of Pinochet's dictatorship while all the poet once believed in is swept away. Evo...
A collection of dark, funny Iberian poems about drinking, sex and death. Manuel Vilas speaks in the voice of bitter experience, experience which seems intent on sending him up. He is a novelist as well as a poet, and his poems tell stories as the speaker moves quixotically across the map and between romances. His instinct for rhythm gives the reader a firm sense of place and tone. Universal in their concerns, taking in love and the end of love, life and the end of life, the poems are also resolutely Spanish in how they speak - bluntly, humorously - always alert for the fantastic. This is the first translation of Vilas's two major collections Heaven ( El cielo, 2000) and Heat ( Calor, 2008) into English. Thematically fuelled with alcohol, death and sex, they go off into free-wheeling megalomaniacal flights of fantasy. The translator, James Womack, has won prizes for his versions of Vilas and of the Russian poet Mayakovsky.
From revered Colombian writer Laura Restrepo comes the smart, thrilling story of a young woman trying to outrun a nightmare. María Paz is a young Latin American woman who, like many others, has come to America chasing a dream. When she is accused of murdering her husband and sentenced to life behind bars, she must struggle to keep hope alive as she works to prove her innocence. But the dangers of prison are not her only obstacles: gaining freedom would mean facing an even greater horror lying in wait outside the prison gates, one that will stop at nothing to get her back. Can María Paz survive this double threat in a land where danger and desperation are always one step behind, and safety and happiness seem just out of reach?
This collection of essays constitutes a magnificent monument to recent scholarship on the Second Republic and the Civil War. It is indispensable for a full understanding of the period.' - Raymond Carr
The contributors to Language Ideologies, Policies and Practices investigate the workings of language ideologies in relation to other social processes in a globalizing world. They explore in detail the specific ways in which language ideologies underpin language policy and the relationship between public policies and individual practices. Particular attention is given to Europe, where the impetus to social transformation within and across national boundaries is in renewed tension with conflicting national and supra-national interests, with these tensions reflected in the complex issues of language choice and language policy.
In Spanish Books in the Europe of the Enlightenment (Paris and London) Nicolás Bas examines the image of Spain in eighteenth-century Europe, and in Paris and London in particular. His material has been scoured from an exhaustive interrogation of the records of the book trade. He refers to booksellers’ catalogues, private collections, auctions, and other sources of information in order to reconstruct the country’s cultural image. Rarely have these sources been searched for Spanish books, and never have they been as exhaustively exploited as they are in Bas’ book. Both England and France were conversant with some very negative ideas about Spain. The Black Legend, dating back to the sixteenth century, condemned Spain as repressive and priest-ridden. Bas shows however, that an alternative, more sympathetic, vision ran parallel with these negative views. His bibliographical approach brings to light the Spanish books that were bought, sold and ultimately read. The impression thus obtained is likely to help us understand not only Spain’s past, but also something of its present.
This handbook deals with all aspects of contemporary language teaching and its history. Produced for language teaching professionals, it is also useful as a reference work for academic studies at postgraduate level.
Told for the first time in English, Paul Preston’s new book tells the story of a preventable tragedy that cost many thousands of lives and ruined tens of thousands more at the end of the Spanish Civil War.