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Ulla Wobst
  • Language: en
  • Pages: 76

Ulla Wobst

  • Type: Book
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  • Published: 2016
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  • Publisher: Unknown

None

Ademola Akintola
  • Language: en

Ademola Akintola

  • Type: Book
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  • Published: 2016
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  • Publisher: Unknown

None

D. Anghel - Romantic Rebellions
  • Language: en
  • Pages: 116

D. Anghel - Romantic Rebellions

  • Type: Book
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  • Published: 2018-09
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  • Publisher: Unknown

Retrospective album showcasing the most representative artworks of D. Anghel, written by the International Confederation of Art Critics (London, UK). It features critiques and the artist's own explanation of the creative process. A luxury hardback edition.

3rd International Congress of Art Critics
  • Language: en

3rd International Congress of Art Critics

  • Type: Book
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  • Published: 1951
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  • Publisher: Unknown

None

Association internationale des critiques d'art
  • Language: fr
  • Pages: 81

Association internationale des critiques d'art

  • Type: Book
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  • Published: 1965
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  • Publisher: Unknown

None

The State of Art Criticism
  • Language: en
  • Pages: 364

The State of Art Criticism

  • Categories: Art
  • Type: Book
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  • Published: 2007-11-13
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  • Publisher: Routledge

Art criticism is spurned by universities, but widely produced and read. It is seldom theorized and its history has hardly been investigated. The State of Art Criticism presents an international conversation among art historians and critics that considers the relation between criticism and art history and poses the question of whether criticism may become a university subject. Contributors include Dave Hickey, James Panero, Stephen Melville, Lynne Cook, Michael Newman, Whitney Davis, Irit Rogoff, Guy Brett and Boris Groys.

Leonardo Beccegato
  • Language: en
  • Pages: 72

Leonardo Beccegato

  • Type: Book
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  • Published: 2016
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  • Publisher: Unknown

None

Why Art Criticism? A Reader
  • Language: en
  • Pages: 724

Why Art Criticism? A Reader

  • Categories: Art

How is art criticism to be understood within an expanding artistic field? A look at its history and its manifestations within globalized conditions shows the variety of the genre, of the criteria and of the styles of writing. This reader is an attempt to bring a diverse range of art-critical voices and perspectives into conversation with each other, with texts from the 18th century to the present. The editors Beate Söntgen and Julia Voss have invited colleagues from various geographical and intellectual backgrounds to present and discuss the art critics of their choice, choosing one example from their respective bodies of work to comment upon. How have these writers approached art criticism...