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A Very Italian Christmas
Classic and contemporary Christmas stories by great writers from Boccaccio to Strega Prize winner Anna Maria Ortese to Nobel laureate Grazia Deledda. The third in the very popular Very Christmas series, this volume brings together the best Italian Christmas stories of all time in a vibrant collection featuring classic tales and contemporary works. With writing that dates from the Renaissance to the present day, from Boccaccio to Pirandello, as well as Anna Maria Ortese, Natalia Ginzburg, and Grazia Deledda, these literary gems are filled with ancient churches, trains whistling through the countryside, steaming tureens, plates piled high with pasta, High Mass, dashed hopes, golden crucifixes, flowing wine, shimmering gifts, and plenty of style. Like everything the Italians do, this is Christmas with its very own verve and flair, the perfect literary complement to a Buon Natale italiano. Includes stories by: Luigi Pirandello ·• Camillo Boito • Matilde Serao • Anna Maria Ortese • Andrea De Carlo • Grazia Deledda • Giovanni Verga • Giovanni Boccaccio • Natalia Ginzburg
The Self Preservation Society
This year marks the 50th anniversary of the British cult classic movie The Italian Job. This landmark anniversary presents a unique opportunity to celebrate the film with a coffee table book packed full of images, insights and revelations. Loaded with Sixties swagger, and famed for its endlessly quotable dialogue and one of the most impressive car chases in movie history, The Italian Job is the ultimate celebration of ‘cool Britannia’. From the opening sequence of Rossano Brazzi gliding through the Alps in an orange Lamborghini Miura, to the high-speed getaway across the city of Turin in three Mini Coopers, The Italian Job is a petrolhead's dream. The Self Preservation Society will detai...
The Media in Italy
The Italian media - the press, cinema, radio and television - is one of the largest and most controversial media industries in mainland Europe. In this introductory text Matthew Hibberd explores the key historical processes and events in the growth and development of Italy's main media and considers it in the context of the economic, political, socio-cultural and technological movements that have affected Italy. Featuring a timeline of key Italian events, the book begins with the Unification - or Risorgimento - of Italy in 1861, and charts the rise of Italy from a fragmented and rural-based society through to a leading industrialised and urbanised world power. It details Fascism's reliance o...
The Darkest Side of the Fascist Years
Minor philofascist publications that appeared in those years are considered as well. Their editorial policy is woven with and presented against the background of the portentous events that shook the world and led to the Second World War."--BOOK JACKET.
Italian Futurism and the Machine
Exploring literature, the visual and performing arts, photography, music, and film, the author uses the lens of European machine culture to elucidate the work of a broad set of artists and practitioners, including Censi, Depero, Marinetti, Munari, and Prampolini. The machine emerges here as an archaeology of technology in modernity: the time machine of futurism.
Social Media in Southeast Italy
Why is social media in southeast Italy so predictable when it is used by such a range of different people? This book describes the impact of social media on the population of a town in the southern region of Puglia, Italy. Razvan Nicolescu spent 15 months living among the town’s residents, exploring what it means to be an individual on social media. Why do people from this region conform on platforms that are designed for personal expression? Nicolescu argues that social media use in this region of the world is related to how people want to portray themselves. He pays special attention to the ability of users to craft their appearance in relation to collective ideals, values and social positions, and how this feature of social media has, for the residents of the town, become a moral obligation: they are expected to be willing to adapt their appearance to suit their different audiences at the same time, which is crucial in a town where religion and family are at the heart of daily life.
Images of Colonialism and Decolonisation in the Italian Media
The twentieth century saw a proliferation of media discourses on colonialism and, later, decolonisation. Newspapers, periodicals, films, radio and TV broadcasts contributed to the construction of the image of the African “Other” across the colonial world. In recent years, a growing body of literature has explored the role of these media in many colonial societies. As regards the Italian context, however, although several works have been published about the links between colonial culture and national identity, none have addressed the specific role of the media and their impact on collective memory (or lack thereof). This book fills that gap, providing a review of images and themes that have surfaced and resurfaced over time. The volume is divided into two sections, each organised around an underlying theme: while the first deals with visual memory and images from the cinema, radio, television and new media, the second addresses the role of the printed press, graphic novels and comics, photography and trading cards.
The Pulpit and the Press in Reformation Italy
Italian sermons tell a story of the Reformation that credits preachers with using the pulpit, pen, and printing press to keep Italy Catholic when the region’s violent religious wars made the future uncertain, and with fashioning a post-Reformation Catholicism that would survive the competition and religious choice of their own time and ours.
