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This book deals with the works of Ivan Cankar, the greatest Slovenian writer, focusing on his relation to existential, social, and moral reality as reflected in individuals and in society at large. The method of literary analysis shows a surprising harmony between personal confessions and a rich symbolism that reveals the writer's unconditional belief in the power of conscience, strong conviction of the sense of victims and the longing for the triumph of love and justice. A holistic interpretation yields the conclusion that most of Cankar's works are confessions that purport to be true to life. His inclination to self-disclosure in dreams alongside the objective disclosure of imperceptible reality indicates that expressive language and a lyrical style are of vital importance to him.
Translation into a non-mother tongue or inverse translation, especially of literary texts, has always been frowned upon within Translation Studies in Western cultures and regarded by literary scholars and linguists as an activity of dubious worth, doomed to fail. The study, which received an award from EST in 2001, sets out to challenge the established view and to critically question some of the axiomatic assumptions of Western theorists. Its challenge is supported by extensive empirical research involving reader response to translations of specific literary texts. The conclusion reached is that the quality of the translation, its fluency and acceptability in the target language environment depend primarily on the as yet undetermined individual abilities of the particular translator, his/her translation strategy and knowledge of the source and target cultures, and not on his/her mother tongue or the direction in which s/he is translating.
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The Slovenian dramatist, poet, literary critic and essayist Ivan Cankar (1876-1918) was one of the greatest Slovenian writers and stylists, as well as the pioneer of modern Slovenian literature. This book, a follow-up to the author's study <I>Mirror of Reality and Dreams: Stories and Confessions of Ivan Cankar, is the second English-language monograph on Cankar's literary oeuvre. Whereas the first study focused on Cankar's social and moral criticism, this monograph sheds light on the mother and woman as portrayed in his works. Through the figure of the mother, Cankar reveals his delicate and subtle relation to weaker individuals in general; the figure of woman in his works illustrates his complicated, often two-fold, internally contradictory relation to love and sexuality.
A short story from 1907 about a simple worker, who is deprived of his savings after retirement. After seeking justice through the legal and church system without success, he burns down the house of his previous employers, and the angry mob pushes him into the fire.