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Poems
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Nearly Too Much
This is the first book-length study of the work of J. H. Prynne, who has been described by Peter Ackroyd as `without doubt the most formidable and accomplished poet in England today, a writer who has single-handedly changed the vocabulary of expression'. The book sets out to introduce Prynne's poetry to a larger audience than it has hitherto received and the authors examine the work in relation to traditions of Romanticism and Modernism, recent theory, debates about Modernism and Postmodernism, political questions of discourse and power, and the implications of lyrical uses of scientific and technical material. The impetus for these discussions is provided by detailed, exploratory readings of individual poems and sequences from the mid-1960s to the late 1980s. Nearly Too Much succeeds in the difficult task of providing both a knowledgeable and sophisticated analysis of Prynne's poetry for those to whom it is familiar and a helpful introduction for the benefit of a larger public to whom the work is new.
The White Stones
J. H. Prynne is Britain’s leading late-modernist poet. His work, as it has emerged since the 1960s, when he was close to Charles Olson and Edward Dorn, is marked by a remarkable combination of lyricism and abstraction, at once austere and playful. The White Stones is a book that is central to Prynne’s career and poetics, and it constitutes an ideal introduction to the achievement and vision of a legendary but in America still little-known contemporary master.
Three Books
This book brings together three interconnected works from the 1970s, showcasing how three of the most significant figures in radical British poetry of the late 20th century responded to one another's work.
The Oval Window
Annotated and illustrated edition produced by N.H. Reeve and Richard Kerridge of Prynne's 1983 poem, with photographs and a substantial portfolio supplied by him of source and reference material, plus two commentary essays.
Or Scissel
This most recent experiment with words on the page continues the duet-passage between J.H. Prynne and the possibilities of lyrical transformation, subsequent eventually to Poems (Bloodaxe, 2015).
The Collected Letters of Charles Olson and J. H. Prynne
Edited by poet and scholar Ryan Dobran, this volume of correspondence between the American poet Charles Olson (1910–1970) and the English poet J. H. Prynne (b. 1936) sheds light on a little-known but incredibly influential aspect of twentieth-century transatlantic literary culture. Never before published, the letters capture their shared passion for knowledge as well as their distinct writing styles. Written between 1961 and Olson’s death in 1970, the letters display the mutual admiration and intimacy that developed between the two poets after Prynne initiated their exchange when pursuing work for the literary magazine Prospect. This work illustrates how Olson and Prynne influenced each other, and it represents an important step toward understanding their contributions to poetics on both sides of the Atlantic.
For the Monogram
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High Pink on Chrome
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Kitchen Poems
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