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Grayson Perry
“Perry‘s embrace of decoration becomes a springboard into a dazzling range of forms and surfaces; his keen sense of adornment also helps to shape questions about human nature, politics, and aesthetic choices.” —Fiberarts Grayson Perry, renowned for his ceramic vases decorated with shocking, unconventional imagery, rose to fame in 2003 when he won the Turner Prize, collecting the award wearing a lilac babydoll dress and red pumps. Perry’s hard-hitting yet exquisite work, which also includes tapestry, prints, sculpture, and drawing, references his own upbringing and his life as a transvestite while engaging with broader issues, from war and religion to politics and sex. This monograp...
Grayson Perry
A major new monograph on the work of celebrated and controversial British artist Grayson Perry.
What is Contemporary Art?
Presents an illustrated look at contemporary art, examining the work of over seventy artists from around the world, the themes they explore, the diverse materials they use, and the techniques they employ.
Biennials: The Exhibitions We Love to Hate
Biennials: The Exhibitions we Love to Hate examines one of the most significant recent transitions in the contemporary art world: the proliferation of large-scale international recurrent survey shows of contemporary art, commonly referred to as contemporary biennials. Since the mid-1980s biennials have been instrumental in shaping curating as an autonomous practice. These exhibitions are also said to have provided increased visibility for certain types of new art practices, notably those that are socially and politically committed, research-based and site-specific, and to have undermined some of the more traditional art media, such as painting, drawing or sculpture. They have been responsibl...
The Short and Tragic Life of Robert Peace
A biography of a young African-American man who escaped the slums of Newark for Yale University only to succumb to the dangers of the streets when he returned home.
Red Dust Road
Taking the reader from Glasgow to Lagos and beyond, Red Dust Road is a heart-stopping memoir, a story of parents and siblings, friends and strangers, belonging and beliefs, biology and destiny. With an introduction by the First Minister of Scotland, Nicola Sturgeon. From the moment when, as a little girl, she realizes that her skin is a different colour from that of her beloved mum and dad, to the tracing and finding of her birth parents, her Highland mother and Nigerian father, Jackie Kay’s journey in Red Dust Road is one of unexpected twists, turns and deep emotions. In a book remarkable for its warmth and candour, she discovers that inheritance is about much more than genes: that we are shaped by songs as much as by cells, and that what triumphs, ultimately, is love. ‘Like the best memoirs, this one is written with novelistic and poetic flair. Red Dust Road is a fantastic, probing and heart-warming read’ – Independent
Just Jackie
In this journalistic tour de force, bestselling author Edward Klein, a friend of Jacqueline Onassis's for many years, takes us behind the public image to give us a story that has never been told before. For this myth-shattering portrait, Klein has amassed a wealth of exclusive information from private documents and correspondence; FBI files; and hundreds of interviews with Jackie's friends, the associates of Aristotle Onassis, and people familiar with her longtime companion, the mysterious diamond merchant Maurice Tempelsman. Many people break their silence here for the first time. Much more than a portrait of a famous celebrity, JUST JACKIE: HER PRIVATE YEARS captures the essence of a captivating woman whose passion for wealth was matched only by her deep need for privacy.
Bank Top
The black and white photographs in the book were all made in an area less than half a mile square in Blackburn during 2019 and 2020. Working with a large-format wooden field camera, Easton spent long days and weeks in the neighbourhood talking to residents and sometimes making pictures. The project melds image and text -- Easton's portraiture and landscapes combined with poetry and an essay by Aziz Hafiz and with the testimonies of residents. This long-form collaboration acknowledges the issues and impacts of social deprivation, housing, unemployment, immigration and representation, as well as past and present foreign policy. The result is a collective and nuanced portrait of the town -- a sensitive response to the oversimplistic representation of such communities in both the media and by government, which deny the right of Bank Top to tell its own story
