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Indecent Hours
For award-winning poet James Fujinami Moore, the past is never past. In this brutal debut, sensual, political, and imagined worlds collide, tracing a history of diaspora and trauma that asks: what do we do in the aftermath of violence, and why do we long to inflict it? From Vegas boxing rings and the restless sands of Manzanar to the scrolling horrors of a Facebook feed, Moore's poems trace over intimate details with surprising humor, fierce eroticism, and a restless eye.
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Throwing the Crown
Saenz's debut collection honestly examines the vulnerability of growing up in a neighborhood punctured by gang culture and hyper-masculinity.
Black Movie
2014 Button Poetry Prize Winner "These harrowing poems make montage, make mirrors, make elegiac biopic, make 'a dope ass trailer with a hundred black children / smiling into the camera & the last shot is the wide mouth of a pistol.' That's no spoiler alert, but rather, Smith's way–saying & laying it beautifully bare. A way of desensitizing the reader from his own defenses each time this long, black movie repeats."–Marcus Wicker "Danez Smith's BLACK MOVIE is a cinematic tour-de-force that lets poetry vie with film for the honor of which medium can most effectively articulate the experience of Black America."–Rain Taxi
50 Things Kate Bush Taught Me About the Multiverse
This is a book of tragicomic gurlesque word-witchery inspired by the Kate Bush cosmos. Campily glamorous, darkly funny, obsessively ekphrastic, boozily baroque, psychedelically girly & musically ecstatic, 50 Things Kate Bush Taught Me About the Multiverse dazzles as Karyna McGlynn's third collection.
Indecency
Intricate, intimate, difficult, and confrontational poems that push at the boundaries of selfhood, skin, culture, sexuality, and blood.
Bed
The poems in Bed, many written during prolonged bed rest, examine how life's interruptions--illness or new motherhood, loss or lust--can lead us to intimate revelations with others and with our selves. We spend much of our lives in bed--it is a border, a boundary, a haven, and a trap--and the poems in Bed confront and question the very limits of body and mind. In dream and waking, in sickness and sex, in marriage and birth, in grief and death, the bed is a space that can either mark time or transcend it, a place of perpetual becoming and reinvention. Here is a body trying to remember pleasure amidst the material of suffering, a language trying to keep up with a love that begins before speech. The bed in Bed is often an absent center--a missing mind--around which intimacy must dance. Maybe it is the wanted child. Maybe it is the mourned self. Maybe it is your mind these poems must be tucked into to be kept or come alive.
Attack of the Fifty-Foot Centerfold
Poetry. These poems are steam punk on steroids. They're plutonium-powered and neon-lit. These poems describe the world as it should be, as we want it to be, as we fear it will be, as it is every morning between 3:00 and 5:00 when our dreams are invaded by Godzilla, Tarzan, Wonder Woman, King Kong, Sinatra. If ATTACK OF THE FIFTY-FOOT CENTERFOLD were a holiday, it'd be Hallowe'en for grown-ups, Christmas for space aliens, and the Fourth of July for everybody, because each of these poems is a little present, and like the best presents, they don't just please us--they set us free.
Unlikely Designs
A collection intent on worrying the boundaries between natural and unnatural, human and not, Unlikely Designs draws far-ranging source material from the back channels of knowledge making: the talk pages of Wikipedia, the personal writings of Charles Darwin, the love advice doled out by chatbots, and the eclectic inclusions on the Golden Record time capsule. It is here we discover the allure of the index, what pleasure there is in bending it to our own devices. At the same time, these poems also remind us that logic is often reckless, held together by nothing more than syntactical short circuits—well, I mean, sorry, yes—prone to cracking under closer scrutiny. Returning us again and again to these gaps, Katie Willingham reveals how any act of preservation is inevitably an act of curation, an outcry against the arbitrary, by attempting to make what is precious also what survives.
Adverse Effects of Vaccines
In 1900, for every 1,000 babies born in the United States, 100 would die before their first birthday, often due to infectious diseases. Today, vaccines exist for many viral and bacterial diseases. The National Childhood Vaccine Injury Act, passed in 1986, was intended to bolster vaccine research and development through the federal coordination of vaccine initiatives and to provide relief to vaccine manufacturers facing financial burdens. The legislation also intended to address concerns about the safety of vaccines by instituting a compensation program, setting up a passive surveillance system for vaccine adverse events, and by providing information to consumers. A key component of the legis...
