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Around the world a growing number of people are working with the labyrinth, an ancient artefact which is fulfilling a renewed role in today's world. This book offers ideas and examples of labyrinths in use in various situations: arts, community and social settings; schools, colleges and universities; a hospice, and a secure hospital; counselling, psychotherapy and well-being; churches, retreats and interfaith contexts.
How can we harness the future if the past will not set us free? An emotive story of love, loss and letting go. Opposites attract? Laura Brown, interior designer and James Morgan-Jones, horse whisperer - and Midnight Sky, a beautiful but damaged steeplechaser. Laura seems to have it all, glamorous job, charming boyfriend. Her sister, Maggie, struggles with money, difficult children and an unresponsive husband. She envies her sister's life, but are things as idyllic as they seem? She might be a farmer's daughter but Laura is doing her best to deny her roots, even deny her true feelings. Until she meets James, but James is very married, and very much in love, to a wife who died two years ago. They both have issues to face from their past, but will it bring them together, or push them apart? This publication is written in British English. Spellings and grammatical conventions are conversant with the UK.
This personal look at beloved former baseball player, announcer, and writer Richie Ashburn gives readers a behind-the-scenes look at the iconic winner of two batting championships.
Rural Identities investigates and engages with the ways in which ideas of the English countryside and rural nature, are enrolled into and fashion the narratives of Englishness. At the heart of the book is an examination of the formations of rural social relations, where the processes and practices through which rural attachments and senses of rural belonging, are established and maintained. Drawing on a substantial research project Rural Identities presents important new empirical material in its analysis of why the concepts of community and ethnicity are relevant to understanding the contested status of the English countryside. In doing so, it outlines the exclusionary limitations and inclusionary possibilities of the relational discourses of rurality and nation. The rich empirical material and the conceptual apparatus employed in this volume render it appealing to policy makers as well as to scholars of sociology, geography, qualitative research methods and race and ethnicity studies.
'A man ... is so in the way in the house!' A vivid and affectionate portrait of a provincial town in early Victorian England, Elizabeth Gaskell's Cranford describes a community dominated by its independent and refined women. Undaunted by poverty, but dismayed by changes brought by the railway and by new commercial practices, the ladies of Cranford respond to disruption with both suspicion and courage. Miss Matty and her sister Deborah uphold standards and survive personal tragedy and everyday dramas; innovation may bring loss, but it also brings growth, and welcome freedoms. Cranford suggests that representatives of different and apparently hostile social worlds, their minds opened by sympat...
World War II dramatically transformed human life and society, resulting in the deaths of 100 million people and shaping the worldview and psyches of generations. The Oxford Handbook of World War II broadens traditional narratives of the war and in the process changes our understanding of this epic conflict. Spanning the rise and fall of the Versailles system to the postwar reintegration of veterans and the eventual commemoration of the conflict and its victims, The Oxford Handbook of World War II marks a landmark contribution to the historical literature of war.
This is the first book about the theatre career of Fred and Adele Astaire, detailing their years in vaudeville, on Broadway, and in London, their impact culturally, and the essence of their partnership on and off the stage.
In this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist the phallocentric binary and allow the ambiguities and complexities of desire - subjectivity and sexuality - to shape the readings of art that constantly displace the present gender demarcations?
Whose Book is it Anyway? is a provocative collection of essays that opens out the copyright debate to questions of open access, ethics, and creativity. It includes views – such as artist’s perspectives, writer’s perspectives, feminist, and international perspectives – that are too often marginalized or elided altogether. The diverse range of contributors take various approaches, from the scholarly and the essayistic to the graphic, to explore the future of publishing based on their experiences as publishers, artists, writers and academics. Considering issues such as intellectual property, copyright and comics, digital publishing and remixing, and what it means (not) to say one is an author, these vibrant essays urge us to view central aspects of writing and publishing in a new light. Whose Book is it Anyway? is a timely and varied collection of essays. It asks us to reconceive our understanding of publishing, copyright and open access, and it is essential reading for anyone invested in the future of publishing.