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Curious Emily
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Notatki
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Second Space
Nobel laureate Czeslaw Milosz's most recent collection Second Space marks a new stage in one of the great poetic pilgrimages of our time. Few poets have inhabited the land of old age as long or energetically as Milosz, for whom this territory holds both openings and closings, affirmations as well as losses. "Not soon, as late as the approach of my ninetieth year, / I felt a door opening in me and I entered / the clarity of early morning," he writes in "Late Ripeness." Elsewhere he laments the loss of his voracious vision -- "My wondrously quick eyes, you saw many things, / Lands and cities, islands and oceans" -- only to discover a new light that defies the limits of physical sight: "Without...
New Earth Relationships
Building on the phenomenon of Eckhart Tolle's "A New Earth: Awakening to Your Life's Purpose," William Weil's "New Earth Relationships" inspires couples to awaken to their higher purpose: love relationships as a means to enlightenment. Weil integrates the work of Tolle and the country's most notable relationship experts with his own compelling prescription for partnerships. He suggests that since falling in love is one thing and staying in love is another, we all need a new context and better tools. Praised by couple's counselors, "New Earth Relationships" offers a sure path for couples to create safe space for one another, communicate effectively, consistently enliven their love, and allow each other's full potential to emerge. While "New Earth Relationships" focuses on romantic partnerships, its advice applies to any relationship-friends, family, co-workers-making it a choice read for anyone who wants to experience the "higher power" inherent in conscious relationships.
Musical Aesthetics: The nineteenth century
The second volume of this anthology of musical aesthetics proceeds from the rational, common-sense examination of the 18th-century artistic experience to the realm of 19th-century expressiveness. The rational foundation of aesthetics gave way to an emphasis on an art form's strength of feeling and expressive power, a purity of the creation and the creator. No longer confined to a restricted sense of beauty, music admitted the violent, the enormous and the ugly into its sphere of emotion, now the era of romanticism and Sturm und Drang. These developments are here detailed in the writings of Wackenroder, Herder, Thibaut, Schelling, Hegel, Schopenhauer, Kirkegaard, Wagner, Hanslick, Ambros, Nietzsche, Spencer, Gurney, and Haussegger. Through them we see the classical province of proportion, educated taste and contained expressiveness recede, and the emotional realism of music come to the fore.
Wprost
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Persia
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