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We, the People
Ethnos and citizens : versions of cultural-political construction of identity -- Reconciliation of the spirits and fusion of the interests : "Ottomanism" as an identity politics / Alexander Vezenkov -- The people incorporated : constructions of the nation in transylvanian romanian liberalism, 1838-1848 / Kinga-Koretta Sata -- We, the Macedonians : the paths of macedonian supra-nationalism (1878-1912) / Tchavdar Marinov -- History and character : visions of national peculiarity in the romanian political discourse of the nineteenth-century / Balázs Trencsényi -- Nationalization of sciences and the definitions of the folk -- Barbarians, civilized people and Bulgarians : definition of identity...
The Remote Borderland
Explores how Transylvania figures in the Hungarian imagination and how this border region functions in the creation of national identity.
Musical Meaning
Lawrence Kramer has been a pivotal figure in the development of the controversial new musicology, integrating the study of music with social and cultural issues. This accessible and eloquently written book continues and deepens the trajectory of Kramer's thinking as it boldly argues that humanistic, not just technical, meaning is a basic force in music history and an indispensable factor in how, where, and when music is heard. Kramer draws on a broad range of music and theory to show that the problem of musical meaning is not just an intellectual puzzle, but a musical phenomenon in its own right. How have romantic narratives involving Beethoven's "Moonlight" Sonata affected how we hear this ...
Franz Liszt
Franz Liszt: A Research and Information Guide is an annotated bibliography concerning both the nature of primary sources related to the composer and the scope and significance of the secondary sources which deal with him, his compositions, and his influence as a composer and performer. The second edition includes research published since the publication of the first edition and provide electronic resources. Franz Liszt was born on 22 October 1811 at Raiding, today located in Austria’s Burgenland. He received his first piano lessons from his father, Adam Liszt, an employee of the celebrated Eszterházy family. Young Franz was quickly acclaimed a prodigy, and in 1820 a group of Hungarian magnates offered to underwrite his musical education. Shortly thereafter the Liszts moved to Vienna, where Franz studied piano and composition with Carl Czerny and Anton Salieri. Performances there earned Liszt local fame; even Beethoven expressed interest in him.
Üstökös albuma
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