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Building on the decades of work by women of color and allied feminists, Standing in the Intersection is the first book in more than a decade to bring communication studies and feminist intersectional theories in conversation with one another. The authors in this collection take up important conversations relating to notions of style, space, and audience, and engage with the rhetoric of significant figures, including Carol Moseley Braun, Barbara Jordan, Emma Goldman, and Audre Lorde, as well as crucial contemporary issues such as campus activism and political asylum. In doing so, they ask us to complicate notions of space, location, and movement; to be aware of and explicit with regard to our theorizing of intersecting and contradictory identities; and to think about the impact of multiple dimensions of power in understanding audiences and audiencing.
Volume II covers the revolutions of France, Europe, and Haiti, with particular focus on the French and Haitian Revolutions and the changes they wrought. An important reference text for historians of the Atlantic World with a keen interest in Europe.
This volume examines the growing presence of populism, partisanship, and polarization and analyzes what this means for scandalization processes. While politics appears to have entered a mode of perpetual crisis and growing dysfunctionality, the rapid succession of scandals may be a symptom of this crisis and its catalyst at the same time. The book provides a better definition of political scandals and discusses from an interdisciplinary and critical scientific perspective how such scandals are relevant to political developments and how they impact public discourse and media practices. International experts from various subfields of communication studies, political communication research as w...
This volume originates as a continuation of the previous volume in the CEMP series (1.1) and aims at furthering scholarly interest in the nature and function of theatrical paradox in early modern plays, considering how classical paradoxical culture was received in Renaissance England. The book is articulated into three sections: the first, “Paradoxical Culture and Drama”, is devoted to an investigation of classical definitions of paradox and the dramatic uses of paradox in ancient Greek drama; the second, “Paradoxes in/of Elizabethan and Jacobean Drama” looks at the functions and uses of paradox in the play-texts of Shakespeare and his contemporaries; finally, the essays in “Paradoxes in Drama and the Digital” examine how the Digital Humanities can enrich our knowledge of paradoxes in classical and early modern drama.
Provides real-world insights into social and political conflict across disciplines The Handbook of Social and Political Conflict offers a comprehensive exploration of conflict from a variety of disciplinary perspectives, merging insights from fields including sociology, political science, psychology, communication, and conflict resolution. Bringing together original work by experts from around the world, this authoritative volume provides readers with a deep understanding of the mechanisms, causes, and consequences of conflict. Designed for those who wish to bridge academic disciplines, the Handbook both advances theoretical understanding and offers practical conflict resolution strategies t...
This volume aims to provide an interdisciplinary examination of various facets of being alone in Greco-Roman antiquity. Its focus is on solitude, social isolation and misanthropy, and the differing perceptions and experiences of and varying meanings and connotations attributed to them in the ancient world. Individual chapters examine a range of ancient contexts in which problems of solitude, loneliness, isolation and seclusion arose and were discussed, and in doing so shed light on some of humankind’s fundamental needs, fears and values.
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The American cinema is one of the great myth-making machines of the last century and has been used to craft defining narratives of race. Films like Birth of a Nation and Gone with the Wind have promoted racist stereotypes and films like Get Out and BlacKkKlansman have worked to tear those same stereotypes down. Greg Garrett's new book suggests that looking to religious traditions can help us discern and correct our national narratives of race and ultimately lead to reconciliation in a meaningful and lasting way.
From the Oscar-winning blockbustersAmerican BeautyandShakespeare in Loveto Sundance oddities likeAmerican MovieandThe Tao of Steve, to foreign films such asAll About My Mother, the latest volume in this popular series features a chronological collection of facsimiles of every film review and awards article published inThe New York Timesbetween January 1999 and December 2000. Includes a full index of personal names, titles, and corporate names. This collection is an invaluable resource for all libraries.