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Power and Pathos
For the general public and specialists alike, the Hellenistic period (323–31 BC) and its diverse artistic legacy remain underexplored and not well understood. Yet it was a time when artists throughout the Mediterranean developed new forms, dynamic compositions, and graphic realism to meet new expressive goals, particularly in the realm of portraiture. Rare survivors from antiquity, large bronze statues are today often displayed in isolation, decontextualized as masterpieces of ancient art. Power and Pathos gathers together significant examples of bronze sculpture in order to highlight their varying styles, techniques, contexts, functions, and histories. As the first comprehensive volume on...
The Herculaneum Women
At the beginning of the 18th century, three life-sized marble statues of women were found near Portici on the Bay of Naples. This volume presents the comprehensive story of these famous statues.
Modern Antiquity
This illustrated book focuses on the aesthetic impact ancient art had on twentieth-century artists Picasso, de Chirico, Léger, and Picabia between 1906 and 1936.
Cultural Identity in the Ancient Mediterranean
Cultural identity in the classical world is explored from a variety of angles.
The Last Days of Pompeii
Destroyed yet paradoxically preserved by the eruption of Mount Vesuvius in A.D. 79, Pompeii and other nearby sites are usually considered places where we can most directly experience the daily lives of ancient Romans. Rather than present these sites as windows to the past, however, the authors of The Last Days of Pompeii: Decadence, Apocalypse, Resurrection explore Pompeii as a modern obsession, in which the Vesuvian sites function as mirrors of the present. Through cultural appropriation and projection, outstanding visual and literary artists of the last three centuries have made the ancient catastrophe their own, expressing contemporary concerns in diverse media--from paintings, prints, an...
Civic Priests
Images and inscriptions on monuments can show us how priests and cult personnel saw themselves and were viewed by others, illuminating the social and political identity of these figures within their polis. Dedications and donations by cult personnel, and the honours that they earned, demonstrate their claim on the city’s attention and their financial power. The cityscape itself came to be shaped, in varying intensities and forms, by statues in honour of cult personnel, set up by relatives, fellow citizens and other groups. This set of cultural records, analysed in the studies presented here, is central to understanding how the roles of priests and priestesses were constructed in social and political terms in post-classical Athens. The approaches are both historical and archaeological, and elucidate the religious functions that the cult personnel fulfilled for the city, and their perception, by themselves and by others, as citizens of the polis.
Canons and Values
A critical rethinking of the way canons are defined, constructed, dismantled, and revised. A century ago, all art was evaluated through the lens of European classicism and its tradition. This volume explores and questions the foundations of the European canon, offers a critical rethinking of ancient and classical art, and interrogates the canons of cultures and regions that have often been left at the margins of art history. It underscores the historical and geographical diversity of canons and the local values underlying them. Twelve international scholars consider how canons are constructed and contested, focusing on the relationship between canonical objects and the value systems that sha...
The Cult Statue of a Goddess
An international workshop on the Cult Statue of a Goddess was held at the Getty Villa on May 9, 2007. Sponsored by the J. Paul Getty Museum, it brought together distinguished speakers from Italy, New Zealand, and the United States as well as observers from the Sicilian Regional Ministry of Culture and Environmental Heritage, the Archaeological Institute of America, and colleagues from across the Getty. The topics addressed comprise pseudo-acrolithic sculpture in Archaic and Classical Greece, art-historical observations about the Cult Statue, petrographic and micropalaeontological data about the statue, survey of soil residues from the statue, and pollen analysis of those soil residues. The research undertaken and the information provided by this group will help better to determine the Cult Statue's ancient origins. The results of this workshop were a part of the Getty Museum's final stages of research before the statue was sent to Italy in 2011.
Bouchardon
One of the most imaginative and fascinating artists of eighteenth-century France, Edme Bouchardon (1698-1762) was instrumental in the transition from Rococo to Neoclassicism and in the artistic rediscovery of classical antiquity. Much celebrated in his time, Bouchardon created some of the most iconic images of the age of Louis XV. His oeuvre demonstrates a remarkable variety of themes (from copies after the antique to subjects of history and mythology, portraiture, anatomical studies, ornament, fountains and tombs), media (drawings, sculptures, medals, prints), and techniques (chalk, plaster, wax, terracotta, marble, bronze). With five essays by experts on Bouchardon's sculpture and graphic ...
Julius Caesar and the Roman People
Reinterprets Julius Caesar not as an autocrat seeking to overthrow the Roman Republic, but as an unusually successful political leader.
