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The modern histories of China and Japan are inexorably intertwined. Their relationship is perhaps most obvious in the fields of political, economic, and military history, but it is no less true in cultural and art history. Yet the traffic in artistic practices and practitioners between China and Japan remains an understudied field. In this volume, an international group of scholars investigates Japan’s impact on Chinese art from the mid-nineteenth century through the 1930s. Individual essays address a range of perspectives, including the work of individual Chinese and Japanese painters, calligraphers, and sculptors, as well as artistic associations, international exhibitions, the collotype production or artwork, and the emergence of a modern canon.
How did poets from the "Rivers and Lakes," a realm defined by its remoteness from the central government, navigate and transform the field of classical poetry, a "high" genre of the scholar-officials class? What did it mean for them to "make a living" out of poetry? Zhang Hongsheng answers those questions in this comprehensive study of the Rivers and Lakes Poetry Movement (Jianghu shipai).
The Massacre of Nanking took place in 1937, during the War of the Japanese Invasion of China. 75 years after the event, we are finally able to analyze and study what happened in Nanking on three levels: as an historical event, as a legal case, and as an object in the Chinese people’s collective consciousness.
"China's achievements in science and technology are among the most impressive aspects of her rich cultural past. Before the 15th century, her scientific developments often far surpassed those of the West. Shipbuilding, mathematics, alchemy, city planning, tea growing, carriage building and earthquake forecasting are just a few of the 47 areas explored here."