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Re: The Ash Lad
  • Language: en
  • Pages: 11285

Re: The Ash Lad

  • Type: Book
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  • Published: Unknown
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  • Publisher: noemata.net

None

Shadowed Truth
  • Language: en
  • Pages: 78

Shadowed Truth

  • Type: Book
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  • Published: 2007
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  • Publisher: Lulu.com

None

The Whole Song
  • Language: en
  • Pages: 246

The Whole Song

With a voice emerging from class tensions, labor struggles, the Great Depression, and World War II, Vincent Ferrini lived as a people's poet crying out for an end to exploitation and organized greed. Radical Christian gnosis and the conviction that poetry should be more than a display of word-craft distinguished him from poets like T. S. Eliot, infusing his work with dynamic images of Christ as a fighter, a revolutionary, and a martyr in opposing the mighty for the sake of the poor.

The Team the Titans Remember
  • Language: en
  • Pages: 487

The Team the Titans Remember

In 2000, Walt Disney Pictures released the film Remember the Titans which stirred the hearts of many but falsely depicted the Titans of T.C. Williams playing their arch-rival, George C. Marshall, in a nail-biter of a championship football game decided on the last play in a place called Roanoke Stadium. Wrong! The Titans played a small and scrappy bunch of players from Salem known as the Wolverines of Andrew Lewis High in the historic Victory Stadium of Roanoke. Salem native Mark A. O’Connell sets the record straight for all time in this book which tells the true story of the championship game and also links the 1971 Andrew Lewis High “Wolverines” to a lasting-legacy which had begun in ...

R�venance Omnibus, Vol. I: A Zine of Hauntings from Underground Histories
  • Language: en
  • Pages: 192

R�venance Omnibus, Vol. I: A Zine of Hauntings from Underground Histories

  • Type: Book
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  • Published: 2019-02
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  • Publisher: Lulu.com

Revenance is dedicated to the forgotten or untold histories of 19th Century avant-garde and dissenting countercultures. It promotes historiography practiced as game, as activism, as trans-generational collaboration, as communal memory, which running athwart the academic, refuses to describe history as finished, and does not stand apart to observe its object from a distance, in the posture of false 'objectivity' which Power always assumes. Instead: a committed historiography, which does not stand outside the stream of time or apart from its object: intellectual and precise, yet ludic and multi-form, one moment manifest as an essay, the next as a poem. A historiography created within the utopian fringe, and for the same community, responsive to our changing conditions, needs, and desires. A historiography that we take personally, merging imperceptibly into experiments in daily life, social praxis, and thought. Volume I collects the first five issues of the journal, from 2016-18.

Digital Poetics
  • Language: en
  • Pages: 226

Digital Poetics

In Digital Poetics, Loss Glazier argues that the increase in computer technology and accessibility, specifically the World Wide Web, has created a new and viable place for the writing and dissemination of poetry. Glazier's work not only introduces the reader to the current state of electronic writing but also outlines the historical and technical contexts out of which electronic poetry has emerged and demonstrates some of the possibilities of the new medium. Glazier examines three principal forms of electronic textuality: hypertext, visual/kinetic text, and works in programmable media. He considers avantgarde poetics and its relationship to the on-line age, the relationship between web pages and book technology, and the way in which certain kinds of web constructions are in and of themselves a type of writing. With convincing alacrity, Glazier argues that the materiality of electronic writing has changed the idea of writing itself. He concludes that electronic space is the true home of poetry and, in the 20th century, has become the ultimate space of poesis. Digital Poetics will attract a readership of scholars and students interested in contemporary creative writing and the po

brain:storm
  • Language: en
  • Pages: 140

brain:storm

Written in two months in 2005 and originally published in 2006, brain : storm tells the story of a drug-addled love triangle from three different angles: a 100-part poem, a novella, and a collaborative poem between the author and the publisher exploring the creation of the book.

MIRRORS MÁSCARAS
  • Language: en
  • Pages: 270

MIRRORS MÁSCARAS

  • Type: Book
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  • Published: 2014
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  • Publisher: Lulu.com

Poetry. MIRRORS MÁSCARAS is the 3rd volume in John M. Bennett's major series focused on particular topics that consists, so far, of LIBER X and OLVIDOS. It includes a series of typographic poems in the form of masks, followed by textual poems in a wide variety of styles and forms, in English, Spanish, some French and other languages. Bennett's inventiveness and energy, his visuality combined with highly literate, resonant, conceptual and aural beauty, make this unique work a force to change the language and to change the way language is used.

Exchange Values
  • Language: en
  • Pages: 374

Exchange Values

  • Type: Book
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  • Published: 2008-09
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  • Publisher: Lulu.com

None

Designing for Interaction
  • Language: en
  • Pages: 241

Designing for Interaction

  • Type: Book
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  • Published: 2010
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  • Publisher: New Riders

With emphasis on the designer's role in strategy, research, brainstorming, prototyping and development, this book is devoted to teaching interaction design to those new to the field.