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Jaroslav Rössler
Jaroslav Rössler (1902-1990) was one of the Czech avant-garde photographers of the first half of the 20th century whose work has only recently become known outside Eastern Europe. This text documents each stage of Rössler's career with a generous selection of duotone images, some of which have never been published before.
Foto
A brilliantly illustrated survey of modernist photography in Central Europe, published in association with the National Gallery of Art. In the 1920s and 1930s, photography became an immense phenomenon across Germany, Czechoslovakia, Hungary, Austria, and Poland. Through magazines and books, in advertisements and at exhibitions, from amateur clubs to avant-garde schools, photographs emerged as a key vehicle of modern consciousness. This book presents the work of approximately one hundred individuals whose creations exemplify the potential of photography in Central Europe between the two World Wars. Foto brings together for the first time works by recognized masters such as the Russian El Liss...
The Photographer František Drtikol
"Although the book covers many aspects of Drtikol's career and life-work, it is mainly devoted to his photographs. 120 duotone and 8 colour full-page reproductions of Drtikol's works from the Museum of Decorative Arts in Prague and a number of other public and private collections illustrate representative selections from all his creative periods, with an emphasis on Drtikol's masterly nudes from the second half of the 1920s, when he moved gradually from his beginnings in pictorialism and symbolism to react in his highly individual way to current avant-garde trends. The text, supplemented with almost fifty other reproductions, analyzes and characterizes Drtikol's photographs and locates them in the wider spiritual and artistic context of their time with the help of quotations from Drtikol's notes and correspondence. The monograph also contains a complete exhibition history, bibliographic listing, and a number of little known works, some never before published."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Art of abstract photography
This book is based on the lectures and discussions held during the 21st Bielefeld Symposium on Photography and the Media. The meeting was explicitly aimed at raising public awareness of the art of abstract photography.
Champs Délicieux
In 1921, an up-and-coming artist named Man Ray convinced his patron, Ferdinand Howald, to pay his fare from New York to Paris and to support him there for a year. He quickly fell in with the Dadaists, and his art changed. He pioneered a new art form, a cameraless photograph he called the 'Rayograph'. Champs délicieux documents that year in Paris by reproducing the correspondence between Man Ray and Howald and by publishing Howald's personal copy of Ray's album (also Champs délicieux) from that year - the first significant body of Ray's work. By placing these images in the context of the letters, Champs délicieux recreates an important turning point in Ray's career and a definitive moment in art history. This collection, exhibited in the fall of 2000 by co-publisher University of Toronto Art Centre, was edited by Steven Manford, who is currently assembling, with Timothy Baum, a catalogue raisonné of the Rayographs.
Displaying Filipinos
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Josef Sudek
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Frantisek Drtikol
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