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In the Eye of the Storm
"Barcelona, the cultural epicenter of Catalunya, is presently experiencing the most dynamic and polemical period in its modern theater history. It is the commanding hub of an energetic theater scene that in recent years has witnessed an exuberant outpouring of new dramatists, a steady crescendo in theater attendance, and a continual increase in the international presence of Catalan directors, playwrights, and companies. Barcelona's post-Olympian cultural landscape, moreover, comprises several architecturally striking theater projects. The diversity of opportunities to stage plays in Catalan at an assortment of city spaces is unprecedented, ranging in variety from commercial locales to public...
Spanish Theatre 1920-1995
Beginning with a reassessment of the 1920's and 30's, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
The Creative Process of Els Joglars and Teatro de La Abadía
The rehearsal processes of theatre companies are an oft-neglected area of research in Drama and Performance Studies. This work on the Catalan devising collective Els Joglars and the Madrid producing venue Teatro de la Abad a seeks to redress the balance with a close analysis of methodologies employed in rehearsal. In effect, both companies have created distinctive rehearsal processes by applying ideas and techniques from a wider European context to a Spanish theatre scene which had been seen to follow rather than develop trends and techniques visible in theatre across France, Italy and Germany. Critically, their hybrid rehearsal processes generate heightened theatrical results for the audience. Thus the book shifts the focus of academic study away from product and towards process, demonstrating how an understanding of process assists in the reading of the theatrical product. Simon David Breden obtained a PhD in Drama & Hispanic Studies from Queen Mary, University of London. He has worked as a professional director and expert in Spanish theatre in London and Madrid.
Spanish Theatre 1920 - 1995
Beginning with a reassessment of the 1920s and 30s, this text looks beyond a consideration of just the most successful Spanish playwrights of the time, and discusses also the work of directors, theorists, actors and designers.
The Pragmatics of Catalan
This book aims to disseminate at an international level a set of innovative studies whose descriptive and applied point of reference is the Catalan language. The volume constitutes a significant contribution to the field of intercultural pragmatics and also to a broad range of grammatical and cognitive issues which have been approached from the pragmatic perspective.
Catalan Culture
1) The subject matter is topical: Catalonia’s relationship with Spain is arguably the most important political issue within the peninsula today. 2) The coverage is diverse, adopting a multi-generic approach focusing on new and innovative cultural outputs, some of which have received limited critical attention to date. 3) The volume brings together the scholarship of leading UK and US Catalan specialists which is nicely contextualized by the thoroughgoing introduction.
Catalan Writing
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La formation du metteur en scène
Le rôle du metteur en scène s'est largement étendu aux autres domaines du théâtre. Sa formation pratique suit cette évolution.
