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Beyond the Artifact
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The Shaman
Tribal peoples believe that the shaman experiences, absorbs, and communicates a special mode of power, sustaining and healing. This book discusses American Indian shamanic traditions, particularly those of the Woodland Ojibway, in terms drawn from the classical shamanism of Siberian peoples. Using a cultural-historical method, John A. Grim describes the spiritual formation of shamans, male and female, and elucidates the special religious experience that they transmit to their tribes. Writing as a historian of religion well acquainted with ethnological materials, Grim identifies four patterns in the shamanic experience: cosmology, tribal sanction, ritual reenactment, and trance experience. Re...
The Rock-Art of Eastern North America
Showcases the wealth of new research on sacred imagery found in twelve states and four Canadian provinces In archaeology, rock-art—any long-lasting marking made on a natural surface—is similar to material culture (pottery and tools) because it provides a record of human activity and ideology at that site. Petroglyphs, pictographs, and dendroglyphs (tree carvings) have been discovered and recorded throughout the eastern woodlands of North America on boulders, bluffs, and trees, in caves and in rock shelters. These cultural remnants scattered on the landscape can tell us much about the belief systems of the inhabitants that left them behind. The Rock-Art of Eastern North America brings tog...
The Serpent Symbol in Tradition
Serpent and dragon symbolism is ubiquitous in the art and mythology of premodern cultures around the world. Over the centuries, conflicting hypotheses have been proposed to interpret this symbolism which, while illuminating, have proved insufficient to the task of revealing a singular meaning for the vast majority of examples. In The Serpent Symbol in Tradition, Dr. Dailey argues that, in what the symbolist Rene Guenon and the historian of religions Mircea Eliade have called 'traditional' or 'archaic' societies, the serpent/dragon transculturally symbolizes matter, a state of being that is constituted by the perception of the physical world as chaotic in comparison to what traditional people...
Stealing the Show
In the past, few women artists were commissioned to create public works of art. These seven artists received most of the commissions awarded to women between 1958 and 1988, although until now their sizable body of work has been given little attention. Taking into account the purpose of public art - to enhance the environment and communicate with a public often perplexed and sometimes alienated by works of art - Gunda Lambton assesses the appeal and quality of commissioned works by these artists. She highlights the difficulties that many women artists encounter and combines detailed biographies of the artists with an examination of their work. This book will appeal to those interested in art as well as to art historians, urban historians, women's studies specialists, and policy makers.
Plains Indian Rock Art
The Plains region that stretches from northern Colorado to southern Alberta and from the Rockies to the western Dakotas is the land of the Cheyenne and the Blackfeet, the Crow and the Sioux. Its rolling grasslands and river valleys have nurtured human cultures for thousands of years. On cave walls, glacial boulders, and riverside cliffs, native people recorded their ceremonies, vision quests, battles, and daily activities in the petroglyphs and pictographs they incised, pecked, or painted onto the stone surfaces. In this vast landscape, some rock art sites were clearly intended for communal use; others just as clearly mark the occurrence of a private spiritual encounter. Elders often used ro...
Allied Arts
Considering a wide range of craftspeople, materials, and forms, The Allied Arts investigates the history of the complex relationship between craft and architecture by examining the intersection of these two areas in Canadian public buildings.
1981-1982 guide to departments of sociology, anthropology and archaeology in universities and museums in Canada / Annuaire 1981-1982 des départements de sociologie, d'anthropologie et d'archéologie des universités et des musées du Canada
Prepared for the Canadian Sociology and Anthropology Association and the Canadian Ethnology Society, this is the third guide providing detailed information on 76 departments and 1,427 individual scholars for university departments of sociology, anthropology and archaeology in Canada.
