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Published for the first time, this illuminating and poignant correspondence offers a rare insight into the workings of the Cabinet War Rooms towards the end of the Second World War, and documents the rich wartime experiences of a woman with exclusive access to the closed world of Churchill's inner circle.
Dowd investigates literature's engagement with the gendered conflicts of early modern England by examining the narratives that seventeenth-century dramatists created to describe the lives of working women.
A provocative history of Ulysses and the Easter Rising as harbingers of decolonization. When revolutionaries seized Dublin during the 1916 Easter Rising, they looked back to unrequited pasts to point the way toward radical futures—transforming the Celtic Twilight into the electric light of modern Dublin in James Joyce’s Ulysses. For Luke Gibbons, the short-lived rebellion converted the Irish renaissance into the beginning of a global decolonial movement. James Joyce and the Irish Revolution maps connections between modernists and radicals, tracing not only Joyce’s projection of Ireland onto the world stage, but also how revolutionary leaders like Ernie O’Malley turned to Ulysses to make sense of their shattered worlds. Coinciding with the centenary of both Ulysses and Irish independence, this book challenges received narratives about the rebellion and the novel that left Ireland changed, changed utterly.
On the afternoon of June 23, 2017, the attendees of the twenty-seventh biannual Ezra Pound International Conference, held in Philadelphia, Pennsylvania, USA, gathered to listen to poets present original work influenced by the life and work of Ezra Pound. With a title playing on the small book of poems Pound produced for fellow poet Hilda Doolittle (H.D.) while the two were still young, this volume offers a selection of poems from that reading, together with images evoking other conference events and the excursions to sites important to Pound, H.D., Marianne Moore, and William Carlos Williams—the “Philadelphia Geniuses” of the conference’s theme. The poems and images herein help to keep the reading and the conference alive, present, and immediate for our readers. The collection includes poems by Charles Bernstein, Eloisa Bressan, Andrei Bronnikov, David Cappella, Silvia Falsaperla, J. Rhett Forman, John Gery, Jeff Grieneisen, Thomas Heffernan, Rodolfo Brandão de Proença Jaruga, Justin Kishbaugh, Mary Maxwell, Biljana D. Obradović, Matthew Porto, Mary de Rachewiltz, Patrizia de Rachewiltz, Michele Reese, and Ron Smith.
"Tells the story of how the clashes between authors, publishers, and literary "pirates" influenced both American copyright law and literature itself."--Dust jacket flap
Unique individuals of fiery temperament, Ernest Hemingway and Ezra Pound made an odd pair on the streets of 1920s Paris. If the elder cane-carrying Pound appeared the out-of-date poet, Hemingway was the epitome of his generation's Flaming Youth. Meeting on the high ground of art, these two literary giants formed a friendship that survived until Hemingway's death. During their short time together in Paris, Pound edited Hemingway's early work. Over decades Hemingway considered Pound a major poet and read The Cantos as they appeared in little magazines and published volumes. Eventually living in countries half a world apart, Hemingway and Pound maintained a lively and sometimes contentious correspondence. When Pound was incarcerated in America for his World War II broadcasts over Radio Rome, Hemingway played a vital role in freeing his old poet friend--the man who edited his early work, the "good game guy" whose wit and brilliance he never forgot. This narrative of a friendship lays bare the triumphs and tragedies of two giants of modern literature.
This volume offers new interpretations of Pound’s poetics, as well as new perspectives on his critical reception globally. It covers Pound’s work from his beginnings as a young poet in Philadelphia in the first decade of the century through his most productive years as a poet, critic, and translator to the first critical treatments of his work in the 1940s and 50s, and on to translations of The Cantos spanning the last fifty years.
This book shows how modernist poetry understood itself to be complicit in the social injustice and unhappiness of its time. It will appeal to general readers with an interest in poetry, to scholars and students interested in the theory of poetry and the history of the concept of poetry, and to scholars and students working in modernist studies and on twentieth-century literature.
Carol Loeb Shloss creates a compelling portrait of a complex relationship of a daughter and her literary-giant father: Ezra Pound and Mary de Rachewiltz, Pound’s child by his long-time mistress, the violinist Olga Rudge. Brought into the world in secret and hidden in the Italian Alps at birth, Mary was raised by German peasant farmers, had Italian identity papers, a German-speaking upbringing, Austrian loyalties common to the area and, perforce, a fascist education. For years, de Rachewiltz had no idea that Pound and Rudge, the benefactors who would sporadically appear, were her father and mother. Gradually the truth of her parentage was revealed, and with it the knowledge that Dorothy Sha...
The Broadview Anthology of Sixteenth-Century Poetry and Prose makes available not only extensive selections from the works of canonical writers, but also substantial extracts from writers who have either been neglected in earlier anthologies or only relatively recently come to the attention of twentieth- and twenty-first-century scholars and teachers. Popular fiction and prose nonfiction are especially well represented, including selections from popular romances, merchant fiction, sensation pamphlets, sermons, and ballads. The texts are extensively annotated, with notes both explaining unfamiliar words and providing cultural and historical contexts.