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From Churchill's War Rooms
Published for the first time, this illuminating and poignant correspondence offers a rare insight into the workings of the Cabinet War Rooms towards the end of the Second World War, and documents the rich wartime experiences of a woman with exclusive access to the closed world of Churchill's inner circle. 1939-1945 saw many important events of the Second World War. Yet a young secretary, Olive Christopher, was party to the political secrets of these crucial final years, working in Churchill's Cabinet War Rooms.
Women's Work in Early Modern English Literature and Culture
Dowd investigates literature's engagement with the gendered conflicts of early modern England by examining the narratives that seventeenth-century dramatists created to describe the lives of working women.
Medical Authority and Englishwomen's Herbal Texts, 1550–1650
The first study to analyze print vernacular folio herbals from the standpoint of gender and to present original findings to do with early modern women's ownership of these herbals, Medical Authority and Englishwomen's Herbal Texts also looks at reasons and contexts behind early modern female writers claiming herbal practice. Author Rebecca Laroche first establishes cultural backdrops in the gendering of medical authority that takes place in the herbals and the regular ownership of these herbals by women. She then examines women's engagements with herbal texts in life writings and poetry and asks how these moments represent and engage medical authority. In ultimately demonstrating how female writers variously take on women's herbal medical practices, Laroche reveals the broad range of literary potentials within the historical category of women's medicine.
A History of Modernist Poetry
A History of Modernist Poetry examines innovative anglophone poetries from decadence to the post-war period. The first of its three parts considers formal and contextual issues, including myth, politics, gender, and race, while the second and third parts discuss a wide range of individual poets, including Ezra Pound, T.S. Eliot, W.B. Yeats, Mina Loy, Gertrude Stein, Wallace Stevens, William Carlos Williams, and Marianne Moore, as well as key movements such as Imagism, Objectivism, and the Harlem Renaissance. This book also addresses the impact of both World Wars on experimental poetries and the crucial role of magazines in disseminating and proselytizing on behalf of poetic modernism. The collection concludes with a wide-ranging discussion of the inheritance of modernism in recent writing on both sides of the Atlantic.
James Joyce and the Irish Revolution
A provocative history of Ulysses and the Easter Rising as harbingers of decolonization. When revolutionaries seized Dublin during the 1916 Easter Rising, they looked back to unrequited pasts to point the way toward radical futures—transforming the Celtic Twilight into the electric light of modern Dublin in James Joyce’s Ulysses. For Luke Gibbons, the short-lived rebellion converted the Irish renaissance into the beginning of a global decolonial movement. James Joyce and the Irish Revolution maps connections between modernists and radicals, tracing not only Joyce’s projection of Ireland onto the world stage, but also how revolutionary leaders like Ernie O’Malley turned to Ulysses to make sense of their shattered worlds. Coinciding with the centenary of both Ulysses and Irish independence, this book challenges received narratives about the rebellion and the novel that left Ireland changed, changed utterly.
Ezra's Book
On the afternoon of June 23, 2017, the attendees of the twenty-seventh biannual Ezra Pound International Conference, held in Philadelphia, Pennsylvania, USA, gathered to listen to poets present original work influenced by the life and work of Ezra Pound. With a title playing on the small book of poems Pound produced for fellow poet Hilda Doolittle (H.D.) while the two were still young, this volume offers a selection of poems from that reading, together with images evoking other conference events and the excursions to sites important to Pound, H.D., Marianne Moore, and William Carlos Williams—the “Philadelphia Geniuses” of the conference’s theme. The poems and images herein help to keep the reading and the conference alive, present, and immediate for our readers. The collection includes poems by Charles Bernstein, Eloisa Bressan, Andrei Bronnikov, David Cappella, Silvia Falsaperla, J. Rhett Forman, John Gery, Jeff Grieneisen, Thomas Heffernan, Rodolfo Brandão de Proença Jaruga, Justin Kishbaugh, Mary Maxwell, Biljana D. Obradović, Matthew Porto, Mary de Rachewiltz, Patrizia de Rachewiltz, Michele Reese, and Ron Smith.
Without Copyrights
"Tells the story of how the clashes between authors, publishers, and literary "pirates" influenced both American copyright law and literature itself."--Dust jacket flap
Appropriation as Practice of Memory
This volume explores how narratives and iconographic codes in literature, art, music, material culture and social, political, and economic discourses were appropriated and thereby – sometimes radically – transformed by religious agents, and how religious narrations, discourses and iconographic practices were reimagined and used (up to radical deconstruction) in non-religious contexts as well as in different or transformed religious contexts. Religious appropriation is thereby conceived as practice of memory, drawing on reused – and creating transformed – narrative and visual spaces of imagination. The dimension of memory will contribute to a more differentiated typology of practices of appropriation, their forms, functions and functionalisation. Agency and power relations will be important factors in the individual contributions of this trans-disciplinary volume that links approaches from memory studies, religious history, literary studies, and art history.
Hemingway and Pound
Unique individuals of fiery temperament, Ernest Hemingway and Ezra Pound made an odd pair on the streets of 1920s Paris. If the elder cane-carrying Pound appeared the out-of-date poet, Hemingway was the epitome of his generation's Flaming Youth. Meeting on the high ground of art, these two literary giants formed a friendship that survived until Hemingway's death. During their short time together in Paris, Pound edited Hemingway's early work. Over decades Hemingway considered Pound a major poet and read The Cantos as they appeared in little magazines and published volumes. Eventually living in countries half a world apart, Hemingway and Pound maintained a lively and sometimes contentious correspondence. When Pound was incarcerated in America for his World War II broadcasts over Radio Rome, Hemingway played a vital role in freeing his old poet friend--the man who edited his early work, the "good game guy" whose wit and brilliance he never forgot. This narrative of a friendship lays bare the triumphs and tragedies of two giants of modern literature.
Cross-Cultural Ezra Pound
This volume offers new interpretations of Pound’s poetics, as well as new perspectives on his critical reception globally. It covers Pound’s work from his beginnings as a young poet in Philadelphia in the first decade of the century through his most productive years as a poet, critic, and translator to the first critical treatments of his work in the 1940s and 50s, and on to translations of The Cantos spanning the last fifty years.
