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The Grano diary is one of the treasures of the Bodleian Library's Rawlinson collection of manuscripts. It was written by a musician who had worked under the direction of George Frederick Handel at the opera house in London's Haymarket. From 30 May 1728 to 23September 1729-the exact period of the diary-he was a prisoner for debt in the Marshalsea, that curious institution which gave the pensioned and relatively privileged inmates of the Master's Side a certain freedom to come and go-and to entertain the friends who were drawn here by sociability, compassion or the desire to test its louche reputation. Within this framework, John Baptist Grano's diary becomes a record of social manoeuvring, bu...
DIVA London Year is an anthology of short diary entries, one or more for each day of the year, which, taken together, provides an impressionistic portrait of life in the city from Tudor times to the twenty-first century. This ebook edition, with its own distinct cover, has been optimised for the digital reader. A hyperlinked contents page makes it easy for the reader to dip in and out of the book while each 'page' is dedicated to a separate day. To further improve formatting, the illustrations from the printed edition have been omitted. We promise this does not detract from the reading experience. This ebook serves as the perfect accompaniment to the print edition. There are more than two hu...
In the first major book devoted to the trumpet in more than two decades, John Wallace and Alexander McGrattan trace the surprising evolution and colorful performance history of one of the world's oldest instruments. They chart the introduction of the trumpet and its family into art music, and its rise to prominence as a solo instrument, from the Baroque "golden age," through the advent of valved brass instruments in the nineteenth century, and the trumpet's renaissance in the jazz age. The authors offer abundant insights into the trumpet's repertoire, with detailed analyses of works by Haydn, Handel, and Bach, and fresh material on the importance of jazz and influential jazz trumpeters for the reemergence of the trumpet as a solo instrument in classical music today. Wallace and McGrattan draw on deep research, lifetimes of experience in performing and teaching the trumpet in its various forms, and numerous interviews to illuminate the trumpet's history, music, and players. Copiously illustrated with photographs, facsimiles, and music examples throughout, The Trumpet will enlighten and fascinate all performers and enthusiasts [Publisher description].
A unique tour through British history—from the perspective of the peasants and the poverty-stricken. The past is traditionally told from the viewpoint of kings and queens, politicians and pioneers. But what about the people struggling to survive at the very lowest levels of society? A Pauper’s History of England covers a thousand years of poverty, from Domesday right up to the twentieth century, via the Black Death and the English Civil War. It paints a portrait of what life was like for the peasants, paupers, beggars, and working poor as England developed from a feudal society into a wealthy superpower. Experience the past from a different perspective: Tour the England of the Domesday Book Make a solemn Franciscan vow of poverty Join the Peasants’ Revolt of 1381 Converse with Elizabethan beggars and learn their secret language Meet the inmates of Bedlam Hospital and Bridewell Prison Enjoy a gin-soaked Georgian night of debauchery Spend the night in a workhouse Go slumming in Victorian London, and more!
The concertos of Vivaldi, Bach, Handel and their contemporaries are some of the most popular, and the most frequently performed, pieces of classical music; and the assumption has always been they were full orchestral works. This book takes issue with this orthodox opinion to argue quite the reverse: that contemporaries regarded the concerto as chamber music. The author surveys the evidence, from surviving printed and manuscript performance material, from concerts throughout Europe between 1685 and 1750 (the heyday of the concerto), demonstrating that concertos were nearly always played one-to-a-part at that time. He makes a particularly close study of the scoring of the bass line, discussing the question of what instruments were most appropriate and what was used when. The late Dr RICHARD MAUNDER was Fellow of Christ's College, Cambridge.
Examines debt insecurity in eighteenth-century Britain, a period of famously rapid economic growth when many people nevertheless experienced financial failure.
The period covered by this volume, roughly from Purcell to Elgar, has traditionally been seen as a dark age in British musical history. Much has been done recently to revise this view, though research still tends to focus on London as the commercial and cultural hub of the British Isles. It is becoming increasingly clear, however, that by the mid-eighteenth century musical activity outside London was highly distinctive in terms of its reach, the way it was organized, and its size, richness, and quality. There was an extraordinary amount of musical activity of all sorts, in provincial theatres and halls, in the amateur orchestras and choirs that developed in most towns of any size, in taverns...
The Marshalsea became a byword for misery; in the words of one of its inmates, it was hell in epitome. But the prison was also a microcosm of London life and it housed a colourful range of characters, including Charles Dickens's father. This book introduces us to the Marshalsea's unfortunate prisoners, rich and poor; men and women; spongers, fraudsters and innocents. We get to know the trumpeter John Grano who wined and dined with the prison governor and continued to compose music whilst other prisoners were tortured and starved to death. We meet the bare-knuckle fighter known as the Bold Smuggler, who fell on hard times after being beaten by the Chelsea Snob. And then there's Joshua Reeve Lowe, who saved Queen Victoria from assassination in Hyde Park in 1820, but whose heroism couldn't save him from the Marshalsea. Told through these extraordinary lives, This book gives us a fascinating and unforgettable cross-section of London life from the early 1700s to the 1840s.
William Matthews’ British Diaries 1442–1942: An Annotated Bibliography offers an unparalleled exploration of British diary literature spanning five centuries. This meticulously compiled resource catalogs diaries from diverse perspectives—ranging from monarchs to farmers, scholars to soldiers, and clergy to craftsmen—providing a comprehensive cross-section of British society across eras. With annotations that highlight the unique content and context of each diary, the bibliography serves as an invaluable guide for scholars of history, linguistics, sociology, and cultural studies. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1950.
Throughout the eighteenth century hundreds of thousands of men and women were cast into prison for failing to pay their debts. This apparently illogical system where debtors were kept away from their places of work remained popular with creditors into the nineteenth century even as Britain witnessed industrialisation, market growth, and the increasing sophistication of commerce, as the debtors’ prisons proved surprisingly effective. Due to insufficient early modern currency, almost every exchange was reliant upon the use of credit based upon personal reputation rather than defined collateral, making the lives of traders inherently precarious as they struggled to extract payments based on l...