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In Looking West, John D. Dorst examines a largely neglected pattern of seeing that stands in contrast to the universally familiar iconography.
"A subversive and postmodern work about the town of Chadds Ford, Pennsylvania. The book considers Wyeth country—what kind of place it is and how it is constituted. . . . Dorst asks questions about how the place represents itself to itself and to tourists."—Lingua Franca
This book explores the role of the ideology of nature in producing urban and exurban sprawl. It examines the ironies of residential development on the metropolitan fringe, where the search for “nature” brings residents deeper into the world from which they are imagining their escape—of Federal Express, technologically mediated communications, global supply chains, and the anonymity of the global marketplace—and where many of the central features of exurbia—very low-density residential land use, monster homes, and conversion of forested or rural land for housing—contribute to the very problems that the social and environmental aesthetic of exurbia attempts to avoid. The volume shows how this contradiction—to live in the green landscape, and to protect the green landscape from urbanization—gets caught up and represented in the ideology of nature, and how this ideology, in turn, constitutes and is constituted by the landscapes being urbanized.
An engrossing exploration of conflicting and complex narratives about the American West and its Native American heritage, violent colonial settlement, and natural history
Chadds Ford, an upscale suburb in southeastern Pennsylvania, devotes a lot of energy to creating a historical identity. Numerous institutions participate in this task, including museums, a land conservancy dedicated to the preservation of its historical landscape, and the Historical Society, which is responsible for an annual community celebration. Larger institutions related to regional tourism and suburban development generate a steady flow of texts about Chadds Ford in the form of glossy travel magazines, pamphlets, brochures, and gallery displays.
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"A subversive and postmodern work about the town of Chadds Ford, Pennsylvania. The book considers Wyeth country-what kind of place it is and how it is constituted. . . . Dorst asks questions about how the place represents itself to itself and to tourists."-"Lingua Franca"
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