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In 1450 very few English men or women were personally familiar with a book; by 1850, the great majority of people daily encountered books, magazines, or newspapers. This book explores the history of this fundamental transformation, from the arrival of the printing press to the coming of steam. James Raven presents a lively and original account of the English book trade and the printers, booksellers, and entrepreneurs who promoted its development. Viewing print and book culture through the lens of commerce, Raven offers a new interpretation of the genesis of literature and literary commerce in England. He draws on extensive archival sources to reconstruct the successes and failures of those involved in the book trade—a cast of heroes and heroines, villains, and rogues. And, through groundbreaking investigations of neglected aspects of book-trade history, Raven thoroughly revises our understanding of the massive popularization of the book and the dramatic expansion of its markets over the centuries.
James Raven, a leading historian of the book, offers a fresh and accessible guide to the global study of the production, dissemination and reception of written and printed texts across all societies and in all ages. Students, teachers, researchers and general readers will benefit from the book's investigation of the subject's origins, scope and future direction. Based on original research and a wide range of sources, What is the History of the Book? shows how book history crosses disciplinary boundaries and intersects with literary, historical, media, library, conservation and communications studies. Raven uses examples from around the world to explore different traditions in bibliography, p...
In 1994, James Raven encountered a letterbook from the Charleston Library Society detailing the ordering, processing, and shipping of texts from London booksellers to their American customers. The 120 letters, covering the period 1758-1811, provided unique material for understanding the business of London booksellers (for whom very little correspondence has survived) and Raven decided to publish an annotated edition of the letters. The letterbook, reproduced in its entirety, forms an appendix to the present volume, but Raven's study has blossomed from a relatively narrow examination of booksellers and their customers to a larger exploration of the role of books and institutions such as the Library Society in the formation of elite cultural identity on the fringes of empire. As a result, this meticulously researched book has much to offer scholars of gentry culture and community in the eighteenth-century British Atlantic world as well as historians of the book--Publisher's Description.
In 14 original essays, this book reveals the history of books in all their various forms, from the ancient world to the digital present
This collection of fourteen essays highlights both the singularity of personal reading experiences and the cultural conventions involved in reading and its perception.
This Top Five Classics illustrated edition of Edgar Allan Poe’s The Raven includes: • All 25 illustrations by Gustave Doré for Harper & Brothers’ 1884 edition • An informative Introduction • A detailed Biography of Edgar Allan Poe • The illustrated version and text-only version of the full poem No poem has ever received the kind of immediate and overwhelming response that Poe’s “The Raven” did when it first appeared in the New York Evening Mirror on January 29, 1845. It made Poe an overnight sensation (though his great fame never brought him much wealth) and the poem, a powerfully haunting elegy to lost love, remains one of the most beloved and recognizable verses in the English language. The illustrations that accompany this Top Five Classics edition are reproductions of the renowned French artist Gustave Doré’s steel-plate engravings created for Harper & Brothers’ 1884 release of The Raven. It would be Doré’s last commission as he died shortly after completing the 25 illustrations in January 1883. His illustrations would become famous in their own right, evoking as they do the lyrical and mystical air of Poe’s masterpiece.
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feeding habits, association with other animals, and breeding. The Raven is one of the most spectacular and romantic of British birds, but relatively neglected in the modern literature of ornithology. Derek Ratcliffe here presents a thorough summary of our knowledge of its natural history, emphasizing the long association of the bird with humankind. The place of the Raven in myth, legend and history is long established, and this book describes the bird's fall from grace as a valued scavenger in medieval cities to a persecuted outcast in the modern wilds. The previous wide occurrence of Ravens is reviewed against the relationships between their present distribution, status and habitat requirem...
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