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John Rollin Ridge is the first full-length biography of a Cherokee whose best revenge was in writing well. A cross between Lord Byron, the romantic poet who made thingsøhappen, and Joaquin Murieta, the legendary bandit he would immortalize, John Rollin Ridge was a controversial, celebrated, and self-cast exile. Ridge was born to a prominent Cherokee Indian family in 1827, a tumultuous and violent time when the state of Georgia was trying to impose its sovereignty on the Cherokee Nation and whites were pressing against its borders. James W. Parins places Ridge in the circle of his family and recreates the circumstances surrounding the assassination of his father (before his eyes) and his grandfather and uncle by rival Cherokees, led by John Ross. Eventful chapters portray the boy?s flight with his mother and her family to Arkansas, his classical education there, his killing of a Ross loyalist and subsequent exile in California during the gold rush, his talent as a romantic poet and author, and his career as a journalist. To the end of his life, Ridge advocated the Cherokees? assimilation into white society.
In 1854, a Cherokee Indian called Yellow Bird (better known as John Rollin Ridge) launched in this book the myth of Joaquin Murieta, based on the California criminal career of a 19th century Mexican bandit. Today this folk hero has been written into state histories, sensationalized in books, poems, and articles throughout America, Spain, France, Chile, and Mexico, and made into a motion picture. The Ridge account is here reproduced from the only known copy of the first edition, owned by Thomas W. Streeter, of Morristown, New Jersey. According to it, the passionate, wronged Murieta organized an outlaw company numbering over 2,000 men, who for two years terrorized gold-rush Californians by kidnapping, bank robberies, cattle thefts, and murders. So bloodthirsty as to be considered five men, Joaquin was aided by several hardy subordinates, including the sadistic cutthroat, "Three-Fingered Jack." Finally, the state legislature authorized organization of the Mounted Rangers to capture the outlaws. The drama is fittingly climaxed by the ensuing chase, "good, gory" battle, and the shocking fate of the badmen.
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This first book-length critical analysis of the full range of novels written between 1854 and today by American Indian authors takes as its theme the search for self-discovery and cultural recovery. In his introduction, Louis Owens places the novels in context by considering their relationships to traditional American Indian oral literature as well as their differences from mainstream Euroamerican literature. In the following chapters he looks at the novels of John Rollin Ridge, Mourning Dove, John Joseph Mathews, D'Arcy McNickle, N. Scott Momaday, James Welch, Leslie Marmon Silko, Louise Erdrich, Michael Dorris, and Gerald Vizenor. These authors are mixedbloods who, in their writing, try to...
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Walker examines the rhetoric and writings of nineteenth-century Native Americans, including William Apess, Black Hawk, George Copway, John Rollin Ridge, and Sarah Winnemucca. Demonstrating with unique detail how these authors worked to transform venerable myths and icons of American identity, Indian Nation chronicles Native American participation in the forming of an American nationalism in both published texts and speeches that were delivered throughout the United States. Pottawattomie Chief Simon Pokagon's "The Red Man's Rebuke," an important document of Indian oratory, is published here in its entirety for the first time since 1893.
This book gives an in-depth literary history focusing on the lives and works of five major Native American authors: John Rollin Ridge, Sarah Winnemucca, Simon Pokagon, Alexander Lawrence Posey, and Charles Alexander Eastman. Their writings, produced in an era characterized by severe cultural oppression, are not only milestones in the evolution of early Native American literature but also comprise a significant contribution to American letters. The literary bequest of the authors covered in this book openly contests the perennial stereotype of the - Vanishing Indian."
"Edward Whitley's book maps James M. Whitfield, Eliza R. Snow, and John Rollin Ridge prominently onto nineteenth-century American poetic history as a group of poets seeking to become national bards not by embracing the traditional trappings of nationalism
In this challenging and often humorous book, Louis Owens examines issues of Indian identity and relationship to the environment as depicted in literature and film and as embodied in his own mixedblood roots in family and land. Powerful social and historical forces, he maintains, conspire to colonize literature and film by and about Native Americans into a safe "Indian Territory" that will contain and neutralize Indians. Countering this colonial "Territory" is what Owens defines as "Frontier," a dynamic, uncontainable, multi-directional space within which cultures meet and even merge. Owens offers new insights into the works of Indian writers ranging from John Rollin Ridge, Mourning Dove, and...
The first novel to feature a Mexican American hero: an adventure tale about Mexicans rising up against U.S. rule in California, based on the real-life bandit who inspired the creation of Zorro, the Lone Ranger, and Batman With a new foreword by Diana Gabaldon, the #1 New York Times bestselling author of Go Tell the Bees That I Am Gone and the rest of the Outlander series A Penguin Classic An action-packed blend of folk tale, romance, epic, and myth, The Life and Adventures of Joaquín Murieta tells the story of the Gold Rush-era Mexican immigrant Joaquín Murieta, whose efforts to find fortune and happiness are thwarted by white settlers who murder his family and drive him off his land. In r...