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The Shadow of Ulysses
Written by one of the most promising young scholars on the Mexican intellectual scene, The Shadow of Ulysses attempts to reconnect the American and Mexican intellectual experiences by exploring historical as well as contemporary issues in both countries. The book's first chapters discuss the relationship between American and Mexican intellectuals in the aftermath of the Mexican Revolution and offer a sociological comparison of the 1960s intellectual generations in the United States and Mexico. Later chapters provide a critical assessment of two prominent Mexican public intellectuals well known to the American reader: Carlos Fuentes and Jorge Castaneda. The Shadow of Ulysses, the Mexican edition of which was awarded the Alfonso Reyes National Prize, offers a rare glimpse into the development of contemporary Mexican thought and reveals the under-recognized intellectual ties that existed between our two countries in the first half of the twentieth century.
Why Dominant Parties Lose
Why have dominant parties persisted in power for decades in countries spread across the globe? Why did most eventually lose? Why Dominant Parties Lose develops a theory of single-party dominance, its durability, and its breakdown into fully competitive democracy. Greene shows that dominant parties turn public resources into patronage goods to bias electoral competition in their favor and virtually win elections before election day without resorting to electoral fraud or bone-crushing repression. Opposition parties fail because their resource disadvantages force them to form as niche parties with appeals that are out of step with the average voter. When the political economy of dominance erodes, the partisan playing field becomes fairer and opposition parties can expand into catchall competitors that threaten the dominant party at the polls. Greene uses this argument to show why Mexico transformed from a dominant party authoritarian regime under PRI rule to a fully competitive democracy.
Lean Manufacturing in the Developing World
This book presents some definitions and concepts applied in Latin America on lean manufacturing (LM), the LM tools most widely used and human and cultural aspects that most matter in this field. The book contains a total of 14 tools used and reported by authors from different countries in Latin America, with definition, timeline with related research, benefits that have been reported in literature and case studies implemented in Latin American companies. Finally, the book presents a list of softwares available to facilitate the tools' implementation, monitoring and improvement.
The Beats in Mexico
Mexico features prominently in the literature and personal legends of the Beat writers, from its depiction as an extension of the American frontier in Jack Kerouac’s On the Road to its role as a refuge for writers with criminal pasts like William S. Burroughs. Yet the story of Beat literature and Mexico takes us beyond the movement’s superstars to consider the important roles played by lesser-known female Beat writers. The first book-length study of why the Beats were so fascinated by Mexico and how they represented its culture in their work, this volume examines such canonical figures as Kerouac, Burroughs, Ginsberg, Lamantia, McClure, and Ferlinghetti. It also devotes individual chapte...
Last Words
‘Where are the snows of yesteryear. And the speedballs I useta know? Well, I guess it’s time for my Ovaltine and a long good night.’
Autobiographical Writings on Mexico
This is the definitive bibliography of autobiographical writings on Mexico. The book incorporates works by Mexicans and foreigners, with authors ranging from disinherited peasants, women, servants and revolutionaries to more famous painters, writers, singers, journalists and politicians. Primary sources of historic and artistic value, the writings listed provide multiple perspectives on Mexico's past and give clues to a national Mexican identity. This work presents 1,850 entries, including autobiographies, memoirs, collections of letters, diaries, oral autobiographies, interviews, and autobiographical novels and essays. Over 1,500 entries list works from native-born Mexicans written between 1691 and 2003. Entries include basic bibliographical data, genre, author's life dates, narrative dates, available translations into English, and annotation. The bibliography is indexed by author, title and subject, and appendices provide a chronological listing of works and a list of selected outstanding autobiographies.
Tristessa
'She understands Karma, she says: "What I do, I reap"' Her name means sadness, yet Tristessa, a prostitute and morphine addict, lives without cares in her shabby room with a menagerie of pets and an altar to the Virgin Mary. Based on Jack Kerouac's own real-life love affair in Mexico city, this is the story of a man's ill-fated relationship with a woman he portrays with tenderness and dignity, even as her life spirals out of control. 'A narrative meditation studying a hen, a rooster, a dove, a cat, a chihuaha dog, family meat, and a ravishing, ravished junky lady, first in their crowded bedroom, then out to drunken streets, taco stands, and pads at dawn in Mexico City slums' Allen Ginsberg
The Stray Bullet
William S. Burroughs arrived in Mexico City in 1949, having slipped out of New Orleans while awaiting trial on drug and weapons charges that would almost certainly have resulted in a lengthy prison sentence. Still uncertain about being a writer, he had left behind a series of failed business ventures—including a scheme to grow marijuana in Texas and sell it in New York—and an already long history of drug use and arrests. He would remain in Mexico for three years, a period that culminated in the defining incident of his life: Burroughs shot his common-law wife, Joan Vollmer, while playing William Tell with a loaded pistol. (He would be tried and convicted of murder in absentia after fleei...
The Foundations of Modern Arms Control
This book is an international history of the foundation of modern arms control, highlighting the fact that the instrument is varied, resilient, successful, and enduring. The narrative begins after the Napoleonic wars when newly arisen peace movements focused on arbitration as a path to “ending the war system.” It moves on to the international community’s embrace of “total and complete disarmament” and then to its acceptance of more limited measures by 1968, including the agreements that remain in force today. The book connects the past to the present of multiple negotiations, successful and failed, and underlines how the peace movement increasingly influenced the national policy of...
