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OBRA GANADORA DEL PRIMER CONCURSO DE CRÓNICA SALVADOR NOVO, 2002 OBRA GANADORA DEL PRIMER CONCURSO DE CRÓNICA SALVADOR NOVO, 2002 ¿Sabe quiénes van a la fosa común y por qué? ¿Sabe dónde está? ¿Conoce suficientemente el cuerpo de sus seres queridos como para identificarlos en caso de que fallecieran en circunstancias irregulares? ¿Tiene alguna idea de cómo proceden los médicos forenses, qué buscan y en qué se basan para emitir sus dictámenes? Poca gente se atreve a pensar qué sucede con los cadáveres de aquellos que mueren violenta o sospechosamente. Y menos entra en las salas forenses donde los médicos analizan y diseccionan restos humanos a fin de conocer las causas o co...
Femfatales
Estos relatos muestran parte importante de la realidad de las mujeres mexicanas, de una manera sumamente interesante, profunda y comprensible. Mujeres de Oriente Aquí se reúnen las historias de 17 internas en el Reclusorio Femenil Oriente donde impera la denuncia, el enjuiciamiento y la revelación; cada uno de los testimonios responde valientemente a la pregunta que se formula todo aquel que se halla libre: ¿Cómo será la vida en la cárcel? Estos relatos nacieron en el taller de Creación Literaria que ha impartido la escritora Josefina Estrada en dicho reclusorio. Mujeres de Oriente nos devela una de las realidades más infames que el ser humano ha creado para humillar, quebrar y envi...
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The Shattered Mirror
Popular images of women in Mexico—conveyed through literature and, more recently, film and television—were long restricted to either the stereotypically submissive wife and mother or the demonized fallen woman. But new representations of women and their roles in Mexican society have shattered the ideological mirrors that reflected these images. This book explores this major change in the literary representation of women in Mexico. María Elena de Valdés enters into a selective and hard-hitting examination of literary representation in its social context and a contestatory engagement of both the literary text and its place in the social reality of Mexico. Some of the topics she considers are Carlos Fuentes and the subversion of the social codes for women; the poetic ties between Sor Juana Inés de la Cruz and Octavio Paz; questions of female identity in the writings of Rosario Castellanos, Luisa Josefina Hernández, María Luisa Puga, and Elena Poniatowska; the Chicana writing of Sandra Cisneros; and the postmodern celebration—without reprobation—of being a woman in Laura Esquivel's Like Water for Chocolate.
Unholy Trinity
Rebecca Janzen brings a unique applied understanding of religion to bear on analysis of Mexican cinema from the Golden Age of the 1930s onward. Unholy Trinity first examines canonical films like Emilio Fernández's María Candelaria and Río Escondido that mythologize Mexico's past, suggesting that religious imagery and symbols are used to negotiate the place of religion in a modernizing society. It next studies films of the 1970s, which use motifs of corruption and illicit sexuality to critique both church and state. Finally, an examination of films from the 1990s and 2000s, including Guita Schyfter's Novia que te vea, a film that portrays Mexico City's Ashkenazi and Sephardic Jewish communities in the twentieth century, and Carlos Carrera's controversial 2002 film El crimen del padre Amaro, argues that religious imagery—related to the Catholic Church, people's interpretations of Catholicism, and representations of Jewish communities in Mexico—allows the films to critically engage with Mexican politics, identity, and social issues.
I Am of the Tribe of Judah
The first anthology of its kind, I Am of the Tribe of Judah: Poems from Jewish Latin America brings together poetry from the Mexican border to the tip of South America. Originally written in Spanish, Portuguese, Yiddish, Ladino, Casteidish, and Hebrew, these poems have been translated into English, many for the first time, by a group of prize-winning translators. This multilingual collection looks at the tradition across more than five hundred years, featuring poems that exalt being Jewish, whether Ashkenazi or Sephardic, and poems that express humor and satire. Conversely, there are poems in response to anti-Semitism and poems of exile, of protest, and of the Holocaust. In a different mode, there are wondrous poems on mysticism and Kabbalah. The book includes an insightful introduction and historical background by world-renowned literary and social critic Ilan Stavans, professor at Amherst College.
Points of Departure
Seventeen short stories by some of the best young writers being published in Mexico today.
Chicana Identity
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Applicative Constructions in the World’s Languages
This book presents a state-of-the-art cross-linguistic survey of applicative constructions in the functional-typological tradition. An introductory section sets the terminological and analytical stage, presents the methodology used by the different chapters, and provides a typological outlook. The individual contributions address the morphological, syntactic and semantic variation of applicatives, as well as their discourse-pragmatic function. They cover all major language families and some isolates that feature some illuminating version of the phenomenon, paying special attention to language-internal variation and unity. The phenomena surveyed range from those instances usually considered canonical (valency-increasing, syntactically and semantically predictable, productive, dedicated, and optional) to those occasionally understudied in descriptive works and frequently neglected in comparative studies (valency-neutral, rather unpredictable, lexicalized, syncretic, and/or obligatory).
