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Poems to Friends
"A fugitive handprint in a bowl of cream, a bird tangled in the grapevines of a mural, holy women who clap their voices into prayers-this is a world of unexpected beauty, and Pucci as a translator deserves our respect and praise for having clapped these poems into songs."-Joel C. Relhan, Wheaton College, Norton, MA. Owing to the rich storehouse of information it contains, the poetry of Venantius Fortunatus (c. 535-600) has long been mined as a historical source for Merovingian society, a focus that overshadows an appreciation of the poems' literary value. This volume, offering free-verse translations of Fortunatus' personal poetry, remains faithful to the historical sweep of the poet's lines while paying attention to the literary qualities that make these poems masterpieces of their kind. The volume includes an overview of late antique Gaul, Fortunatus' biography, interpretations of the poems, prosopographical introductions, maps, bibliography, and indices. Joseph Pucci is Associate Professor of Classics and in the Program in Medieval Studies and Associate Professor of comparative Literature at Brown University.
Antonio’s Devils
Antonio's Devils deals both historically and theoretically with the origins of modern Hebrew and Yiddish literature by tracing the progress of a few remarkable writers who, for various reasons and in various ways, cited Scripture for their own purpose, as Antonio's "devil," Shylock, does in The Merchant of Venice. By examining the work of key figures in the early history of Jewish literature through the prism of their allusions to classical Jewish texts, the book focuses attention on the magnificent and highly complex strategies the maskilim employed to achieve their polemical and ideological goals. Dauber uses this methodology to examine foundational texts by some of the Jewish Enlightenment's most interesting and important authors, reaching new and often surprising conclusions.
Ausonius
Ausonius provides translations of the key works of Ausonius, an important later Latin poet whose poems detail the social and cultural life of Gaul and its environment. His often difficult and playful Latin is presented in English by the award winning poet Deborah Warren, enabling a new generation of students to use and understand the poems. With notes and commentary throughout, this volume will be important not only as an example of later Latin poetry but also as a window onto the Later Roman Empire and the beginnings of early Christian writing.
The Full-knowing Reader
Literary allusions abound in Western literature, and those who study them tend to focus on the author's intentions to demonstrate erudition, embellish meaning, or exert control over tradition. Joseph Pucci contends that the key to grasping the meaning of an allusive text is in the hands of the "full-knowing" reader. Pucci shows how allusion authorizes the desires of such a reader - one who is active, engaged, and historically sensitive - at the expense of the author.
Hearings
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Intertextuality and the Reading of Roman Poetry
How can we explain the process by which a literary text refers to another text? For the past decade and a half, intertextuality has been a central concern of scholars and readers of Roman poetry. In Intertextuality and the Reading of Roman Poetry, Lowell Edmunds proceeds from such fundamental concepts as "author," "text," and "reader," which he then applies to passages from Vergil, Horace, Ovid, and Catullus. Edmunds combines close readings of poems with analysis of recent theoretical models to argue that allusion has no linguistic or semiotic basis: there is nothing in addition to the alluding words that causes the allusion or the reference to be made. Intertextuality is a matter of reading.
Medievalia Et Humanistica No. 27
Clogan (English, U. North Texas and fellow of the American Academy in Rome) has brought together five articles that consider the question of reading and the reader in the Roman de la Rose, The Wife's Lament, the Pearl, the work of Jean Gerson, Christine de Pizan, and the Iberian writer and scholar Don Ishaq Abravanel. The last third of the volume contains reviews. c. Book News Inc.
Tropes of Engagement
While scholars have long explored connections between Chaucer and Boccaccio, relatively few have asked why Chaucer makes such a habit of obscuring the influence of his favourite vernacular author. Tropes of Engagement asks the question of what motivated Chaucer to camouflage his debt to his most prominent, yet never named, Italian source: Giovanni Boccaccio. Leah Schwebel boldly claims that when Chaucer erases Boccaccio, he is mimicking strategies of translation practiced by his classical and continental predecessors. Tracing popular narratives from antiquity to the late Middle Ages, including the Knight’s Tale, the Clerk’s Tale, the Monk’s Tale, Troilus and Criseyde, and Lydgate’s F...
Romantic Shades and Shadows
Setting the stage: apparitions of writing -- Shades of Will + words + worth: what's in a name? -- Hazlitt's conjurings: first acquaintance & "quaint allusion" -- Shelley's phantoms of the future in 1819 -- Me and my shadows: Byron's Company of ghosts -- Shades of relay: Yeats's latent Keats / Keats's latent Yeats -- After wording: writing of apparitions
The Other Virgil
The Other Virgil tells the story of how a classic like the Aeneid can say different things to different people. As a school text it was generally taught to support the values and ideals of a succession of postclassical societies, but between 1500 and 1800 a number of unusually sensitive readers responded to cues in the text that call into question what the poem appears to be supporting. This book focuses on the literary works written by these readers, to show how they used the Aeneid as a model for poems that probed and challenged the dominant values of their society, just as Virgil had done centuries before. Some of these poems are not as well known today as they should be, but others, like Milton's Paradise Lost and Shakespeare's The Tempest, are; in the latter case, the poems can be understood in new ways once their relationship to the 'other Virgil' is made clear.
