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Venantius Fortunatus, writing in the latter half of the sixth century, was not only a major Latin poet, but also an important historical figure. Born in the north of Italy and given a classical education in Ravenna, he travelled as a young man to seek patronage in the courts of Merovingian Gaul, writing both formal and informal poetry for three of the royal brothers, Sigibert, Charibert and Chilperic, and for many influential figures in ecclesiastical and secular life. He settled eventually in Poitiers, as the close friend of the ex-queen Radegund, of Agnes, abbess of the community Radegund had founded, and the major historian of the period, Gregory of Tours. In the period of cultural transition, he played an important part in adapting and developing literary traditions, influencing not only his contemporaries but also succeeding generations. He also played a personal role in events of national and international significance; his poems allow us vivid glimpses of the individual lives and characters of his patrons, painting a picture of a literary, not merely literate, culture, which complement's Gregory's canvas of bloodthirsty dynastic feuding.
This volume provides a new critical text of the Prologue and the first two books of Venantius Fortunatus' Vita Sancti Martini, a work, written in the latter half of the sixth century, which paraphrases in epic verse the famous prose hagiography of St Martin by Sulpicius Severus. This edition offers the first English translation of and the first full commentary on that part of Venantius' poem. Venantius was one of the last writers in a recognisably classical Latin tradition and his Vita affords a fascinating insight into the language and literary culture of his time. It is, however, a deceptively allusive and difficult poem, and the introduction and commentary of this book deal extensively with matters of exegesis, textual criticism, language, metre and much else. It will be valuable for students of the literature and culture of late Latin antiquity, and for those interested in early Christianity and hagiography.
Venantius Fortunatus, a master of the short praise poem and a canonical Christian Latin poet, wrote eleven volumes of hymns, epigrams, elegies, and other religious and epistolary verses addressed to kings, bishops, and abbesses. This volume presents for the first time in English translation all of his poetry, apart from a single long saint's life.
A wandering “Orpheus among the barbarians,” a lively flatterer of the powerful and an appreciator of good food and pleasant company: the sixth-century poet Venantius Fortunatus is known to us today for being all these things. Yet in the Middle Ages people knew and loved “Fortunatus the priest:” a man of the Church and a teacher of Christian dogma. This book for the first time looks at this other side of Fortunatus’ character through the lens of what he wrote when he was bishop of Poitiers at the end of his life: two sermons and a hymn to the Virgin Mary. Here you will encounter something unexpected: Bishop Fortunatus the stern yet skillful preacher of Augustinian grace and Chalcedonian orthodoxy.
This volume provides a new critical text of the Prologue and the first two books of Venantius Fortunatus' Vita Sancti Martini, a work, written in the latter half of the sixth century, which paraphrases in epic verse the famous prose hagiography of St Martin by Sulpicius Severus. This edition offers the first English translation of and the first full commentary on that part of Venantius' poem. Venantius was one of the last writers in a recognisably classical Latin tradition and his Vita affords a fascinating insight into the language and literary culture of his time. It is, however, a deceptively allusive and difficult poem, and the introduction and commentary of this book deal extensively with matters of exegesis, textual criticism, language, metre and much else. It will be valuable for students of the literature and culture of late Latin antiquity, and for those interested in early Christianity and hagiography.
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In The Humblest Sparrow, Michael Roberts illuminates the poetry of the sixth-century bishop and poet Venantius Fortunatus. Often regarded as an important transitional figure, Fortunatus wrote poetry that is seen to bridge the late classical and earlier medieval periods. Written in Latin, his poems combined the influences of classical Latin poets with a medieval tone, giving him a special place in literary history. Yet while interest has been growing in the early Merovingian period, and while the writing of Fortunatus' patron Gregory of Tours has been well studied, Fortunatus himself has often been neglected. This neglect is remedied by this in-depth study, which will appeal to scholars of la...
Owing to the rich storehouse of information it contains, the poetry of Venantius Fortunatus (c. 535–600) has long been mined as a historical source for Merovingian society, a focus that overshadows an appreciation of the poems' literary value. This volume, offering free-verse translations of Fortunatus' personal poetry, remains faithful to the historical sweep of the poet’s lines while paying attention to the literary qualities that make these poems masterpieces of their kind. The volume includes an overview of late antique Gaul, Fortunatus’ biography, interpretations of the poems, prosopographical introductions, maps, bibliography, and indices.
The 13 essays presented here shed new light on the role of panegyric in the western and eastern Roman Empire in the late antique world. Introductory chapters give an overview of panegyrical theory and practice, followed by studies of major writers of the early empire and the anonymous Panegyrici latini. The core of the volume deals with prose and verse panegyric under the Christian Roman Empire (4th-7th century): key themes addressed are social and political context, the 'hidden agenda', and the impact of Christianity on the pagan tradition of the panegyric, including the portrayal of patriarchs and holy men.