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El alma de la madera
  • Language: es
  • Pages: 471

El alma de la madera

None

Andrés García Ibáñez
  • Language: en
  • Pages: 204
Hyperborder
  • Language: en
  • Pages: 328

Hyperborder

Roving vigilantes, fear-mongering politicians, hysterical pundits, and the looming shadow of a seven hundred-mile-long fence: the US–Mexican border is one of the most complex and dynamic areas on the planet today. Hyperborder provides the most nuanced portrait yet of this dynamic region. Author Fernando Romero presents a multidisciplinary perspective informed by interviews with numerous academics, researchers, and organizations. Provocatively designed in the style of other kinetic large-scale studies like Rem Koolhaas's Content and Bruce Mau’s Massive Change, Hyperborder is an exhaustively researched report from the front lines of the border debate.

From Muslim to Christian Granada
  • Language: en
  • Pages: 280

From Muslim to Christian Granada

  • Type: Book
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  • Published: 2007-03-19
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  • Publisher: JHU Press

Honorable Mention, 2010 Best First Book, Association for Spanish and Portuguese Historical Studies In 1492, Granada, the last independent Muslim city on the Iberian Peninsula, fell to the Catholic forces of Ferdinand and Isabella. A century later, in 1595, treasure hunters unearthed some curious lead tablets inscribed in Arabic. The tablets documented the evangelization of Granada in the first century A.D. by St. Cecilio, the city’s first bishop. Granadinos greeted these curious documents, known as the plomos, and the human remains accompanying them as proof that their city—best known as the last outpost of Spanish Islam—was in truth Iberia’s most ancient Christian settlement. Critic...

Spanish Colonial Research Center Computerized Index of Spanish Colonial Documents
  • Language: en
  • Pages: 336
Cesare Arbassia y la literatura artística del Renacimiento
  • Language: es
  • Pages: 190

Cesare Arbassia y la literatura artística del Renacimiento

Estudio estético-biográfico, transversal y poliédrico, en torno a la figura de Cesare Arbassia, pintor renacentista del siglo XVI, con intensa proyección en la dinámica creativa del contexto hispano del momento.

A Social History of Spanish Labour
  • Language: en
  • Pages: 342

A Social History of Spanish Labour

"Focusing on organization, resistance and political culture, this collection represents some of the best examples of recent Spanish historiography in the field of modern Spanish labor movements. Topics range from socialism to anarchism, from the formation of the liberal state in the 19th century to the Civil War, and from women in the work place to the fate of the unions under Franco."--BOOK JACKET.

Death is a Festival
  • Language: en
  • Pages: 412

Death is a Festival

This award-winning social history of death and funeral rites during the early decades of Brazil's independence from Portugal focuses on the Cemiterada movement in Salvador, capital of the province of Bahia. The book opens with a lively account of the popu

Carta , 1788 oct. 8, Alanchete, a Tomás López
  • Language: es

Carta , 1788 oct. 8, Alanchete, a Tomás López

  • Type: Book
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  • Published: 1788
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  • Publisher: Unknown

Carta de Juan Antonio Sánchez Carretero sobre Alanchete y Valverde, dos villas desaparecidas pertenecientes al término de Santa Olalla (h. 264r-264bisv), en respuesta a la solicitud de Tomás López.

Praying to Portraits
  • Language: en
  • Pages: 426

Praying to Portraits

  • Categories: Art

In Praying to Portraits, art historian Adam Jasienski examines the history, meaning, and cultural significance of a crucial image type in the early modern Hispanic world: the sacred portrait. Across early modern Spain and Latin America, people prayed to portraits. They prayed to “true” effigies of saints, to simple portraits that were repainted as devotional objects, and even to images of living sitters depicted as holy figures. Jasienski places these difficult-to-classify image types within their historical context. He shows that rather than being harbingers of secular modernity and autonomous selfhood, portraits were privileged sites for mediating an individual’s relationship to the ...