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John Wayne
John Wayne--the man, actor, and icon--remains synonymous with certain American values. He represents conservative political views, aggressive militarism, and a masculine bravado which seemed anachronistic at the time of his death in 1979, but which the Reagan and Bush years have revived as meaningful to American society. In film history, Wayne has a place as one of the great stars, perhaps even one of the great actors. This book provides a full introduction to the study of John Wayne: his life, the components of his image, and the resources available for further inquiry. Of special importance is the book's extensive bibliography, notably its index to fan magazine articles about Wayne, which is unavailable elsewhere. Also included is the complete 1971 controversial Playboy magazine interview.
Teage Riggen and His Riggen-Riggin Riggins Descendants
A history and a genealogy of the Riggin family of Maryland who are the descendants of Teague Riggin of Princess Ann, Md. born abt 1640, died 1707 and his wife Mary London.
Inside UVA.
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Film Voices
This collection of interviews brings together major Hollywood directors and actors, independent filmmakers, screenwriters, and others to discuss the art, craft, and business of making movies. Whether it be Clint Eastwood or Francis Ford Coppola, Vittorio Storaro or Dede Allen, these filmmakers detail how they strive for quality, the price they pay to do so, and how new technologies and the business aspects of filmmaking impact all aspects of their creativity. Taken together, the interviews reveal much about filmmaking practices in and out of Hollywood. The interviewees include Dede Allen, Robert Altman, Jamie Babbit, Don Bluth, Francis Ford Coppola, Robert Downey Sr., Clint Eastwood, Atom Egoyan, Horton Foote, Stephen Frears, Barbara Hammer, Louis Malle, Sydney Pollack, Oliver Stone, Vittorio Storaro, Paul Verhoeven, and James Woods. Contributors include Leo Braudy, Wheeler Winston Dixon, Gerald Duchovnay, Gwendolyn Audrey Foster, Lester D. Friedman, Ric Gentry, Peter Harcourt, Wade Jennings, Robert P. Kolker, Richard A. Macksey, Mark Crispin Miller, Chris Shea, Scott Stewart, and Gerald C. Wood.
Sightlines
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Against Academia
The history of the study of popular culture in American academia since its (re)introduction in 1967 is filled with misunderstanding and opposition. From the first, proponents of the study of this major portion of American culture made clear that they were interested in making popular culture a supplement to the usual courses in such fields as literature, sociology, history, philosophy, and the other humanities and social sciences; nobody proposed that study of popular culture replace the other disciplines, but many suggested that it was time to reexamine the accepted courses and see if they were still viable. Opposition to the status quo always causes anxiety and opposition, but when the iss...
Mission Underway
The history of the study of popular culture in American academic since its (re)introduction in 1967 is filled with misunderstanding and opposition. From the first, proponents of the study of this major portion of american culture made clear that they were interested in making popular culture a supplement to the usual courses in such fields as literature, sociology, history, philosophy, and the other humanities and social sciences; nobody proposed that study of popular culture replace the other disciplines, but many suggested that it was time to reexamine the accepted courses and see if they were still viable. Opposition to the status quo always causes anxiety and oppostion, but when the issues are clarified, often oppoosition and anxiety melt away, as they are now doing.
