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The Influence of Mikhail Bakhtin on the Formation and Development of the Yale School of Deconstruction
This book explores the origins of American literary deconstruction in the light of the work of Russian philosopher Mikhail M. Bakhtin. To do so, the author offers a comparative reading of Bakhtin’s work and that of the literary critics who formed the so-called Yale School of Deconstruction: namely, Paul de Man, J. Hillis Miller, Harold Bloom, and Geoffrey Hartman. By resorting to Bakhtin’s challenging understanding of the dialogical nature of the world and his reworking of the notion of temporality in the literary work of art, the readings offered in this book provide the reader with a new point of departure for one of the most influential movements in twentieth century literary theory: literary deconstruction.
Mediating the Real
As a literary genre, the nonfictional reportage has particular implications for the role of the writer. Pascal Sigg shows how six U.S. American writers, including David Foster Wallace, George Saunders, and Rachel Kaadzi Ghansah, reflect on themselves as human media in their reportage. The writers assert themselves in a postmodern way by scrutinizing their own mediation. As it also traces and develops the theorization of reportage as genre along the reporters' early concerns with technical media, this pioneering contribution to literary journalism studies paves a way for a new materialist approach in the under-researched field.
Posthumanism in the Novels of Kurt Vonnegut
Posthumanism in the Novels of Kurt Vonnegut: Matter That Complains So re-examines the prevailing critical consensus that Kurt Vonnegut was a humanist writer. While more difficult elements of his work have often been the subject of scholarly attention, the tendency amongst critics writing on Vonnegut is to disavow them, or to subsume them within a liberal humanist framework. When Vonnegut’s work is read from a posthumanist perspective, however, the productive paradoxes of his work are more fully realised. Drawing on New Materialist, Eco-Critical and Systems Theory methodologies, this book highlights posthumanist themes in six of Vonnegut’s most famous novels, and emphasises the ways in which Vonnegut troubles human/non-human, natural/artificial, and material/discursive hierarchical binaries
The Routledge Companion to American Literary Journalism
Taking a thematic approach, this new companion provides an interdisciplinary, cross-cultural, and international study of American literary journalism. From the work of Frederick Douglass and Walt Whitman to that of Joan Didion and Dorothy Parker, literary journalism is a genre that both reveals and shapes American history and identity. This volume not only calls attention to literary journalism as a distinctive genre but also provides a critical foundation for future scholarship. It brings together cutting-edge research from literary journalism scholars, examining historical perspectives; themes, venues, and genres across time; theoretical approaches and disciplinary intersections; and new d...
The Breathless Zoo
"A cultural and poetic analysis of the art and science of taxidermy, from sixteenth-century cabinets of wonders to contemporary animal art"--Provided by publisher.
Faith and the Fury
In Spain, the five-year period following the proclamation of the Republic in April 1931 was marked by physical assaults upon the property and public ritual of the Spanish Catholic Church. These attacks were generally carried out by rural and urban anticlerical workers who were frustrated by the Republic's practical inability to tackle the Church's vast power. On July 17/18, 1936, a right-wing military rebellion divided Spain geographically, provoking the radical fragmentation of power in the territory which remained under Republican authority. The coup marked the beginning of a conflict which developed into a full-scale civil war. Anticlerical protagonists, with the reconfigured structure of...
Lost, Loose and Loved
This broad collective exhibition reflects the vitality and vivacity of the art scene in all its complexity, displaying the different creative trends which took hold in the city inside and outside the School of Paris at a time of fervent political debate, held to the backdrop of the new global stage opened by the Cold War. From a broad array of artistic fields, from painting and sculpture to jazz, literature and film, foreign artists dealt with mounting tension by bringing their approaches and hopes to the Parisian milieu in an attempt to connect with the tradition of international modernism but without losing a grip on their own cultural identity.
Women in Cardiovascular Epidemiology and Prevention
We are delighted to present the inaugural Frontiers in Cardiovascular Medicine "Women in Cardiovascular Epidemiology and Prevention” series of article collections. At present, less than 30% of researchers worldwide are women. Long-standing biases and gender stereotypes are discouraging girls and women away from science-related fields, and STEM research in particular. Science and gender equality are, however, essential to ensure sustainable development as highlighted by UNESCO. In order to change traditional mindsets, gender equality must be promoted, stereotypes defeated, and girls and women should be encouraged to pursue STEM careers. Therefore, Frontiers in Cardiovascular Medicine is proud to offer this platform to promote the work of women scientists, across all fields of basic and clinical cardiovascular medicine. The work presented here highlights the diversity of research performed across the entire breadth of cardiovascular epidemiology and prevention research and presents advances in theory, experiment, and methodology with applications to compelling problems.
The Recording Angel
First published in 1987, Eisenberg's The recording angel has been translated into several languages and is now considered a classic by those with an interest in the intersection of music and technology. He offers a thought-provoking study of how the phonograph and related media have transformed music into a tangible commodity and relegated live performance to the background of Western culture.
