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Discreet Beauty of Simplicity
For all their simplicity, the most important goal in Jörg Schellmann's furniture designs is to "avoid banality and reveal subtle beauty." This kind of simplicity-skillfully reducing everything to the essentials-is anything but easy to achieve. It requires the special knowledge of aesthetics and the sort of artistic experience Schellmann has. As an art dealer and publisher, he has been working with the most important artists for over forty years. His furniture designs articulate his in-depth examination of Minimal and Concept Art. At the same time, they reflect an aesthetic that is equally inspired by industry and workshop. This work, as fascinating as it is clear, is presented in this illustrated book and accompanied by texts by Mateo Kries, Donald Judd, and Liam Gillick, among others. JÖRG SCHELLMANN (*1944, Kassel) became internationally known through his work as a gallery owner and publisher of art editions. After producing furniture based on other artists' designs, he created his own line, which is distinguished by skillful minimalism and functionalism.
Forty are Better Than One
Edition Schellmann has been producing books on international contemporary art since 1969. The spectrum of artists ranges from great names of the second half of the twentieth century-such as Beuys, Christo, Judd, Kounellis, Paik, and Warhol-to outstanding representatives of the contemporary art scene-like Almond, Demand, Hatoum, Gillick, Morris, Ruff, Sierra, and Tuymans. The variety of media and techniques is just as diverse-from prints or photographs on paper and mixed media objects made of steel, aluminum, glass, plastic, or wood to large-format wall art.With about nine hundred color illustrations, this volume documents the development of the internationally renowned Edition Schellmann, which began with editions of prints and multiples and now publishes limited-edition books on a wide range of contemporary art. Including works by 150 artists, it presents the forty-year history of Edition Schellmann and provides crisp insight into art developments from the seventies to the present day.
Terror and the Sublime in Art and Critical Theory
The eleven interconnected essays of this book penetrate the dense historical knots binding terror, power and the aesthetic sublime and bring the results to bear on the trauma of September 11 and the subsequent War on Terror. Through rigorous critical studies of major works of post-1945 and contemporary culture, the book traces transformations in art and critical theory in the aftermath of Auschwitz and Hiroshima. Critically engaging with the work of continental philosophers, Theodor W. Adorno, Jacques Derrida, and Jean-Francois Lyotard and of contemporary artists Joseph Beuys, Damien Hirst, and Boaz Arad, the book confronts the shared cultural conditions that made Auschwitz and Hiroshima possible and offers searching meditations on the structure and meaning of the traumatic historical 'event'. Ray argues that globalization cannot be separated from the collective tasks of working through historical genocide. He provocatively concludes that the current US-led War on Terror must be grasped as a globalized inability to mourn.
The Object as a Process
How does artistic practice lead to the production of knowledge? How does, in turn, artistic knowledge relate to its material base? How does contingent materiality guide the artist towards finding form and developing a statement? This volume is dedicated to the object as a process in order to offer new insights into the ways the object - broadly construed, comprising digital and other non-classical objects - becomes an active element in artistic practice.
Joseph Beuys, the Multiples
Edited by Jarg Schellmann. Essays by Dierk Stemmler, Joan Rothfuss, Jarg Schellmann and Peter Nisbet. Afterword by James Cuno and Kathy Halbreich.
Machine in the Studio
Drawing on extensive interviews with artists and their assistants as well as close readings of artworks, Jones explains that much of the major work of the 1960s was compelling precisely because it was "mainstream" - central to the visual and economic culture of its time.
Modern Sculpture Reader
In many anthologies of art, sculpture is given short shrift in relation to other media, if it is treated at all. Modern Sculpture Reader aims to rectify this situation by presenting a collection of important texts that have defined sculpture’s radically changing status and role since the end of the nineteenth century, a time marked by a general reappraisal of the forms and functions of art. From the rigorously theoretical to the experimental and poetic, Modern Sculpture Reader offers a lively discourse on the medium by a range of artists, writers, critics, and poets—Marcel Duchamp, Louise Bourgeois, Claes Oldenberg, André Breton, Ezra Pound, and Clement Greenberg—in a variety of genre...
Everyone is an artist.
In 13 Kapiteln bieten die Ausstellung und der dazugehörige Katalog einen tiefgreifenden Einblick in das kosmopolitische Denken von Joseph Beuys, wie es sich in seinen Aktionen manifestiert, die in Form von Videoprojektionen und Fotografien präsentiert werden. Denn dort – als handelnde, sprechende und sich bewegende Figur – untersuchte Beuys die zentrale und radikale Idee seines erweiterten Kunstbegriffs: »Jeder Mensch ist ein Künstler«. Das Ziel seines universalistischen Ansatzes war es, die Gesellschaft von Grund auf zu erneuern. Bis heute ist sein Einfluss in künstlerischen und politischen Diskursen spürbar. In der Ausstellung treten zeitgenössische Künstler*innen neben Ve...
Aesthetics and Radical Politics
There has always been a strong connection historically between aesthetics and radical politics, and this is no less true for the global justice movement’s current preoccupation with cultural approaches to political action. The essays collected here seek to engage with past and present convergences between the theories and practices of artists and writers and the theories and practices of movements for radical social change. There is already a massive amount of literature on Marxist approaches to aesthetics, art and literature, and whilst recognising the usefulness of such approaches, the essays collected here attempt to engage with culture from other radical critical positions - whether th...
