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Despite the urgent need to develop understandings of the Palestinian-Israeli conflict in the light of the current situation in the Middle East, the role of violence and reconciliation in Palestinian and Israeli literature and film has received only brief treatment. This book is intended to fill that void; that is to explore how Israelis and Palestinians view and depict themselves and each other in situations that lead to either violence or reconciliation, and the ways in which both parties define themselves in relation to one another. The book examines selected Palestinian and Israeli literary works and a small number of films and their tacit assumptions about Israeli Jews. It will attempt to look at, among other questions a) is violence perceived as a means of empowerment, b) is there connection between imaginary violence in literature and actual violence, and what is the nature of the association between creative writers and violence? (eg. popular writer Ghassan Kanafani who is also a spokesman for the violent PFLP).
This distinguished anthology presents for the first time in English travel accounts by Arab writers who have visited America between 1668 and 2009. The view of America which emerges from these accounts is at once fascinating and illuminating, but never monolithic. The writers hail from a variety of viewpoints, regions, and backgrounds, so their descriptions of America differently engage and revise Arab pre-conceptions of Americans and the West. The country figures as everything from the unchanging Other, the very antithesis of the Arab self, to the seductive female, to the Other who is both praiseworthy and reprehensible.
This study provides an analysis of the social and political meanings in the protest vernacular poetry of Aḥmad Fu'âd Nigm (b. 1929), the contemporary Eqyptian socialist poet. Nigm's work portrays Eqypt as a society composed of contending social forces and it is concerned with the cause of liberating Egypt from class inequality and political oppression. For Nigm, the way to achieve such liberation is through a people's revolution that will ultimately pave the way for a new socialist society. Nigm's commitment to the causes of his society is enhanced by his use of the simple, yet evocative, colloquial, an idiom which is close to the mind and heart of Egypt's poor and illiterate people. More...
In this collection of essays, various manifestations of traditional as well as modern and postmodern themes and techniques in Arabic literature are explored. For the first time the tripartite concepts of tradition, modernity, and postmodernity in Arabic literary works are analyzed in one volume.
Celebrating Muhammad examines a vital but often misunderstood aspect of Islamic piety - the deeply felt love and devotion of contemporary Muslims for the Prophet Muhammad and the importance that this devotion plays in their daily religious lives. Ali S. Asani and Kamal Abdel-Malek examine various portrayals of the Prophet found in Islamic poetry to reveal the significant impact of local cultural and literary idioms on Muslim expressions of admiration for Muhammad.
This book explores the varied forms of gender politics that have surfaced in Palestinian literature and film since 1948. Ball investigates the potential of postcolonial feminist theory to illuminate the ways in which Palestinian artists have negotiated the intersections between national and gender politics.
This distinguished anthology presents for the first time in English travel essays by Arabic writers who have visited America in the second half of the century. The view of America which emerges from these accounts is at once fascinating and illuminating, but never monolithic. The writers hail from a variety of viewpoints, regions, and backgrounds, so their descriptions of America differently engage and revise Arab pre-conceptions of Americans and the West. The country figures as everything from the unchanging Other, the very antithesis of the Arab self, to the seductive female, to the Other who is both praiseworthy and reprehensible.
This volume presents in translation and transcription the oral text of narratives about and poems by Slēwīḥ, one of Arabia's most famous nineteenth-century robber barons, recorded by Xālid, a sheikh of the 'Utaybah tribe of Saudi Arabia and the great-grandson of Slēwīḥ.
The final volume of The Cambridge History of Arabic Literature explores the Arabic literary heritage of the little-known period from the twelfth to the beginning of the nineteenth century. Even though it was during this time that the famous Thousand and One Nights was composed, very little has been written on the literature of the period generally. In this volume Roger Allen and Donald Richards bring together some of the most distinguished scholars in the field to rectify the situation. The volume is divided into parts with the traditions of poetry and prose covered separately within both their 'elite' and 'popular' contexts. The last two sections are devoted to drama and the indigenous tradition of literary criticism. As the only work of its kind in English covering the post-classical period, this book promises to be a unique resource for students and scholars of Arabic literature for many years to come.
The first study in English to chart the development of the Palestinian novel in exile and under occupation from 1948 onwards.