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De steen van Alciato
This voluminous book, which is a Festschrift in honour of Prof. Dr. Karel Porteman, contains 56 articles on the relationship between literature and the visual arts in the Low Countries. Visual culture is interpreted in the largest possible sense to reflect the wide range of topics and interests Karel Porteman specialized in. All sorts of bi-medial genres in the strictest sense (emblems, picture poems, frontispieces, illustrated broadsheets, ...) allign with visual aspects of other literary genres, including theater. The subjects of the articles are not restricted in time: they deal with seventeenth century culture as well as modern subjects
Theatre and Religion
Publisher Description
Maria Petyt – A Carmelite Mystic in Wartime
Based on the discovery of an unknown Latin manuscript, Maria Petyt - A Carmelite Mystic in Wartime provides surprising new information about the seventeenth century Flemish mystic Maria Petyt (1623-1677) who wrote many letters to her spiritual director, Michael of St. Augustine. The book contains a transcription of the (unfortunately partly damaged) manuscript, an English translation of it, and several articles opening up new horizons concerning the life and spirituality of Maria Petyt and her historical and religious backgrounds. The authors characterize Maria Petyt as a self-confident spiritual daughter with a strong political mission, a zealous figure fighting side by side with Louis XIV for the catholic victory during the Dutch War, and as one who lived and profoundly understood the spirituality of Teresa of Avila.
Tropical Babylons
The idea that sugar, plantations, slavery, and capitalism were all present at the birth of the Atlantic world has long dominated scholarly thinking. In nine original essays by a multinational group of top scholars, Tropical Babylons re-evaluates this so-called "sugar revolution." The most comprehensive comparative study to date of early Atlantic sugar economies, this collection presents a revisionist examination of the origins of society and economy in the Atlantic world. Focusing on areas colonized by Spain and Portugal (before the emergence of the Caribbean sugar colonies of England, France, and Holland), these essays show that despite reliance on common knowledge and technology, there wer...
The Emblem
John Manning's The Emblem charts the rise and evolution of the emblem from its earliest manifestations to its emergence as a genre in its own right in the sixteenth century, and through its various reinventions to the present day.
Personification
Personification, or prosopopeia, the rhetorical figure by which something not human is given a human identity or ‘face’, is readily discernible in early modern texts and images, but the figure’s cognitive form and function, its rhetorical and pictorial effects, have rarely elicited sustained scholarly attention. The aim of this volume is to formulate an alternative account of personification, to demonstrate the ingenuity with which this multifaceted device was utilized by late medieval and early modern authors and artists in Italy, France, England, Scotland, and the Low Countries. Personification is susceptible to an approach that balances semiotic analysis, focusing on meaning effects, and phenomenological analysis, focusing on presence effects produced through bodily performance. This dual approach foregrounds the full scope of prosopopoeic discourse—not just the what, but also the how, not only the signified, but also the signifier.
The Jesuits II
Accompanying DVD includes the opera Patientis Christi memoria by Johann Bernhard Staudt, performed in the chapel of St. Mary's Hall, Boston College.
Literature without Frontiers
This volume explores the indispensability of a transnational perspective for the construction and writing of literary histories of the Low Countries from 1200- 1800. It looks at the role of mediators such as translators, printers, and editors, at characteristics of literary genres and the possibilities they offered for literary boundary crossing and adaptation, and at the role of regions and urban centers as multilingual hubs. This collection demonstrates the centrality of transnational perspectives for elucidating the complex inter-relationship between Netherlandic and European literary history. The Low Countries were a dynamic site for new literary production and transnational exchange that shaped and reshaped the intellectual landscape of premodern Europe. Contributors include: Lia van Gemert, Lucas van der Deijl, Feike Dietz, Paul Wackers, David Napolitano, James A. Parente, Jr., Frank Willaert, Youri Desplenter, Bart Besamusca, Frans R.E. Blom, and Jan Bloemendal.
