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'Wry, sharp-eyed and uncompromising, The Caiplie Caves is the most ambitious collection yet from an essential poet.' The Telegraph ‘Karen Solie should be read wherever English is spoken’. – Michael Hofmann, LRB The Canadian Karen Solie is rapidly establishing a reputation as one of the most important poets at work today. Her fifth book of poetry, The Caiplie Caves, is a profound and timely consideration of the nature of crisis: at its heart is the figure of St Ethernan, a seventh-century Irish missionary to Scotland who retreated to the caves of the Fife coast in order to decide whether to establish a priory on May Island or pursue a life of solitude. His decision would have been infor...
Short Haul Engine is a tough-minded, original, unyielding first collection. Although the subject matter is often back roads fever, that dead-end dreaminess, the poems are shot through with a smashing energy and a willingness to say just about anything, no matter how risky or wild. Karen Solie is a unique blend of irony and guts, of snarl and praise. She is so talented that even her darkest poems dazzle. --Brick Brooks.
Evade your eye. Try to see as others do what is desired or refused. What went wrong. Or right, then wrong. Objectively, what hangs. Pull yourself together. Years are neither kind nor cruel. You drag on. The girl is gone. Consider that it might be time to call in a professional. Blood is fearless, runs to meet a touch, indiscriminate, remembering the first time it fell in love with the world, unaware that now you are alone. From "Mirror" In Modern and Normal, Karen Solie takes her on-the-road fascination with being between places to a new level, exploring conceptual and perceptual states of in-betweenness - for example, between what is perceived and what is actually there, or between and amon...
Karen Solie won the Canadian Griffin Prize with only her third collection, Pigeon, in 2010, and has quickly established herself as one of the most distinctive and unsettling voices in Canadian poetry, a 'sublime singer of existential bewilderment'. Her poems are X-rays of our delusions and mistaken perceptions, explorations of violence, bad luck, fate, creeping catastrophe, love, desire, and the eros of danger, constantly exposing the fragility of the basis of trust on which modern humanity relies. They are double-edged, tense and tender, an edgy blend of irony and guts, of snarl and praise, of sharp intelligence and quizzical ambiguity. Poetry Book Society Recommendation.
Karen Solie launched to prominence with her first collection of poems, Short Haul Engine (2001), finalist for the Griffin Poetry Prize and winner of many other awards and citations. She continued her upward trajectory with Modern and Normal (2005), and is now considered one of Canada's best poets. Pigeon is yet another leap forward for this singer of existential bewilderment. These poems are X-rays of our delusions and mistaken perceptions, explorations of violence, bad luck, fate, creeping catastrophe, love, and the eros of danger. Once again, Solie shows that her ear is impeccable, her poetic intelligence rare and razor-sharp.
In her fourth collection, and the first since the Griffin Poetry Prize–winning Pigeon, Karen Solie advances her extraordinary poetics of impetus and second thoughts. Ferrying the intimate self through the public realm, these poems meditate on the tensile strength of our most elemental bonds and beliefs. Consistently attuned to the demotic and the enigmatic, she returns our language to us as if new again, in a style somehow both nomadic and steady, both unpredictable and meticulously crafted. Intelligent, witty, tough-minded, and perceptive, The Road In Is Not the Same Road Out offers Solie's most exciting and captivating work to date, in poems of natural contemplation and uncertainty ranging under the aegis of lyric grace.
Rewilding: Poems for the Environment is an essential volume of contemporary poetry that encourages us to reevaluate and restore our relationship with the nonhuman world, featuring poems by Camille Dungy, Joy Harjo, Ted Kooser, Aimee Nezhukumatathil, Craig Santos Perez, Karen Solie, and a 100 more renowned and emerging poets.
Based on the author's Clarendon Lectures, this volume studies four water-borne poems by Rainer Maria Rilke, Arthur Rimbaud, Eugenio Montale, and Karen Solie that each study a different aspect of 'the ship'.
In this new edition of Janet Lewis’s classic short novel, The Wife of Martin Guerre, Swallow Press executive editor Kevin Haworth writes that Lewis’s story is “a short novel of astonishing depth and resonance, a sharply drawn historical tale that asks contemporary questions about identity and belonging, about men and women, and about an individual’s capacity to act within an inflexible system.” Originally published in 1941, The Wife of Martin Guerre has earned the respect and admiration of critics and readers for over sixty years. Based on a notorious trial in sixteenth-century France, this story of Bertrande de Rols is the first of three novels making up Lewis’s Cases of Circumstantial Evidence suite (the other two are The Trial of Sören Qvist and The Ghost of Monsieur Scarron). Swallow Press is delighted and honored to offer readers beautiful new editions of all three Cases of Circumstantial Evidence novels, each featuring a new introduction by Kevin Haworth.
Shortlisted for the Saskatchewan Book Award (Poetry Book) 2023 Shortlisted for the Saskatchewan Book Award (City of Saskatoon) 2023 Shortlisted for the Derek Walcott Prize for Poetry 2022 Shortlisted for the Pat Lowther Memorial Award 2022 Field Requiem bears witness to the violence inherent in the shift to industrialised farming in prairie Canada. Sheri Benning's poems chart the ways in which a way of life collapses, the world of the family farm, even as the speaker suffers, too. The first poem in the collection, 'Winter Sleep', is a fever dream: the borders between past and present, between the unconscious and the real, break down. The poem reckons with the devastating social and environme...