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This collection of essays is an interdisciplinary work bringing together an internationally acclaimed group of transgender writers. Informed by both academic and street experiences, it considers the practical issues faced in changing the world view of gender as well as the limitations of queer, feminism and post-modernism. In a wide-ranging set of contributions, it addresses our engendered places now and what we can aim for in the future. It evaluates the mechanisms we can use to galvanize both the micro theories of gender as a personal experience of oppression and the macro theories of gender as a site of social regulation. The collection aims to take identity politics and reclaim identity for the self.
Reprint of the original, first published in 1882.
"Since the publication of Lanark in 1981 Alasdair Gray has been a figure of importance in contemporary literature. Now, through attention to mixed genre, counter-historical narrative, and the thematics of memory, this first study of Alasdair Gray's novels shows the coherence of the Scottish writer's varied body of work. Stephen Bernstein refuses to view Gray's work through the vague lens of postmodernism, seeing Gray instead as a writer at home in a variety of literary traditions. Beginning by providing an American audience with backgrounds to Gray's work, this study recounts the chronology of his publications and their reception by an international audience, simultaneously placing his writing in the contexts of Scottish culture and literature."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Ch. 1. The brain as a survival machine -- ch. 2. A chemical code for survival -- ch. 3. Serotonin, steroids and signallung -- ch. 4. The brain and stress -- ch. 5. The weight-watcher in the brain -- ch. 6. Staying wet and salty -- ch. 7. Keeping warm, staying cool -- ch. 8. The sexual brain -- ch. 9. Bonding, motherhood and love -- ch. 10. The brain goes to war -- ch. 11. The ryhthm of life -- ch. 12. The brain breaks down -- ch. 13. Individuality.
This book examines the position and role of expertise in European policy-making and governance. At a time when the very notion of expertise and expert advice is increasingly losing authority, the book addresses these challenges by empirically examining specific administrative processes and institutional designs in the European Union. The first part of the volume theorizes expertise and its contestation by examining accounts of the legitimate institutional design of knowledge production processes and exploring the theoretical links of Europeanisation and expertise. The second part of the book delves into empirical institutionalist accounts of expertise and maps the role of experts in a variet...
The essays in this volume contribute diversely towards a revision and a reconceptualization of nineteenth-century France, with many adopting interdisciplinary methodologies attentive to the interplay between literature, history, art, popular and high culture, politics and science.
This guide covers everything, from Wales' pumping nightlife and rural cosmopolitanism to its crags and castles. Critical reviews are given on accommodation and restaurants suiting all pockets, from budget to luxury. There are detailed descriptions of numerous walks, from gentle lakeside strolls to serious mountain scrambles, and water sports, including surfing and the locally pioneered sport of coasteering.
SHORTLISTED FOR THE 2020 BAILLIE GIFFORD PRIZElonglisted for the ALCS GOLD DAGGER FOR NON-FICTIONA BOOK OF THE YEAR IN THE SUNDAY TIMES, THE TIMES, DAILY TELEGRAPH, i PAPER, NEW STATESMAN, SPECTATOR AND THE SUNDAY EXPRESS 'A page-turner with the authority of history' PHILIPPA GREGORY'As gripping as a novel. An engaging, unsettling, deeply satisfying read' SARAH WATERS'A wonderful book about the world of mediums' HILARY MANTEL, Open Book, BBC Radio 4London, 1938. Alma Fielding, an ordinary young woman, begins to experience supernatural events in her suburban home. Nandor Fodor - a Jewish-Hungarian refugee and chief ghost hunter for the International Institute for Psychical research - begins t...
The last two decades have witnessed a revolution in the realm of typography, with the virtual disappearance of hot-lead typesetting in favor of the so-called digital typesetting. The principle behind the new technology is simple: imagine a very fine mesh superimposed on a sheet of paper. Digital typesetting consists in darkening the appropriate pixels (tiny squares) of this mesh, in patterns corresponding to each character and symbol of the text being set. The actual darkening is done by some printing device, say a laser printer or phototypesetter, which must be told exactly where the ink should go. Since the mesh is very fine-the dashes surrounding this sentence are some six pixels thick, and more than 200 pixels long-the printer can only be controlled by a computer program, which takes a "high-level" description of the page in terms of text, fonts, and formatting commands, and digests all of that into "low-level" commands for the printer. TEX is such a program, created by Donald E. Knuth, a computer scientist at Stanford University.