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The End of Forgetting
Thanks to Facebook and Instagram, our childhoods have been captured and preserved online, never to go away. But what happens when we can’t leave our most embarrassing moments behind? Until recently, the awkward moments of growing up could be forgotten. But today we may be on the verge of losing the ability to leave our pasts behind. In The End of Forgetting, Kate Eichhorn explores what happens when images of our younger selves persist, often remaining just a click away. For today’s teenagers, many of whom spend hours each day posting on social media platforms, efforts to move beyond moments they regret face new and seemingly insurmountable obstacles. Unlike a high school yearbook or a sh...
Content
A concise introduction to content and the content industry, from the early internet to the Instagram egg. From the time we roll out of bed to check overnight updates to our last posts, likes, and views of the previous day, we're consuming and producing content. But what does the term “content” even mean? When did it become ubiquitous? And at what cost? In this volume in the MIT Press Essential Knowledge series, Kate Eichhorn offers a concise introduction to content and the content industry, examining the far-reaching effects content has on culture, politics, and labor in a digital age. Eichhorn traces the evolution of our current understanding of content from the early internet to the cu...
The Archival Turn in Feminism
In the 1990s, a generation of women born during the rise of the second wave feminist movement plotted a revolution. These young activists funneled their outrage and energy into creating music, and zines using salvaged audio equipment and stolen time on copy machines. By 2000, the cultural artifacts of this movement had started to migrate from basements and storage units to community and university archives, establishing new sites of storytelling and political activism. The Archival Turn in Feminism chronicles these important cultural artifacts and their collection, cataloging, preservation, and distribution. Cultural studies scholar Kate Eichhorn examines institutions such as the Sallie Bingham Center for Women’s History and Culture at Duke University, The Riot Grrrl Collection at New York University, and the Barnard Zine Library. She also profiles the archivists who have assembled these significant feminist collections. Eichhorn shows why young feminist activists, cultural producers, and scholars embraced the archive, and how they used it to stage political alliances across eras and generations. A volume in the American Literatures Initiative
Child Data Citizen
An examination of the datafication of family life--in particular, the construction of our children into data subjects. Our families are being turned into data, as the digital traces we leave are shared, sold, and commodified. Children are datafied even before birth, with pregnancy apps and social media postings, and then tracked through babyhood with learning apps, smart home devices, and medical records. If we want to understand the emergence of the datafied citizen, Veronica Barassi argues, we should look at the first generation of datafied natives: our children. In Child Data Citizen, she examines the construction of children into data subjects, describing how their personal information is collected, archived, sold, and aggregated into unique profiles that can follow them across a lifetime.
Fieldnotes, a Forensic
SHORTLISTED FOR THE 2011 GOVERNOR GENERAL'S AWARD Her painful legs refused to emerge. It was a question of a particular movement. A passage from analyses to terrifying hallucination. The pressure oozing out of her. Still nursing she held up the head. Her own singular sensation of pain. Ferociously archival proof of an event that left no other material. Fieldnotes, a forensic charts one forensic anthropologist's series of descents in the first decade of the new millennium - a decade when forensic discourses and experts became ubiquitous in popular culture and on the daily news. But the edgy, passionate and erudite writer of these fieldnotes is no Temperance Brennan or Kathy Reichs. Part parody of popular discourses on the forensic anthropologist, part exegesis of the fieldnote genre, and part response to the natural and human catastrophes that unfolded during the writing of this book, Eichhorn's second collection continues to explore the poetics and affective dimensions of knowledge making at the edges of poetry and fiction.
Fond
Poetry. What drives the collector? Is the archive a site of order, the convergence of past narratives and present desires, the chaotic reflection of passions spilling over categories? Is every lover an archive waiting to come undone? Every archive a place where the dust of bodies accumulates? One file in a fonds of misplaced manuscripts, FOND is haunted by an author's compulsion to repeat and the archive's inevitable limits. A finding aid guides the reader through a field of drafts, grids and marginalia, but can it account for this conflicting narrative of desire and its inevitable unraveling? A book-length disentanglement of one archive of emotion, FOND dwells in the eerily familiar, exposing the fragility of our most rigid constraints. Kate Eichhorn's poetry and creative prose have appeared in journals such as Matrix, How 2, Bird Dog and CV2. She is also the co-editor of Innovative Canadian Women's Poetry and Poetics (forthcoming from Coach House Books).
Enduring Time
We are currently seeing dramatic changes in the ways we imagine and experience time. Permanent debt, unending violent conflict, climate change, economic instability, and widening social inequalities have led to suggestions that we are now living in the time of the 'end times'. In the shadow of a foreshortened future, the present is increasingly experienced as a form of 'non-stop inertia', resulting in experiences of time as both frenetic but also stuck - revving up, as Ivor Southwood puts it, to go nowhere. So, where do we go and how when all options seem to have run their course and time is no longer moving forward? Enduring Time proposes some alternative relations of time which provide hopeful alternatives to the dominating models of oppression, limitation and exploitation. A strikingly original philosophy of time which also provides students and scholars with a rigorous and detailed survey of contemporary theories of time, Enduring Time is an indispensable read for those attempting to live meaningfully in the current age.
With Good Intentions
This edited colleciton examines aspects of the lives of individuals of European ancestry and organizations working with Aboriginal peoples against injustice in colonial Canada between the mid-19th century and the first 2 decades of the 20t century. The people in these chapters allied themselves with Aboriginal people who were actively resisting injustices, and worked in various ways to address them.
Saving the Media
The media are in crisis. Confronted by growing competition and sagging advertising revenue, news operations in print, on radio and TV, and even online are struggling to reinvent themselves. Many have gone under. For too many others, the answer has been to lay off reporters, join conglomerates, and lean more heavily on generic content. The result: in a world awash with information, news organizations provide citizens with less and less in-depth reporting and a narrowing range of viewpoints. If democracy requires an informed citizenry, this trend spells trouble. Julia Cagé explains the economics and history of the media crisis in Europe and America, and she presents a bold solution. The answe...
A Comedian and an Activist Walk into a Bar
Comedy is a powerful contemporary source of influence and information. In the still-evolving digital era, the opportunity to consume and share comedy has never been as available. And yet, despite its vast cultural imprint, comedy is a little-understood vehicle for serious public engagement in urgent social justice issues – even though humor offers frames of hope and optimism that can encourage participation in social problems. Moreover, in the midst of a merger of entertainment and news in the contemporary information ecology, and a decline in perceptions of trust in government and traditional media institutions, comedy may be a unique force for change in pressing social justice challenges...
