You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In the Sixties, the Flower Children were making love not war, the Hippies were dropping acid and protesting Vietnam and Dr. Martin Luther King Jr. was demanding civil rights. Cults, communes and live-ins sprang up around the country. One charismatic leader started a cult in New England that continues to this day. This shocking true story tells of one girl's life in that cult. Brought there as a three year old, cut off from all contact with the outside world, the young Andie struggles to survive in a world that is both claustrophobic and frightening. In the wake of Jonestown, Waco and Heaven's Gate, we see a closeup view of life in a cult and a young girl's escape from one brave new world to another.
This is Kate Gale's fifth book of poetry. Known for her gutsy, sensual, dark and glittery poems, this is work about the world as it is: hard, cold, asking you for your money and then shooting you anyway. One of a new breed of very successful, edgy poets, Gale is unwilling to soft-soap the way the world works. These poems are tingling, raw and clouded with sadness.Kate Gale has a doctorate in English literature from Claremont and is managing editor of Red Hen Press. In addition to poetry, she has published one children's book, a novel and is the editor of four anthologies. She lives and writes in Los Angeles, California.
“One of those life-changing reads that makes you see—or, in this case, hear—the whole world differently.” —Megan Angelo, author of Followers “At times chilling, often funny, and always perceptive and cogent, Cultish is a bracing reminder that the scariest thing about cults is that you don't realize you're in one till it's too late.”—Refinery29.com The New York Times bestselling author of The Age of Magical Overthinking and Wordslut analyzes the social science of cult influence: how “cultish” groups, from Jonestown and Scientologists to SoulCycle and social media gurus, use language as the ultimate form of power. What makes “cults” so intriguing and frightening? What m...
When Princess Riva is born, a witch predicts that she will drive away when she turns sixteen, and never return, but a wise woman says the princess will sleep and not wake unless she does so by her own efforts within five years, in a version of "Sleeping Beauty" set in an African kingdom.
Editors John Brantingham and Kate Gale bring together many of Southern California's finest storytellers in this celebration and exploration of Los Angeles and its surrounding environs.
This edited volume provides new readings of the life and career of iconic actress Vivien Leigh (1913-67), written by experts from theatre and film studies and curators from the Victoria and Albert Museum, London. The collection uses newly accessible family archives to explore the intenselycomplex relationship between Vivien Leigh's approach to the craft of acting for stage and screen, and how she shaped, developed and projected her public persona as one of the most talked about and photographed actresses of her era.With key contributors from the UK, France and the US, chapters range from analyses of her work on stage and screen to her collaborations with designers and photographers, an analysis of her fan base, her interior designs and the "public ownership" of Leigh's celebrity status during her lifetime andbeyond.
Christmas with her boyfriend's family seems like a lovely idea—until she finds her previous Dom staying for the holidays too. Kate Baker is nervous about meeting her boyfriend Daniel's family. When she walks into the family home to find Grant, her former Dom, spending the holidays with them too, her world turns upside down. How can she spend Christmas with the man who shattered her heart and broke her trust in the whole BDSM scene? Although she had no idea that Grant and Daniel were brothers, Grant revives all those needs that Daniel can't fulfill. But she won't give up the man who helped mend her broken heart after Grant shattered it—even if she has to bury the submissive part of herself to do it. A year ago, Grant Farrell left the woman he loved—and the best sub he's ever controlled—to tend the family ranch after his father's death. It almost tore his heart out to leave Kate but he had no other choice. But he doesn't realize how much it hurt them both until she shows up at his family's home on his brother's arm.
Darkness and Light: Private Writing as Art is an anthology of contemporary journals, diaries, and notebooks. Excerpts from the private writings of 14 sensitive and reflective women and men are included, as well as two essays that address questions surrounding the journal-as-art. The pieces contained in the collection offer a variety of writing styles, subjects, and themes. Editors Olivia Dresher and Victor Munoz feel that the domain of the journal can encompass much more than the typically historical or therapeutic, and wish to present the concept of the journal/diary/notebook as a distinct literary genre, as an open testament to the full and mysterious variety of human life and thought.
This award-winning debut book of poetry examines race, masculinity, religion, class, and the African American experience in the American Midwest. A book of elegiac ambivalence, Testify’s speaker often finds himself trapped between received binaries: black and white, ghetto and suburban, atheism and Catholicism. In many ways, this work is a Bildungsroman detailing the maturation of a black man raised in the crack-laden 1980s, with hip-hop, jazz, and blues as its soundtrack. Rendered with keen attention to the economic decline of the Midwest due to the departure of the automotive industry, this book portrays the speaker wrestling with his city’s demise, family relationships, interracial lo...
The new book by prize-winning biographer Evelyn Juers, author of The House of Exile and The Recluse, portrays the life and background of a pioneering Australian dancer who died at the age of twenty-five in a remote town in India. A uniquely talented dancer and choreographer, Philippa Cullen grew up in Australia in the 1950s and 60s. In the 1970s, driven by the idea of dancing her own music, she was at the forefront of the new electronic music movement, working internationally with performers, avant-garde composers, engineers and mathematicians to build and experiment with theremins and movement-sensitive floors, which she called body-instruments. She had a unique sense of purpose, read widel...