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Staging a Revolution
Claire Dobbin, Helen Garner, Evelyn Krape, Jude Kuring and Yvonne Marini mocked the ocker character beloved by Pram Factory playwrights, and performed monologues about men, sex, and how they felt "as a woman". Directed by Kerry Dwyer and produced by the Carlton Women's Liberation group, the play's frank revelations stunned audiences and shocked the Pram Factory world. Set against a backdrop of moratorium marches, inner-city cafes and share houses, and the rising tide of sexual liberation and countercultural movements, Kath Kenny uses interviews and archival material to tell the story of Betty Can Jump. On the 50th anniversary of this ground-breaking play, she considers its ongoing impact on Australian culture, and asks why the great cultural renaissance of women's liberation has been largely forgotten. She sets out her stake in this story, as a theatre reviewer today and as a child born into the revolutionary early 1970s. And she asks why feminism keeps getting stuck in mother-daughter battles, rethinking her own experience as a young feminist who clashed with Garner over the publication of The First Stone.
Snapshot
excerpt from 'Little Paul' I have to be careful climbing this time. I have been up on the pump tower lots of times before but never with a heavy rope tied around my waist. The rope is gently tugging at my middle as I continue to climb. I dont wipe the sweat from my face because my hands will get slippery. The water pump tower has a pipe railing about chest-high that runs all the way around following the little walkway on the top. I wrap the rope around the pipe rail and start working out the slack. This is really hard to do because the rope is heavy, especially now that it is almost off the ground. There is a small hill about two thirds of the way to the barn. The rope is still on the ground...
A Collection of Performance Tasks & Rubrics: Middle School Mathematics
Contains performance tasks that can be used to assess high school students' understanding of the basic concepts used in mathematics.
First Person Narratives and Third-wave Feminism
More than half a century after Betty Friedan's The Feminine Mystique and forty years after Anne Summers' Damned Whores and God's Police raised alarms about the levels of prescription drug use among women in America and Australia, respectively, two high profile Australian journalists and feminists, Lisa Pryor and Mia Freedman, wrote personal columns about juggling work and family, and dealing with mental health issues through consuming anti-depressant and anti-anxiety medication. While second-wave feminists used the personal story form in the practice of consciousness raising, how do these contemporary writers - women who I argue are representative of third-wave feminism - use the personal st...
Struggles for Subjectivity
This book, first published in 2000, examines the urgent social and cultural questions faced by young people.
The Seventies
In 1970 homosexuality was illegal, God Save the Queen was our national anthem and women pretended to be married to access the pill. By the end of the decade conscription was scrapped, tertiary education was free, access to abortion had improved, the White Australia policy was abolished and a woman read the news on the ABC for the first time.The Seventies was the decade that shaped modern Australia. It was the decade of 'It's Time', stagflation and the Dismissal, a tumultuous period of economic and political upheaval. But the Seventies was also the era when the personal became political, when we had a Royal Commission into Human Relationships and when social movements tore down the boundary between public and private life. Women wanted childcare, equal pay, protection from violence and agency to shape their own lives. In the process, the reforms they sought -- and achieved, at least in part -- reshaped Australia's culture and rewrote our expectations of government.In a lively and engaging style, Michelle Arrow has written a new history of this transformative decade; one that is more urgent, and more resonant, than ever.
In the Eye of the Storm
The people who volunteered to help during the HIV/AIDS crisis of the 1980s and early 1990s provided compassion and support to heavily stigmatised people. These volunteers provided in-home care for the sick and dying, staffed needle exchanges and telephone help-lines, produced educational resources, served on boards of management, and provided friendship and practical support, among many other roles. They helped people affected by the virus to navigate a medical system that in preceding decades had been openly hostile towards the marginalised communities of homosexuals, drug users and sex workers. In the process, volunteering left and indelible mark on the lives and outlooks of these volunteers. For the first time, by focusing on individual life stories, this book explores the crucial role of the men and women who volunteered at at time of disaster. Despite their critical role, they have not been sufficiently recognised. Through their stories, drawn from oral histories conducted by the authors, we see how those on the front-line navigated and survived a devastating epidemic, and the long-term impact of those grim years of illness, death and loss.
Fashion
Inspired by a rapidly changing fashion landscape, Fashion: New Feminist Essays offers historical and contemporary studies that reveal the relationships between fashion with gender, sexuality, race, and age. Fashion is a rich terrain for feminist scholars in the twenty-first century. Explicit engagements with feminist and queer politics, critical interventions by industry outsiders across digital platforms, diversifying images of stylish bodies, and ongoing discussions of the ethics and sustainability of fashion production: all of these point to an urgent need to reappraise the relationship of fashion to feminism and other justice-seeking movements. The essays in this collection take up fashi...
Mediating Australian Feminism
Helen Garner's The First Stone (1995), a 'non-fictional' book about a sexual harassment case at a University of Melbourne residential college, captured and maintained the Australian media's attention in an unprecedented way. Its publication sparked extensive media commentary regarding an alleged generational war within Australian feminism. While talkback radio, current affairs television, and cultural events such as literary festivals and forums all took part in this heated public contest over the meanings of feminism, this book reconsiders how the debate played out in the Australian print media. Analysing texts as diverse as feature articles and opinion pieces, non-fiction by young feminist...
